Complete, actual love letters of great men like Lord Byron, John Keats and Voltaire. Leaders like Henry VIII, George Washington, and Napoleon, who wrote to his beloved Josephine, "I awake consumed with thoughts of you..." Artists like van Gogh, Mozart, and Beethoven, who famously penned, "Though still in bed, my thoughts go out to you, my Immortal Beloved..." Dozens of intimate letters, coupled with over a score of period illustrations. Plus fascinating biographies, and insights into the couples' relationships-how they got there, the obstacles they faced, and what happened next. Poet warriors, from the first through the twentieth century, including: Ovid, Sir Walter Raleigh, Goethe, Nathaniel Hawthorne, Leo Tolstoy, Victor Hugo, Shelley, Robert Browning, Edgar Allen Poe, Mark Twain, Lewis Carroll, Pierre Curie, George Bernard Shaw, Jack London, Admiral Peary, Woodrow Wilson, and many more.

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    Based on a host of recently available letters, memoirs, and manuscripts, it sheds new light on Proust's character, his development as an artist, and his masterpiece 'In Search of Lost Time' (long known in English as Remembrance of Things Past). The biography also sets Proust's life in the decadent artistic and social context of the French fin de sihcle and the years leading up to World War I. The glittering Parisian world of which Proust was a part was also home to such luminaries as Anatole France, Jean Cocteau, and Andri Gide. William Carter brings this vibrant social world to life while he explores the inner world of Proust's intellectual and artistic development, as well as his most intimate personal experience. Carter examines Proust's passionate attachment to his mother, his deep love for the scenes of his youth, his flirtation with Parisian high society, his complicated sexual desires, and his irrevocable commitment to literary truth and shows how all these played out in the making of his great novel. In the book's abundance of detail, its we

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    It also contains reminiscences of some of Cocteau's closet friends, including Nijinsky and Marcel Proust, and provides revealing insights into the creation of such masterpieces as Orphee and Les Enfants Terribles.

    Treason is afoot in the highest social circles. The very security of the nation is in peril. Jeeves, it transpires, has long been an agent of British Intelligence, but now His Majesty's Government must turn to the one man who can help . . . Bertie Wooster.In this magnificent new homage to P. G. Wodehouse, Ben Schott leads Jeeves and Wooster on an uproarious adventure of espionage through the secret corridors of Whitehall, the sunlit lawns of Brinkley Court, and the private clubs of St James's.We encounter an unforgettable cast of characters – old and new – including outraged chefs and exasperated aunts, disreputable politicians and gambling bankers, slushy debs and Cockney cabbies, sphinx-like tailors, and sylph-like spies.There is treachery to be foiled, naturally, but also horses to be backed, auctions to be fixed, engagements to be escaped, madmen to be blackballed, and a new variety of condiment to be cooked up.'Jeeves & the King of Clubs' is essential reading for aficionados of The Master, and a perfect introduction to the joys of Jeeves and Wooster for those who have never before dipped their toe.'Impossible to read without grinning idiotically.' - Mark Sanderson, Evening StandardBibliographical note: Although the cover reads 'Jeeves and the King of Clubs' , the half-title and tile page read 'Jeeves & the King of Clubs' and this is how it is catalogued above. In addition the title page does state, separate from the actual title, 'An homage to P.G. Wodehouse authorised by the Wodehouse Estate' and adds, 'With Authorial Endnotes'.

    A great classical scholar and patriot, he explored metaphysical loneliness in entirely original ways. Though he died young, his influence was enormous, and it is no exaggeration to say that all modern poetry, not only in Italian, derives in some way from his work.Leopardi's poetry is notoriously difficult to translate, and he has been less well known to English-language readers than his central significance for his own culture might suggest. Now Jonathan Galassi, whose translations of Eugenio Montale have been widely acclaimed, has produced a strong, fresh, direct version of this great poet that offers English-language readers a new approach to Leopardi. Galassi has contributed an informative introduction and notes that provide a sense of Leopardi's sources and ideas. This is an essential book for anyone who wants to understand the roots of modern lyric poetry.

    Gulliver’s Travels is, of course, his world renowned masterpiece in the genre; however, Swift wrote other, shorter works that also offer excellent evidence of his inspired lampoonery. Perhaps the most famous of these is A Modest Proposal, in which he straight-facedly suggests that Ireland could solve its hunger problems by using its children for food. Also included in this collection are The Battle of Books, A Meditation upon a Broomstick, A Discourse Concerning the Mechanical Operations of the Spirit and An Argument Against Abolishing Christianity in England.This inexpensive edition will certainly be welcomed by teachers and students of English literature, but its appeal extends to any reader who delights in watching a master satirist wield words as weapons.

    With the publication of his first book of poems, The Weary Blues, in 1926, Langston Hughes electrified readers and launched a renaissance in black writing in America.  The poems Hughes wrote celebrated the experience of invisible men and women: of slaves who "rushed the boots of Washington"; of musicians on Lenox Avenue; of the poor and the lovesick; of losers in "the raffle of night."  They conveyed that experience in a voice that blended the spoken with the sung, that turned poetic lines into the phrases of jazz and blues, and that ripped through the curtain separating high from popular culture.  They spanned the range from the lyric to the polemic, ringing out "wonder and pain and terror-- and the marrow of the bone of life."The poems in this collection were chosen by Hughes himself shortly before his death in 1967 and represent work from his entire career, including "The Negro Speaks of Rivers," "The Weary Blues," "Still Here," "Song for a Dark Girl," "Montage of a Dream Deferred," and "Refugee in America."  It gives us a poet of extraordinary range, directness, and stylistic virtuosity.

    The French turned them over to the Gestapo, who imprisoned them. Dudach was executed by firing squad in May; Delbo remained in prison until January 1943, when she was deported to Auschwitz and then to Ravensbruck, where she remained until the end of the war. This book - Delbo's vignettes, poems and prose poems of life in the concentration camp and afterwards - is a literary memoir. It is a document by a female resistance leader, a non-Jew and a writer who transforms the experience of the Holocaust into prose.

    This book gives insight to the poet Alfred Tennyson from a biographical sketch to the many examples of his great poetry.

    This is the first edition to present the novel as it originally appeared, with indications of the changes Carlyle made to later editions.

    His account of the people he encountered changed the field of anthropology, transforming Western notions of ‘primitive’ man. Tristes Tropiques is a major work of art as well as of scholarship. It is a memoir of exquisite beauty and a masterpiece of travel writing: funny, discursive, movingly detailing personal and cultural loss, and brilliantly connecting disparate fields of thought. Few books have had as powerful and broad an impact.

    As an outrageously funny spoof about the ascent of a 40,000-and-a-half-foot peak, many thought it inspired by the 1953 conquest of Everest. But Bowman had drawn on the flavour and tone of earlier adventures, of Bill Tilman and his 1937 account of the Nandi Devi expedition. The book's central and unforgettable character, Binder, is one of the finest creations in comic literature.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.