Additionally, it also contains every re-read review posted on Mark Reads.

    What's more, every police ship in space has just been alerted that Dar and Samantha are dangerous telepaths to be shot on sight.

    A mere glasswrights' apprentice must uncover an elusive brotherhood whose deadly venom reaches out to stain the heart of her guild, the heart of her family -- and the heart of her king....

    Hammond and Christina Scull examine Tolkien's masterpiece chapter by chapter, offering expert insights into its evolution, structure, and meaning. They discuss in close detail important literary and historical influences on the development of The Lord of the Rings, connections between that work and other writings by Tolkien, errors and inconsistencies, significant changes to the text during its fifty years of publication, archaic and unusual words used by Tolkien, and words and passages in his invented languages of Middle-earth. Thousands of notes, keyed to standard editions of The Lord of the Rings but universally accessible, reveal the richness and complexity of one of the most popular works of fiction in our time. In addition to their own expertise and that of other scholars and critics, Hammond and Scull frequently draw upon comments by Tolkien himself, made in letters to family, friends, and enthusiasts, in draft texts of The Lord of the Rings, and in works written in later years which amplify or illuminate characters and events in the story. Extensive reference is made also to writings by Tolkien not previously or widely published, including elaborate time-schemes, an unfinished manuscript index to The Lord of the Rings, and most notably, the important Nomenclature or guide to names in The Lord of the Rings prepared for the use of translators, long out of print and now newly transcribed and printed in its entirety. With these resources at hand, even the most seasoned reader of The Lord of the Rings will come to a greater enjoyment and appreciation of Tolkien's magnificent achievement.

    Trevor ran a witchcraft shop. Liz’s life would never be the same again…“When you find yourself on a London platform shouting into your mobile, ‘We haven’t got enough demons! Do you want me to order some more?’ as folk quietly edge away from you – you know you’re running a witchcraft shop.”Full of amusing anecdotes and witty observations, Diary of a Witchcraft Shop is a delight, and Trevor Jones and Liz Williams the most congenial of hosts. If Bill Bryson ever decided to settle down embrace paganism and open a witchcraft shop, this is surely the sort of book that would result.On taking tea:“A young woman has just bounced (and I mean BOUNCED, like Tigger) into the shop and announced that she is part of a Christian youth camp and could she bless me by buying me a tea? Why certainly! They have apparently been sent out to do good in the community, and if this means buying teas for knackered hard-working witches, then well and good. I offered her a bag of rose petals in return blessing but she was unsure and declined.”Yet Diary of a Witchcraft Shop is far more than just an amusing romp. The book offers a glimpse into the pagan world, one that isn’t sensationalist or melodramatic but is instead considered and intelligent, while providing insight into the unique community that is Glastonbury. The narrative is bursting with surprise, delight and humour, but also has its darker moments, as we share twelve months in the company of Liz and Trevor, complete with visits to the Houses of Parliament, Ireland, and Brittany, not to mention Shetland ponies interrupting druidic ritual and a TARDIS manifesting in the most unlikely of places… No, this isn’t fiction, honestly.

    We extended this invitation to our customers, in the form of a nationwide competition to win the opportunity to be published in this limited edition postcard book, alongside the original works from JK Rowling, Doris Lessing, Neil Gaiman, Michael Rosen, Nick Hornby, Sebastian Faulks, Lauren Child, Tom Stoppard, Irvine Welsh, Axel Scheffler, Margaret Atwood, Richard Ford and Lisa Appignanesi. This collection consists of 13 story cards from the authors listed above plus story cards from the three winners of the national competition. Due to the exclusive nature of this product, we are limiting orders to two (2) per customer while stocks last. All profits from the sale of this collection will go to Dyslexia Action and English PEN. Please note that because the postcard book contains a mixture of authors, some stories are not suitable for children.

    K. Rowling's first novel - Harry Potter and the Sorcerer's Stone - no series of children's books has been more incredibly popular or widely influential. How do we explain the enormous appeal of these stories to children? Should parents welcome this new interest in reading among their kids or worry, along with the critics, that the books encourage either moral complacency or a perverse interest in witchcraft and the occult?In this original interpretation of the Harry Potter sensation, Edmund M. Kern argues that the attraction of these stories to children comes not only from the fantastical elements embedded in the plots, but also from their underlying moral messages. Children genuinely desire to follow Harry, as he confronts a host of challenges in an uncertain world, because of his desire to do the right thing. Harry's coherent yet flexible approach to dealing with evil reflects an updated form of Stoicism, says Kern. He argues that Rowling's great accomplishment in these books is to have combined imaginative fun and moral seriousness.Kern's comprehensive evaluation of the Harry Potter stories in terms of ethical questions reveals the importance of uncertainty and ambiguity in Rowling's imaginative world and highlights her call to meet them with typically Stoic virtues: constancy, endurance, perseverance, self-discipline, reason, solidarity, empathy, and sacrifice. Children comprehend that growing up entails some perplexity and pain, that they cannot entirely avoid problems, and that they can remain constant in circumstances beyond their control. In essence, Harry shows them how to work through their problems, rather than seek ways around them. Despite the fantastical settings and events of Harry's adventures, children are quick to realize that they are just a weird reflection of the confusing and disturbing circumstances found in the real world.Kern also shows adults how much they can gain by discussing with children the moral conundrums faced by Harry and other characters. The author outlines the central morals of each book, explains the Stoic principles found in the stories, considers the common critiques of the books, discusses Rowling's skillful blend of history, legend, and myth, and provides important questions for guiding children through Harry's adventures.This fresh, instructive, and upbeat guide to Harry Potter will give parents many useful and educational suggestions for discussing the moral implications of this continuously popular series of books with their children. Note: This book is not authorized, approved, licensed, or endorsed by J. K. Rowling, Warner Bros., or any other individual or entity associated with the Harry Potter books or movies. Harry Potter is a registered trademark of Warner Bros. Entertainment Inc.

    With this latest book—a love letter to readers young and old about the vagaries of real life—longtime fans and new readers alike will experience Snicket’s distinctive voice in a new way.This true story—as true as Lemony Snicket himself—begins with a puzzling note under his door: You had poison for breakfast. Following a winding trail of clues to solve the mystery of his own demise, Snicket takes us on a thought-provoking tour of his predilections: the proper way to prepare an egg, a perplexing idea called “tzimtzum,” the sublime pleasure of swimming in open water, and much else.Poison for Breakfast is a classic-in-the-making that—in the great tradition of modern fables like The Little Prince and The Phantom Tollbooth—will delight readers of all ages.

    This book presents the great stories of the heroic age - "Dionysus", "Heracles", "Theseus", "The Quest for the Golden Fleece", and many more.

    In the desert water is life, and currency, and Shale has none. But he has a secret. It's the one thing that keeps him alive and may save all the cities of the Quartern in the days to come. If it doesn't get him killed first. . .Terelle is a slave fleeing a life as a courtesan. She finds shelter in the home of an elderly painter but as she learns the strange and powerful secrets of his art she fears she may have traded a life of servitude for something far more perilous. . .The Stormlord is dying in his tower and there is no one, by accident or design, to take his place. He brings the rain from the distant seas to his people. Without a Stormlord, the cities of the Quartern will wither and die. Their civilization is at the brink of disaster. If Shale and Terelle can find a way to save themselves, they may just save them all. Water is life and the wells are running dry. . .

    All of the imaginary beasts, monsters, fauna, and flora of J.R.R. Tolkien's lush fantasy worlds of the Middle-Earth and the Undying Lands are presented in more that 100 black-and-white illustrations and 36 full color paintings. A Chronology of all the historical ages, a general index, genealogies of the races of men, maps, and a special index referring to Tolkien's original works are also included.

    A place from which there is no escape...no matter how hard Violet tries.Yet all the riches in the world can’t mask the darkness that lies beneath the gilded surface, embodied in the charismatic but dangerous Kaspar Varn.Violet and Kaspar surrender to a passion that transcends their separate worlds – but it’s a passion that comes at a price...

    That was before they burst upon my life as vibrant, luminous beings, permeating my art and my everyday existence, causing glorious havoc..." In the long-awaited sequel to the international bestseller "Faeries", artist Brian Froud rescues pixies, gnomes, and other faeries from the isolation of the nursery and the distance of history, bringing them into the present day with vitality and imagination. In this richly imagined new book, Brian reveals the secrets he has learned from the faeries-- what their noses and shoes look like, what mischief and what gentle assistance they can give, what their souls and their dreams are like.As it turns out, faeries aren't all sweetness and light. In addition to such good faeries as Dream Weavers and Faery Godmothers, Brian introduces us to a host of less well behaved creatures-- traditional bad faeries like Morgana le Fay, but also the Soul Shrinker and the Gloominous Doom. The faery kingdom, we find, is as subject to good and evil as the human realm. Brilliantly documenting both the dark and the light, "Good Faeries/Bad Faeries" presents a world of enchantment and magic that deeply compels the imagination.

    K. Rowling achieved astounding commercial success with her series of novels about Harry Potter, the boy-wizard who finds out about his magical powers on the morning of his eleventh birthday. The books' incredible popularity, and the subsequent likelihood that they are among this generation's most formative narratives, call for critical exploration and study to interpret the works' inherent tropes and themes. The essays in this collection assume that Rowling's works should not be relegated to the categories of pulp fiction or children's trends, which would deny their certain influence on the intellectual, emotional, and psychosocial development of today's children. The variety of contributions allows for a range of approaches and interpretive methods in exploring the novels, and reveals the deeper meanings and attitudes towards justice, education, race, foreign cultures, socioeconomic class, and gender.Following an introductory discussion of the Harry Potter phenomenon are essays considering the psychological and social-developmental experiences of children as mirrored in Rowling's novels. Next, the works' literary and historical contexts are examined, including the European fairy tale tradition, the British abolitionist movement, and the public-school story genre. A third section focuses on the social values underlying the Potter series and on issues such as morality, the rule of law, and constructions of bravery.

    That's where Altagracia Quintero meets John Burns, just two weeks too late. Altagracia - her friends call her Grace - has a tattoo of Nuestra Senora de Altagracia on her shoulder, she's got a Ford Motor Company tattoo running down her leg, and she has grease worked so deep into her hands that it'll never wash out. Grace works at Sanchez Motorworks, customizing hot rods. Finding the line in a classic car is her calling. Now Grace has to find the line in her own life. A few blocks around the Alverson Arms is all her world -- from the little grocery store where she buys beans, tamales, and cigarettes ("cigarettes can kill you," they tell her, but she smokes them anyway) to the record shop, to the library where Henry, a black man confined to a wheelchair, researches the mystery of life in death - but she's got unfinished business keeping her close to home. Grace loves John, and John loves her, and that would be wonderful, except that John, like Grace, has unfinished business - he's haunted by the childhood death of his younger brother. He's never stopped feeling responsible. Like Grace in her way, John is an artist, and before their relationship can find its resolution, the two of them will have to teach each other about life and love, about hot rods and Elvis Presley, and about why it's necessary to let some things go.