As with his music, Steve has written a highly detailed, entertaining and embracing tome that charts his life in full, but with a firm emphasis on his years with Genesis that saw the band’s meteoric rise to become one of the most successful British bands of all time.Steve talks candidly about his early life, his time with Genesis, and his personal relationships with the other four band members, with great insight into the daily goings on of this major rock band.Naturally A Genesis In My Bed also regales stories of Steve’s career since leaving Genesis and the many different journeys that it has taken him on. With his flair for the creative, and a great deal of levity, A Genesis In My Bed is a riveting read. Indispensable for Genesis fans but also essential for general music lovers and avid readers of autobiographies full of heartfelt and emotive tales.

    a sublime and unparalleled crafter of words' Independent Victoria Wood's wit and humour endeared her to millions of TV viewers for over four decades. Writer, producer and actress of television shows such as As Seen on TV and Dinnerladies, Victoria was often voted the funniest woman in Britain. Her rise to stardom, from her early years in Lancashire to the successes of the sell-out shows at the Royal Albert Hall, is sympathetically and honestly portrayed by Neil Brandwood. This meticulously researched and written biography provides an insightful account of the life and career of one of Britain's best-loved comediennes.

    It is the smells, the sounds, the fears and the petty triumphs in the world of the street pimp.

    Focusing on the visions of activists from C. L. R. James to Aime Cesaire and Malcolm X, Kelley writes of the hope that Communism offered, the mindscapes of Surrealism, the transformative potential of radical feminism, and of the four-hundred-year-old dream of reparations for slavery and Jim Crow. From 'the preeminent historian of black popular culture' (Cornel West), an inspiring work on the power of imagination to transform society.

    Angela Davis provides the historical, social, and political contexts with which to reinterpret the performances and lyrics of Gertrude Ma Rainey, Bessie Smith, and Billie Holiday as powerful articulations of an alternative consciousness profoundly at odds with mainstream American culture.The works of Rainey, Smith, and Holiday have been largely misunderstood by critics. Overlooked, Davis shows, has been the way their candor and bravado laid the groundwork for an aesthetic that allowed for the celebration of social, moral, and sexual values outside the constraints imposed by middle-class respectability. Through meticulous transcriptions of all the extant lyrics of Rainey and Smith--published here in their entirety for the first time--Davis demonstrates how the roots of the blues extend beyond a musical tradition to serve as a conciousness-raising vehicle for American social memory. A stunning, indispensable contribution to American history, as boldly insightful as the women Davis praises, Blues Legacies and Black Feminism is a triumph.

    The case exemplifies how the death penalty in America is a direct descendant of lynching — a system that treats the rich and guilty better than the poor and innocent.

    Driving. Always driving.' Gwenda had always loved the open road, but her home town of Newcastle didn't really offer the sort of adventure she longed for. So, in 1957, with friend and fellow nurse Pat in tow, she left the dismal British winter behind, and embarked on an amazing American adventure.After a year nursing in Cleveland, Gwenda, Pat and three new friends set off on a road trip around North America, driving in a rickety 1949 Ford. What follows is the charming true story of five remarkable young women. Over the course of eighteen months, the girls go to a 4th July rodeo, visit San Francisco and Las Vegas, learn to surf in Hawaii, spot movie stars in Hollywood and celebrate Mardi Gras in New Orleans.Wherever they go, the travelling nurses cause a sensation. This is a delightfully nostalgic memoir of friendship and the romance of the open road.

    With its wealth of photographs, album artwork and archive memorabilia, this is the ultimate celebration of the young singer-songwriter Taylor Swift.

    In We Want Freedom, Mumia combines personal experience with extensive research to provide a compelling history of the Black Panther Party—what it was, where it came from, and what rose from its ashes. Mumia also pays special attention to the U.S. government’s disruption of the organization through COINTELPRO and similar operations.While Abu-Jamal is a prolific writer and probably the world’s most famous political prisoner, this book is unlike any of Mumia’s previous works. In We Want Freedom, Abu-Jamal applies his sharp critical faculties to an examination of one of the U.S.’s most revolutionary and most misrepresented groups. A subject previously explored by various historians and forever ripe for "insider" accounts, the Black Panther Party has not yet been addressed by a writer with the well-earned international acclaim of Abu-Jamal, nor with his unique combination of a powerful, even poetic, voice and an unsparing critical gaze. Abu-Jamal is able to make his own Black Panther Party days come alive as well as help situate the organization within its historical context, a context that included both great revolutionary fervor and hope, and great repression. In this era, when the US PATRIOT Act dismantles some of the same rights and freedoms violated by the FBI in their attack on the Black Panther Party, the story of how the Party grew and matured while combating such invasions is a welcome and essential lesson.

    His murder was part of a wave of white terrorism in the wake of the 1954 Supreme Court decision that declared public school segregation unconstitutional. Only weeks later, Rosa Parks thought about young Emmett as she refused to move to the back of a city bus in Montgomery, Alabama. Five years later, Black students who called themselves “the Emmett Till generation” launched sit-in campaigns that turned the struggle for civil rights into a mass movement. Till’s lynching became the most notorious hate crime in American history.But what actually happened to Emmett Till—not the icon of injustice, but the flesh-and-blood boy? Part detective story, part political history, drawing on a wealth of new evidence, including a shocking admission of Till’s innocence from the woman in whose name he was killed. this book provides fresh insight into the way race has informed and deformed our democratic institutions.

    Shared as a lullaby to her daughter, a soulful song recounts Simone's career, the trials she faced as an African American woman, and the stand she took during the Civil Rights Movement. This poignant picture book offers a melodic tale that is both a historic account of an iconic figure and an extraordinary look at how far we've come and how far we still need to go for social justice and equality. A timeless and timely message aptly appropriate for today's social and political climates. ♦ "A good introduction to Simone's life, from her early love of music to her rise to the status of legend" --Kirkus Reviews, starred review♦ "Strikingly illustrated" --Booklist, starred review♦ "Hauntingly beautiful illustrations" --Foreword Reviews, starred review"Stirring and powerful. . . " --BookPage

    Two hundred years later, Joy Harjo returns to her family’s lands and opens a dialogue with history. In An American Sunrise, Harjo finds blessings in the abundance of her homeland and confronts the site where her people, and other indigenous families, essentially disappeared. From her memory of her mother’s death, to her beginnings in the native rights movement, to the fresh road with her beloved, Harjo’s personal life intertwines with tribal histories to create a space for renewed beginnings. Her poems sing of beauty and survival, illuminating a spirituality that connects her to her ancestors and thrums with the quiet anger of living in the ruins of injustice. A descendent of storytellers and “one of our finest—and most complicated—poets” (Los Angeles Review of Books), Joy Harjo continues her legacy with this latest powerful collection.

    What do you have to lose? This question, posed by then-presidential candidate Donald Trump to potential black voters, was mocked and dismissed by the mainstream media. But for Candace Owens and many others, it was a wake-up call. A staunch Democrat for all of her life, she began to question the left’s policies toward black Americans, and investigate the harm they inflict on the community. In Blackout, social media star and conservative commentator Owens addresses the many ways that liberal policies and ideals are actually harmful to African Americans and hinder their ability to rise above poverty, live independent and successful lives, and be an active part of the American Dream. Weaving in her personal story that brought her from the projects to 1600 Pennsylvania Avenue, she demonstrates how she overcame her setbacks and challenges despite the cultural expectation that she should embrace a victim mentality. Owens argues that government assistance is a double-edged sword, that the left dismisses the faith so important to the black community, that Democratic permissiveness toward abortion disproportionately affects the black babies, that the #MeToo movement hurts black men, and much more. Well-researched and intelligently argued, Blackout lays bare the myth that all black people should vote Democrat—and shows why turning to the right will leave them happier, more successful, and more self-sufficient.

    And I make my analogy through the slave citizen's music—through the music that is most closely associated with him: blues and a later, but parallel development, jazz... [If] the Negro represents, or is symbolic of, something in and about the nature of American culture, this certainly should be revealed by his characteristic music."So says Amiri Baraka in the Introduction to Blues People, his classic work on the place of jazz and blues in American social, musical, economic, and cultural history. From the music of African slaves in the United States through the music scene of the 1960's, Baraka traces the influence of what he calls "negro music" on white America—not only in the context of music and pop culture but also in terms of the values and perspectives passed on through the music. In tracing the music, he brilliantly illuminates the influence of African Americans on American culture and history.

    While he viewed slavery as a moral crime abhorrent to American principles, he disapproved of anti-slavery activists. Until the last year of his life, he advocated "voluntary deportation," concerned that free blacks in a white society would result in centuries of conflict. In 1861, he had reluctantly taken the nation to war to save it. While this devastating struggle would preserve the Union, it would also abolish slavery—creating the biracial democracy Lincoln feared. John Quincy Adams, forty years earlier, was convinced that only a civil war would end slavery and preserve the Union. An antislavery activist, he had concluded that a multiracial America was inevitable.Lincoln and the Abolitionists, a frank look at Lincoln, "warts and all," provides an in-depth look at how these two presidents came to see the issues of slavery and race, and how that understanding shaped their perspectives. In a far-reaching historical narrative, Fred Kaplan offers a nuanced appreciation of both these great men and the events that have characterized race relations in America for more than a century—a legacy that continues to haunt us all.The book has a colorful supporting cast from the relatively obscure Dorcas Allen, Moses Parsons, Violet Parsons, Theophilus Parsons, Phoebe Adams, John King, Charles Fenton Mercer, Phillip Doddridge, David Walker, Usher F. Linder, and H. Ford Douglas to Elijah Lovejoy, Francis Scott Key, William Channing, Wendell Phillips, and Rufus King. The cast includes Hannibal Hamlin, Lincoln’s first vice president, and James Buchanan and Andrew Johnson, the two presidents on either side of Lincoln. And it includes Abigail Adams, John Adams, Henry Clay, Stephen A. Douglas, and Frederick Douglass, who hold honored places in the American historical memory.The subject of this book is slavery and racism, the paradox of Lincoln, our greatest president, as an antislavery moralist who believed in an exclusively white America; and Adams, our most brilliant statesman, as an antislavery activist who had no doubt that the United States would become a multiracial nation. It is as much about the present as the past.