Long may he reign."Everyday MUTTS marks the 11th book of the award-winning MUTTS strip. It is the follow-up to Patrick McDonnell's successful collection Who Let the Cat Out? as well as his first storybook, The Gift of Nothing, which reached the New York Times Best-Seller List for Children's Picture Books in January 2006. McDonnell's classic cartooning style not only delivers consistent laughs but often a message that reminds us to take care of our furry friends. With its expressive art and clever, often philosophical pet banter, MUTTS has built a large and loyal fan base among readers and cartoonists alike. McDonnell is a past winner of the National Cartoonists Society's Reuben Award, and MUTTS won the coveted Comic Strip of the Year Award in 1996. This unique collection includes 16 pages of full-color bonus material, including watercolors, other artwork, and items personally selected from the creator's sketchbook to accompany the black-and-white dailies and McDonnell's Sunday pages with his signature title panels. As always, the tales-and tails-of this especially close dog-kitty friendship can be counted on for charming adventures and gentle laughs, reminding us that there is more than it seems to the Everyday MUTTS we meet on the street.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    I think you're in for a real treat." --Bill Watterson, creator of Calvin and Hobbes, 2008"One of the five best features in any newspaper, period." --The Comics Reporter"One of the few strips around where nearly every individual panel is stand-alone delight." --The Onion "...it really seems like the inheritor of 'Calvin and Hobbes.'" --Art Spiegelman"I can't say enough in his favor, so much is my admiration for his work." --Pat OliphantMore than half of our nation's population resides in the 'burbs. Knowingly, Richard Thompson's Cul de Sac follows the antics of four-year-old Alice Otterloop as she navigates her way through life at Blisshaven Preschool, "the scene of [her] daily toil." Suburbanites across the nation will easily recognize the quirks and conundrums associated with house-lined streets, sidewalk canvases, and magnetified refrigerator art.Instructed by the proper Miss Bliss, Alice regularly has issues with taking a nap, speaking out of turn, and remembering what a triangle looks like. Helping her through life's ups and downs are her eight-year-old brother Petey, Dad (a.k.a. Peter), and Mom (a.k.a. Madeline), as well as Mr. Danders, the preschool's pompously pedantic guinea pig.This is the strip's first book collection incorporating more than a year's worth of strips dating back to the cartoon's 2007 debut. Thompson has received critical praise for doing a masterful job of commenting on social issues while entertaining in a freshly amusing and unexpected way.

    Daniel Way's hilarious, action-packed run begins here! When the Merc with a Mouth is hired to rub out Wolverine, sparks will fly! But when both men can regenerate any wound in minutes, how can either one expect to finish off his foe? And whoever wins will have to face Wolverine's murderous son, Daken! Then: The Skrulls have infiltrated Earth, but nobody warned them about Deadpool! The invaders replicate Deadpool's healing factor in a new generation of Super-Skrulls - but why is Deadpool himself leading this brigade against Earth? And when Norman Osborn double-crosses Deadpool, the maniacal merc unleashes a full-on assault against Avengers Tower! Norman must pull out all the stops - and that means deploying his new team of bloodthirsty, black-ops Thunderbolts!Collecting: Wolverine: Origins 21-25; Deadpool 1-12, Saga; Thunderbolts 130-131

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    Just see what their mothers have to say!"Dave is a nice, young man with a bright future ahead of him. I always knew he was a gifted boy who would go on to do great things. I hope he settles down with a nice, young woman and ****s the **** out of her."—Dave's mom"I don't know how to get computer pictures, so I'm glad Kris finally has a book out. I haven't read it yet, but I hope he gives me a quote on the back."—Kris's mom"I hope Robert's book does well so he can finally afford to move out. He plays his hip-hop music too loud."—Rob's momMatt's mom was unavailable for a quote due to being dead.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    

    As a consequence of this accident, he developed phenomenal physical strength. But what actually happened? How did Obelix make that life-altering plunge?Here is the full story of what took place on that incredible day.

    First pressing, limited to 1000.From publisher Topatoco.com:"When Kate Beaton was first asked to make a book, she said "ok, but I only have about five comics on my website, gimme a while." Now the time has come! This is a collection of comics made between late 2007 and early 2009. It is 68 pages of the ones she likes the best! It should be noted that younger self comics aren't there, but perhaps they will have a home all their own someday!"

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    Anchored by the title story, considered the first apotheosis of Clowes' seminal Eightball underground comic book series, Caricature also includes eight other stories, including "Green Eyeliner," a six-page full-color short story originally published in Esquire as the first work of comics to be featured in the magazine's fiction issue (and commissioned by then-editor Dave Eggers). Also included are: a rare fully-painted short, "MCMLXVI," the full-color "Gold Mommy," "Glue Destiny," "Gynecology," "Immortal, Invisible," "Blue Italian Shit," "Like a Weed, Joe," "Black Satin," an all-new cover, and more.

    Landscape format trade paperback.

    Knights of the Dinner Table is the longest running comic on the subject of games ever! Though B.A., Brian, Bob, Dave and Sara may play different characters in different games, their personalities always shine through. KoDT also features articles for gamers from a gamer's perspective. A hilarious and hysterical slice of (fantasy) life in strips and a wonderful celebration of the gaming culture.

    We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide. Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.