Jordy and Chloe are living above a restaurant in Morro Bay, the first place they landed after their trip down the Big Sur Coast. But Jordy has a boyfriend now, an old flame who's come back into his life in a big way. Chloe stretches herself as far as she can go to give them her blessing, but her issues about living--or even sleeping--alone turn this happy reunion into a potential disaster. Chloe stops eating, stops sleeping, stops paddling her beloved and battered blue kayak in the bay. No one knows how to help her. When her friend Old Ben, the man who runs the fuel dock nearby, gives her some advice, his words could either save the day or send her out to sea forever, depending on her unique mind's understanding of them. A heart-wrenching stand-alone novella, and an answer to the many readers who asked for a sequel to Becoming Chloe, ALWAYS CHLOE is ultimately about the struggle to balance others' needs with our own--and exactly how expansive and forgiving the human heart can be. This collection also includes four previously published short stories, including Breakage, which won honors in the Tobias Wolff award, and The Lion Lottery, which was cited in Best American Short Stories.

    In this debut collection of stories, each of them navigate life’s “training school”—with its lessons on gentrification and respectability—while fighting to create a vibrant sense of self in this love letter to Washington, DC.

    nerds, sickly little girls - each coping with the limits of her life by making up an elaborate and flattering lie about herself, a fantastic tale in which she escapes her helpless situation. Whether describing a pilgrimage to Elvis Presley?s bathroom by two young punks, a rape in a farmhouse, or a mother-daughter relationship revolving around Prozac and a lifetime of thearpy, Pagan Kennedy expertly strips away the secrets and pretentions of American life.

    Millhauser is mine.”—David Rollow, Boston Sunday GlobeFrom the Pulitzer Prize–winning author: the essential stories across three decades that showcase his indomitable imagination.Steven Millhauser’s fiction has consistently, and to dazzling effect, dissolved the boundaries between reality and fantasy, waking life and dreams, the past and the future, darkness and light, love and lust. The stories gathered here unfurl in settings as disparate as nineteenth-century Vienna, a contemporary Connecticut town, the corridors of a monstrous museum, and Thomas Edison’s laboratory, and they are inhabited by a wide-ranging cast of characters, including a knife thrower and teenage boys, ghosts and a cartoon cat and mouse. But all of the stories are united in their unfailing power to surprise and enchant. From the earliest to the stunning, previously unpublished novella-length title story—in which a man who is dead, but not quite gone, reaches out to two lonely women—Millhauser in this magnificent collection carves out ever more deeply his wondrous place in the American literary canon.

    The incomparable Lewis Nordan's first two collections of short fiction--WELCOME TO THE ARROW-CATCHER FAIR and THE ALL-GIRL FOOTBALL TEAM--originally published in 1983 and 1986, have long been out of print in all editions. Collectors' items, these two books are now almost impossible for Nordan fans to find anywhere.To rectify that, Algonquin is delighted to announce a selection of fifteen of the best stories from the two books, newly arranged and introduced by fellow Mississippian, bookseller Richard Howorth, and with a foreword by the author. Critics have called Lewis Nordan's fiction "extraordinary" and "marvelous" and "stunning" and "scorching" and "story-telling genius." The selected stories show that genius in the making. "Characters that people the South hobble and dance across the pages of his short stories."--United Press International; "Delightfully eccentric situations and colorful language add up to a work that is even stronger than WOLF WHISTLE."--Library Journal.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    “But a real cowboy is hard to find these days, even in the West.”In Pam Houston’s “bright, edgy, and ruefully self- aware” (Boston Globe) collection of stories, we meet smart women who are looking for the love of a good man, and men who are wild and hard to pin down. Our heroines are part daredevil, part philosopher, all acute observers of the nuances of modern romance.“[Houston] takes women into grand spaces, both emotional and physical, and isolates them until there’s nothing left to do but sit down and take a hard look at one’s soul” (Los Angeles Times). Cowboys Are My Weakness is an “exhilarating” (Washington Post) and realistic look at men and women— together and apart.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    She has been dubbed “one of our most important writers,” (Junot Diaz), with “an imagination that most of us would kill for” (Los Angeles Times), and her work has been called “stunning,” (New York Times) “rich in voice, humor, and dazzling imagery” (Kirkus), and “simply triumphant” (Dorothy Allison).Falling in Love with Hominids presents over a dozen years of Hopkinson’s new, uncollected fiction, much of which has been unavailable in print. Her singular, vivid tales, which mix the modern with Afro-Caribbean folklore, are occupied by creatures unpredictable and strange: chickens that breathe fire, adults who eat children, and spirits that haunt shopping malls.

    With the Gothic style of Flannery O’Connor, the urgent lyricism of Jayne Anne Phillips, and the quirky humor of Sam Lipsyte and George Saunders, Zumas blends a lyrical, poetic voice with remarkably original storytelling. A teenage boy finds his blind mother making a pass at his new best friend; a lonely woman works in a pillow factory by day and at night tends to a menagerie of sick animals; an aspiring witch is disillusioned by her spiritual shortcomings; a girl from a town so small it doesn’t exist on any map runs away with a rock band. The odds stacked against them, these lovingly rendered outsiders find redemption in the unlikeliest of circumstances. Zumas so skillfully intertwines the utterly fantastic with the absolutely believable that the reader has no choice but to follow in fascination and wonder. Even the most surreal moments take on a surprising familiarity, and the bleakest moments are imbued with unexpected hope. To become engrossed in Zumas’s world is a strange and beautiful delight.Farewell navigator --Dragons may be the way forward --The everything hater --Heart sockets --How he was a wicked son --Thieves and mapmakers --Waste no time if this method fails --Handfasting --Blotilla takes the cake --Leopard arms

    Nowhere are these qualities more ingeniously brought together than in the works of short fiction she wrote throughout her life.Published to coincide with the centennial of her birth, The Complete Stories of Leonora Carrington collects for the first time all of her stories, including several never before seen in print. With a startling range of styles, subjects, and even languages (several of the stories are translated from French or Spanish), The Complete Stories captures the genius and irrepressible spirit of an amazing artist’s life.

    Education? Check. Good job? Check. Down payment for a nice house? Check. Dating marriage material? Check, check, and check. With a coveted position as a local news reporter, a "paper-perfect" boyfriend, and even a standing Saturday morning appointment with a reliable hairstylist, everything seems to be falling into place.Then Tabby receives an unexpected diagnosis that brings her picture-perfect life crashing down, jeopardizing the keystone she took for granted: having children. With her dreams at risk of falling through the cracks of her checklist, suddenly she is faced with an impossible choice between her career, her dream home, and a family of her own.With the help of her best friends, the irreverent and headstrong Laila and Alexis, the mom jeans-wearing former "Sexy Lexi," and the generational wisdom of her grandmother and the nonagenarian firebrand Ms. Gretchen, Tabby explores the reaches of modern medicine and tests the limits of her relationships, hoping to salvage the future she always dreamed of. But the fight is all consuming, demanding a steep price that forces an honest reckoning for nearly everyone in her life. As Tabby soon learns, her grandmother's age-old adage just might still be true: Black girls must die exhausted.

    Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.

    In them we find loneliness, love, and the passage of time, demonstrating the range and complexity of a true master of short fiction.

    There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime - Everything That Rises Must Converge and A Good Man Is Hard to Find. O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day" - sent to her publisher shortly before her death - is a brilliantly rewritten and transfigured version of "The Geranium." Taken together, these stories reveal a lively, penetrating talent that has given us some of the most powerful and disturbing fiction of the twentieth century. Also included is an introduction by O'Connor's longtime editor and friend, Robert Giroux.Contents:The geranium -- The barber -- Wildcat -- The crop -- The turkey -- The train -- The peeler -- The heart of the park -- A stoke of good fortune -- Enoch and the gorilla -- A good man is hard to find -- A late encounter with the enemy -- The life you save may be your own -- The river -- A circle in the fire -- The displaced person -- A temple of the Holy Ghost -- The artificial nigger -- Good country people -- You can't be any poorer than dead -- Greenleaf -- A view of the woods -- The enduring chill -- The comforts of home -- Everything that rises must converge -- The partridge festival -- The lame shall enter first -- Why do the heathen rage? -- Revelation -- Parker's back -- Judgement Day.