In its wide-ranging coverage of the period, it takes into account social, economic and political changes as well as the important cultural changes, including the rise of Islam and the recreation of a western empire under the Cardingians.

    Each timeless myth is superbly presented in story form and enhanced with original art work by world-renowned artist Giovanni Caselli. Though Bulfinch s has been heralded for more than a century, it has never been published in so beautiful and accessible a format. Evocative four-color illustrations, many full-page, bring to life key events and characters of these universal tales and sagas from the Greek and Roman pantheon of gods to the heroes of the Crusades, from the exploits of Robin Hood to the feats of Richard the Lionheart. As enjoyable now as when Bulfinch first assembled them, these selections come from a variety of works Ovid s classic Metamorphoses, Egyptian myths, Eastern mythology, and Hindu, Norse, and Celtic sources. Together they form a remarkable tapestry of human endeavor: dreams, illusions, adventures, loves lost and loves found. In this handsome series, they speak to us afresh, across the ages, vivified through Caselli s inspired art. Original footnotes, indexes, and prefaces make this series not only entertaining, but completely authoritative as well. Thomas Bulfinch (1796-1867), writer and mythologist, was the first to create a popular compendium of ancient myths and legends. Giovanni Caselli (b. Florence, 1939) is one of Europe s most celebrated authors and illustrators. His books have sold in the millions.

    Written in an attractive and accessible style, it makes extensive use of original sources to introduce early medieval men and women at all levels of society from slave to emperor, and allows them to speak to the reader in their own words. It overturns traditional narratives and instead offers an entirely fresh approach to the centuries from c.500 to c.1000. Rejecting any notion of a dominant, uniform early medieval culture, it argues that the fundamental characteristic of the early middle ages is diversity of experience. To explain how the men and women who lived in this period ordered their world in cultural, social, and political terms, it employs an innovative methodology combining cultural history, regional studies, and gender history. Ranging comparatively from Ireland to Hungary and from Scotland and Scandinavia to Spain and Italy, the analysis highlights three themes: regional variation, power, and the legacy of Rome. In the context of debates about the social, religious and cultural meaning of 'Europe' in the early twenty-first century, this books seeks the origins of European cultural pluralism and diversity in the early Middle Ages.

    Richard the Lionheart is dead and his brother John has just been crowned King of England. John travels to St Edmund’s abbey in Suffolk to give thanks for his accession. His visit coincides with the murder of a twelve-year-old boy whose mutilated body bears the marks of ritual sacrifice and martyrdom. This isn’t the first time such a thing has happened. Eighteen years earlier another child was murdered in the town in similar circumstances. Abbot Samson needs to find out if this is indeed another martyrdom or just an ordinary murder and appoints the abbey’s physician, Master Walter, to investigate. Walter discovers a web of intrigue and corruption involving some of the highest in the land but unbeknown to him his own past holds a secret which will put his life in danger before the final terrible solution is revealed.

    Patrick is far more inspiring than the myths. In St. Patrick of Ireland, Philip Freeman brings the historic Patrick and his world vividly to life. Patrick speaks in his own voice in two remarkable letters he wrote about himself and his beliefs, new translations of which are included here and which are still astonishing for their passion and eloquence. Born late in the fourth century to an aristocratic British family, Patrick’s life was changed forever when he was abducted and taken to Ireland just before his sixteenth birthday. He spent six grueling years there as a slave, but the ordeal turned him from an atheist into a true believer. After a vision in which God told him he would go home, Patrick escaped captivity and, following a perilous journey, returned safely to Britain to the amazement of his family. But even more amazing to them was his announcement that he intended to go back to Ireland to spend the rest of his life ministering to the people who had once enslaved him. Set against the turbulent backdrop of the British Isles during the last years of the Roman Empire, St. Patrick of Ireland brilliantly brings to life the real Patrick, a man whose deep spiritual conviction and devotion helped to transform a country.

    1008 at the height of the Heian period, Lady Sarashina (as she is known) probably wrote most of her work towards the end of her life, long after the events described. Thwarted and saddened by the real world with all its deaths and partings and frustrations, Lady Sarashina protected herself by a barrier of fantasy and so escaped from harsh reality into a rosier more congenial realm. She presents her vision of the world in beautiful prose, the sentences flowing along smoothly so that we feel we are watching a magnificent scroll being slowly unrolled.'It is like seeing a garden at night in which certain parts are lit up so brightly that we can distinguish each blade of grass, each minute insect, each nuance of colour, while the rest of the garden and the tidal wave that threatens it remain in darkness'--Ivan Morris

    Through these 'showings', Christ's sufferings were revealed to her with extraordinary intensity, but she also received assurance of God's unwavering love for man and his infinite capacity for forgiveness. Written in a vigorous English vernacular, the Revelations are one of the most original works of medieval mysticism and have had a lasting influence on Christian thought. This edition of the Revelations contains both the short text, which is mainly an account of the 'showings' themselves and Julian's initial interpretation of their meaning, and the long text, completed some twenty years later, which moves from vision to a daringly speculative theology. Elizabeth Spearing's translation preserves Julian's directness of expression and the rich complexity of her thought. An introduction, notes and appendices help to place the works in context for modern readers.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    Includes a masterful translation of Basho's most celebrated work, Narrow Road to the Interior, along with three less well-known works and over 250 of Basho's finest haiku. The translator has included an overview of Basho's life and an essay on the art of haiku.

    With one gesture, the man later hailed as Charlemagne claimed his empire and forever shaped the destiny of Europe. Becoming Charlemagne tells the story of the international power struggle that led to this world-changing event.Illuminating an era that has long been overshadowed by legend, this far-ranging book shows how the Frankish king and his wise counselors built an empire not only through warfare but also by careful diplomacy. With consummate political skill, Charlemagne partnered with a scandal-ridden pope, fended off a ruthless Byzantine empress, nurtured Jewish communities in his empire, and fostered ties with a famous Islamic caliph. For 1,200 years, the deeds of Charlemagne captured the imagination of his descendants, inspiring kings and crusaders, the conquests of Napoléon and Hitler, and the optimistic architects of the European Union.In this engaging narrative, Jeff Sypeck crafts a vivid portrait of Karl, the ruler who became a legend, while transporting readers far beyond Europe to the glittering palaces of Constantinople and the streets of medieval Baghdad. Evoking a long-ago world of kings, caliphs, merchants, and monks, Becoming Charlemagne brings alive an age of empire building that continues to resonate today.

    From the early ninth century through the middle ages, to the Arthurian romances of Victorian times, the tales of this legendary figure have blossomed and multiplied. And in more recent times, there has been a continuous stream of books claiming to unlock the secret or the truth behind the "once and future king."The truth, as Guy Halsall reveals in this fascinating investigation, is both radically different - and also a good deal more intriguing. Broadly speaking, there are two Arthurs. On the one hand is the traditional "historical" Arthur, waging a doomed struggle to save Roman civilization against the relentless Anglo-Saxon tide during the darkest years of the Dark Ages. On the other is the Arthur of myth and legend, accompanied by a host of equally legendary people, places, and stories: Lancelot, Guinevere, Galahad and Gawain, Merlin, Excalibur, the Lady in the Lake, the Sword in the Stone, Camelot, and the Round Table. The big problem with all this, notes Halsall, is that "King Arthur" might well never have existed. And if he did exist, it is next to impossible to say anything at all about him. As this challenging new look at the Arthur legend makes clear, all books claiming to reveal "the truth" behind King Arthur can safely be ignored. Not only the fanciful pseudo-historical accounts - Merlin the Magician, the Lady in the Lake--but even the "historical" Arthur is largely a figment of the imagination. The evidence that we have, whether written or archeological, is simply incapable of telling us anything detailed about the Britain in which he is supposed to have lived, fought, and died.

    Offered here are tales of battle, travel, and adventure, but also songs of heartache and longing, pearls of lusty innuendo and clear-eyed stoicism, charms and spells for everyday use, and seven "hoards" of delightfully puzzling riddles.Featuring all-new translations by seventy-four of our most celebrated poets—including Seamus Heaney, Robert Pinsky, Billy Collins, Eavan Boland, Paul Muldoon, Robert Hass, Gary Soto, Jane Hirshfield, David Ferry, Molly Peacock, Yusef Komunyakaa, Richard Wilbur, and many others—The Word Exchange is a landmark work of translation, as fascinating and multivocal as the original literature it translates.

    Drawing on traditional sources, Narayana presents classic tales as narrated by animals, resulting in a work that is a fascinating blend of fable and satire.

    A coalition of Serbs, Albanian Catholics, Bosnians, and Rumanians confronted and were defeated by the Ottoman army of Sultan Murad. This battle became the centerpiece of Serbian nationalist ideology, justifying the campaign of ethnic cleansing of the Albanian Kosovars. In three stories resonant with mystery, Ismail Kadare explores the legend and the consequences of that defeat.-- A heartfelt and yet clear-eyed lament for a land riven by hatreds as old as the Homeric epics and as young as the latest news broadcast.

    The only medieval chronicle to have Orkney as the central place of action, it tells of an era when the islands were still part of the Viking world, beginning with their conquest by the kings of Norway in the ninth century. The saga describes the subsequent history of the Earldom of Orkney and the adventures of great Norsemen such as Sigurd the Powerful, St Magnus the Martyr and Hrolf, the conqueror of Normandy. Savagely powerful and poetic, this is a fascinating depiction of an age of brutal battles, murder, sorcery and bitter family feuds.