Photos.

    

    Physical fundamentals of intensive ultrasound effects are covered, and detailed discussions are presented on the engineering principles of equipment and material design for the practical use of ultrasound in the refining of melts, crystallization of ingots and molds, pulverization, plating, pressure working of metals, surface strengthening, and other processes.

    Barely escaping one evil by the skin of their teeth, running head first into the next was the last thing they were expecting. With Nari's best friend Zaylie held hostage by the leader of the Black Eagles, Nari's number one priority is getting Zaylie, along with everyone else she cares about, out of Nikolai's clutches safe and sound. Only, the worst thing that could possibly happen has happened- Death. Before Nari can even comprehend her worst nightmare coming true, she is pulled back into the very place she had thought she escaped. But the nightmare doesn't end there. Just as she sees a silver-lining to her otherwise gloomy cloud, she discovers heart-wrenching news and has to yet again escape an untimely death. With the hope of undoing what would normally be permanent, Nari, with the help of the two brothers she loves most in the world, sets her mind on a mission that will ultimately mean her downfall. Is the end result worth the sacrifice? ~ Naminé is left in the Earthly realm to tend to an injured Ender and Fëa. She must learn to cope with the new human elements thrown her way, but in the process, discovers something may be terribly wrong with her family back home - the one place she can no longer get to. Continue the journey that started it all. Mycah, Rydan, Nari, and Naminé are determined to take back the throne. Except, that which starts sweet, ends bitter...

    My experiences, observations, and/or studies have led me to believe the following:* Racism has done more to promote non-justice than any other socio-material system known to have been produced or supported by the people of the known universe.* No major problem that exists between the people of the known universe can be eliminated, until Racism is eliminate

    From the appearance in 1936 of Kenneth Patchen's first book, the voice of this great poet has been protesting war and social injustice, satirizing the demeaning and barbarous inanities of our culture--entrancing us with an inexhaustible flow of humor and fantasy.

    Mystery, the marvellous, a city transmuted by love, Sanglot's pursuit of the siren Louise Lame, such are the essential ingredients of this the last masterpiece of early Surrealism to remain untranslated into English. It was originally published in 1924 to immediate and lasting acclaim - except from the public authorities who immediately censored whole sections (here restored). Impossible to describe a novel of such virtuosity and bravura, and one which consistently refuses to behave as one expects, characters appear and vanish according to whim or desire, they walk underwater, nonchalantly accept astounding coincidences. It's a hymn to the erotic, an adventure story darkly illumined by the shades of Sade, Lautreamont and Jack the Ripper, a dream both violent and tender, an obsession, in fact the perfect embodiment of the Surrealist spirit: at once joyful, despairing, and effortlessly scandalous.

    

    Internationally famous Czech photographer Jan Saudek is no exception, and equally as uncompromising in pursuit of his own unique vision. For over four decades Saudek has created a parallel photographic universe, a two-dimensional home full of longing, peopled with the most extraordinary characters and colored by desire. The timeless strength of his hand-tinted photographs lies in their poetic compositions and their forceful?at times ribald?pictorial language, with its overtones of medieval genre pictures and Baroque mythology. Rejecting the traditional beauty in his famous nude photographs, Saudek shows the distinctively different: old women, fat women, children; real people in tableaux vivants that remind us of everything from surreal early movies to fin-de-siecle carnival nights. They exist outside time, a uniquely colored and almost mythical theater of dreams. Covering his debut in the 1950s through his lesser-known work to recent images, this dazzling collection offers us the true "velvet revolution," fertile and unsettling images from the dreams we might still have. The author: Daniela Mr?zkov?, critic and editor of the Czech magazines Revue fotografie and Fotografie-Magaz?n, is the author of sixteen books on photography published in the Czech Republic and abroad, and the curator of around fifty photography exhibitions. She has been a member of international juries, and has authored film and television documentaries on photography and photographers. She hasfollowed Jan Saudek's work since his early years and is the author of Saudek's first Czech monograph, The Theatre of Life.

    It tells the story of one man drifting through America, east coast to west, main stem to side street, endlessly searching for "three hots and a flop"--food and a place to sleep. Kromer scans, in first-person voice, the scattered events, the stultifying sameness, of "life on the vag"--the encounters with cops, the window panes that separate hunger and a "feed," the bartering with prostitutes and homosexuals.In "Michael Kohler," Kromer's unfinished novel, the harsh existence of coal miners in Pennsylvania is told in a committed, political voice that reveals Kromer's developing affinity with leftist writers including Lincoln Steffens and Theodore Dreiser. An exploration of Kromer's proletarian roots, "Michael Kohler" was to be a political novel, a story of labor unions and the injustices of big management. Kromer's other work ranges from his college days, when he wrote a sarcastic expose of the bums in his hometown titled "Pity the Poor Panhandler: $2 an Hour Is All He Gets," to the sensitive pieces of his later life--short stories, articles, and book reviews written more out of an aching understanding of suffering than from the slick formulas of politics.Waiting for Nothing remains, however, Kromer's most powerful achievement, a work Steffens called "realism to the nth degree." Collected here as the major part of Kromer's oeuvre, Waiting for Nothing traces the author's personal struggle to preserve human virtues and emotions in the face of a brutal and dehumanizing society.

    The man behind her in the dark overcoat memorizes the address on her check. When she leaves the A&P, he follows her home. In the next few weeks he tracks her every move . . . and when she rebuffs his advances, he stabs her.Five women, chosen at random, fall victim to a man the press dubs the Hyena. The NYPD has no leads until young Babette Watson walks into homicide detective Max Segal’s office. She tells him she’s had disturbing visions of all the crimes before they happened. Dubious, Max takes a chance in believing the pretty psychic, and it isn’t long before they’re on the Hyena’s trail. But the Hyena knows they’re tracking him, and it won’t be long before he strikes.Like Fear Itself and Exes, Dan Greenburg’s other bestselling thrillers, Love Kills is a terrifyingly realistic, darkly humorous, startlingly sexual, street-tough novel with a surprising climax.

    With Brian Blomerth’s Bicycle Day, the artist has produced his most ambitious work to date: a historical account of the events of April 19, 1943, when Swiss chemist Albert Hofmann ingested an experimental dose of a new compound known as lysergic acid diethylamide and embarked on the world’s first acid trip. Featuring an introduction from renowned ethnopharmacologist, Dennis McKenna, Brian Blomerth’s Bicycle Day combines an extraordinary true story told in journalistic detail with the artist’s gritty, timelessly Technicolor comix style that is a testament to mind expansion, and a stunningly original visual history.

    Coot cat Reverend Ivan Stang, high holy of the Church of the SubGenius, has compiled a bestiary of American creeps and crazies so that you can write to them and receive mail that is weird, horrible, wonderfully absurd, or a combination of all three. Each entry has a paragraph or two and the last known mailing address of some fringe loonies. The book is only current through 1988, though; the only thing wrong with it is that it's high time for an update--with URLs, of course. Let's see ... there are catalogs of perpetual motion machines; brochures from South American flying saucer cults; something called "The Battle Cry of Aggressive Christianity" (Christian, not likely--aggressive, you bet); and bizarre roundups such as "News of the Weird," the Church of Beaver Cleaver, and so on. What makes this book so funny is the author's willingness to list (and ridicule) any group, no matter how repulsive. This means, too, that High Weirdness contains a group to offend everyone; consider yourself warned. In fact, if you aren't offended by some of these groups, you must be pretty offensive yourself. So there.

    . . full of sensational revelations and interspersed with episodes of daring, of desperate conflict, of torture, and of ruthless conspiracy . . . It is, first of all, an autobiography the like of which has seldom been.”The son of a seafaring father, Richard Julius Herman Krebs, a.k.a. Jan Valtin, came of age as a bicycle messenger during a maritime rebellion. His life as an intimate insider account of the dramatic events of 1920’s and 1930s, where he rose both within the ranks of the Communist Party and on the Gestapo hit list. Known for his honesty and incredible memory, Krebs dedicated his life to the Communist Party, rising to a position as head of maritime, organizing worldwide for the Comintern, only to flee the Party and Europe to evade his own comrade’s attempts to kill him. As a professional revolutionary, agitator, spy and would-be assassin, Krebs traveled the globe from Germany to China, India to Sierra Leon, Moscow to the United States where a botched assassination attempt landed him a stint in San Quentin.From his spellbinding account of artful deception to gain release from a Nazi prison and his work as a double-agent within the Gestapo, to his vivid depiction of a Communist Party fraught with intrigue and subterfuge, Krebs gives an unflinching portrayal of the internal machinations of both parties.Writing at age 36 under the name Jan Valtin, Krebs lays bare a young life filled with idealism and devotion—disillusionment and loss—in a world full of revolutionary promise gone immeasurably wrong.”An exciting, real book without a trace of unnecessary melodrama.”—H.G.Wells

    It is the first in the Lumberjack Lagoon series.PoppyAs a teacher, I’m always looking for adventure during breaks in the school year.Two months spent lounging in Lumberjack Lagoon fits the bill, but with my funds running low I’ll need to find a summer job to make it happen.When a hot lumberjack hires me to nanny for his children, my lesson plans go out the window.He’s sexy, burly, and I want to swing his axe.But does he want me for more than just babysitting?KadenBalancing my life as a lumberjack and a single dad is a full-time gig, and it’s hectic.But when summer comes and the kids are out of school, I have to hire help.When a sexy nanny applies for the position, I need to give myself a time out.Poppy is curvy, caring, and makes me want to put the kids to bed early.But can I convince her that we could be forever?This is the first book in the Lumberjack Lagoon series. As always, there are no cliffhangers and a guaranteed happily ever after. This book is for anyone looking to escape for an hour or two with a sweet romance and a steamy sex scene.```````````````````````````````````````````````````“A love story that does not disappoint.” 5-Star Review“I enjoyed this fun, flirty, sizzling romance.” 5-Star Review“Bravo Ms. James! I can’t wait for the next!” 5-Star Review“Looking to escape reality for a little while? This is a great way to do just that.” 5-Star Review