is on the verge of just about everything and consumed by a restless, unanswered longing that rebels against jumping through the hoops of school. Staring down the tunnel to a mundane adulthood, he is appalled by the banality and overwhelming predictability of it all: teachers, parents, and above all his classmates - the seething masses of dutiful zombies and sistren of the Evervirgin Sorority. A bicycle bandit with a DeNiro smile, Alex sports a homemade buzzcut, ditches school to drink and trade stories with his posse of delinquents and rogues, and chases away the blues by assailing his eardrums with the Clash. He shares a brief friendship with the privileged, semi-degenerate Martino, who seems to have mastered the devil-may-care stance Alex covets - until he's busted for drugs. And then comes the sudden entrance of Aidi, who seems to instantly understand, complement, and challenge him. A hundred letters and conversations later, she is magnificent, amazing, irreplaceable ... and leaving for a year in America at the end of the summer.

    Rome, in all her glory, has expanded her territories beyond the wildest dreams of her citizens, led by Caius Julius Caesar -- Pontifex Maximus, dictator perpetuo, invincible military leader and only fifty-six years old. He is a man in command of his destiny, who wields enormous power throughout the vast empire. However his god-given mission - to end the blood-splattered fratricidal wars, reconcile implacably hostile factions and preserve Roman civilization and world order - is teetering dangerously close to collapse... His power is draining away. None of his supporters can stop the inexorably evolving plot against him and prophecy will explode into truth on the Ides of March and the world will change forever.This is political thriller laced through with all the intrigue and action surrounding one of the most crucial turning points in the history of western civilization.

    She describes Sicily in sensuous detail, the town of Bagheria, and the ancestral villa to which she returned as a child after two horrific years of imprisonment with her family in a Japanese concentration camp. The Villa Valguarnera and Maraini recalls the spiritual struggles and her rebellion against the elitism of her class. She also discusses her experience of child abuse. Bagheria is also a tale of corruption: centuries of the town's past unfold alongside Maraini's family history as she details the involvement of the Mafia in the architectural decimation of Bagheria in the 1970s.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    To earn himself the guise of respectability, he is willing to go as far as murder.

    The thirty-one poems in the first of his major writings are linked by a lyrical prose narrative celebrating and debating the subject of love. Composed upon Dante's meeting with Beatrice and the "Lord of Love," it is a love story set to the task of confirming the "new life" inspired by this meeting. With a critical introduction and explanatory notes, this is a new translation of a supreme work which has been read variously as biography, religious allegory, and a meditation on poetry itself.

    Seven-year-old Amerigo lives with his mother Antonietta in Naples, surviving on odd jobs and his wits like the rest of the poor in his neighborhood. But one day, Amerigo learns that a train will take him away from the rubble-strewn streets of the city to spend the winter with a family in the north, where he will be safe and have warm clothes and food to eat. Together with thousands of other southern children, Amerigo will cross the entire peninsula to a new life. Through his curious, innocent eyes, we see a nation rising from the ashes of war, reborn. As he comes to enjoy his new surroundings and the possibilities for a better future, Amerigo will make the heartbreaking choice to leave his mother and become a member of his adoptive family.Amerigo’s journey is a moving story of memory, indelible bonds, artistry, and self-exploration, and a soaring examination of what family can truly mean. Ultimately Amerigo comes to understand that sometimes we must give up everything, even a mother's love, to find our destiny.

    The renowned classicist, translator, and critic William Arrowsmith translated all three volumes."Virtually incomparable. . . . Arrowsmith has quite literally distilled this poetry's essence in order to recompose it with all of its colors, scents, and exquisitely understated potency intact." — Rebecca West

    Almost all of Deledda's stories treat the lives, loves, tragedies, and triumphs of the author's native land - the remote, isolated, and often forbidding island of Sardinia. This new translation includes an introduction that highlights the salient episodes of Grazia Deledda's life and which situates Marianna Sirca both literarily within the author's opera omnia and as part of the general literary trends of the early European twentieth century. Jan Kozma presents the homonymous protagonist, Marianna Sirca, as one of the great literary precursors of the liberated, independent, modern woman - an ironic twist, given the repressive culture in which Marianna lives. The translator also provides numerous explanatory foot-notes that elucidate particular arcane aspects of Sardinian life in the late nineteenth century.

    Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited.From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.A .45 to pay the rent --Doing time with public enemy no. 1 --Scenes from the big time --Nut ward just east of Hollywood --Would you suggest writing as a career? --The great Zen wedding --Reunion --Cunt and Kant and a happy home --Goodbye Watson --Great poets die in steaming pots of shit --My stay in the poet's cottage --The stupid Christs --Too sensitive --Rape! Rape! --An evil town --Love it or leave it. A dollar and twenty cents --No stockings --A quiet conversation piece --Beer and poets and talk --I shot a man in Reno --A rain of women --Night streets of madness --Purple as an iris --Eyes like the sky --One for Walter Lowenfels --Notes of a potential suicide --Notes on the pest --A bad trip --Animal crackers in my soup --A popular man --Flower horse --The big pot game --The blanket

    This roll call extends the ridiculous to melancholic extremes, introducing us to such exemplary fools as the father and husband unable to recognize his own family, the Marxist convinced that Christ was an extraterrestrial, the would-be saint who finds a private martyrdom through the torturous confinement of a pair of ill-fitting leather oxfords, and the man who failed to realize that he had spent two years in a concentration camp. This is a display of a myriad idiocy, blissful and baneful, discovered and achieved by hook or by crook, be it through paranoia, misapplied methodology, religious hallucination, or relentless diarrhea. But Cavazzoni engages in neither finger pointing nor celebration. If Saints can be counted, idiots cannot: idiocy is ultimately the human condition.

    explores themes of time, healing and fate, and how her urban, sophisticated, independent young men and women come to terms with them. The stories are a blend of traditional Japanese and contemporary popular culture.

    His father, a brilliant mathematician, hasn’t played a large part in his life since divorcing Antonio’s mother but when Antonio is diagnosed with epilepsy, they travel to Marseille to visit a doctor who may hold the hope for an effective treatment. It is there, in a foreign city, under strained circumstances, that they will get to know each other and connect for the first time.A beautiful, gritty, and charming port city where French old-world charm meets modern bohemia, father and son stroll the streets sharing strained small talk. But as the hours pass and day gives way to night, the two find themselves caught in a series of caffeine-imbued adventures involving unexpected people (and unforeseen trysts) that connect father and son for the first time. As the two discuss poetry, family, sex, math, death, and dreams, their experience becomes a mesmerizing 48-hour microcosm of a lifetime relationship. Both learn much about illusions and regret, about talent and redemption, and, most of all, about love. Elegant, warm, and tender, set against the vivid backdrop of 1980s Marseille and its beautiful calanques—a series of cliffs and bays on the city’s outskirts—Three O’Clock in the Morning is a bewitching coming-of-age story imbued with nostalgia and a revelatory exploration of time and fate, youth and adulthood.

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    The final days of the Fascist Republic. World War II is nearing it's frantic conclusion. The regime's days are numbered, it's disgraced leaders know it, and their quibbling over pieces of the post-war pie is getting more desperate by the minute. Commissario De Luca has been handed a murder investigation that will draw him into the private lives of the rich, priviledged, and powerful. With Mussolini's house of cards ready to collapse, he faces a world mired in sadistic sex, dirty money, drugs, and murder.Carte Blanche, the first installment in Carlo Lucarelli's De Luca Trilogy, is more than a first-rate crime story. It is also an investigation into the workings of justice in a state that is crumbling under the weight of profound historic change. The De Luca Trilogy is set during one of modern history's seminal moments and describes a nation's ardent search to rediscover its moral bearings after being torn in two by civil strife and political corruption. Threatened by the machinations of a decaying political class, De Luca, himself reminiscent of the disenchanted Dashiell Hammett PI, is a simple man doing a tough job as best he can. Even when he has wrapped up his investigation, Commissario De Luca will still have to face one final, fateful decision.