His stories opened up crime fiction to the realities of American streets and American speech. Now The Library of America collects the finest of them: 24 in all, along with some revealing essays and an early version of his novel The Thin Man. The texts, reprinted here for the first time, are those that appeared originally in the pulps, without the cuts and revisions introduced by later editors.Hammett's years of experience as a Pinkerton detective give even his most outlandishly plotted mysteries a gritty credibility. Mixing melodramatic panache and poker-faced comedy, his stories are hard-edged entertainment for an era of headlong change and extravagant violence, tracking the devious, nearly nihilistic exploits of con men and blackmailers, slumming socialites and deadpan assassins. As guide through this underworld he created the Continental Op, the nameless and deliberately unheroic detective separated from the brutality and corruption around him only by his professionalism.

    The time is 1922, and the men are a motley group—a poet who makes a living writing advertisements for patent medicine, a radical Chinese-Mexican union organizer, a lawyer who represents prostitutes, and a newspaper crime reporter who churns out pages of copy "like links of sausage in a chorizo factory." As the story builds, the crime novel becomes a tale of international intrigue. Returning as Shadows revisits these men nearly twenty years later. Much has changed, in the world and for the four friends. War rages in Europe while the world waits for the in Europe while the world waits for the inevitable entry of the United States. German agents throng Mexico City, working to bring America's southern neighbor into the Axis. And the four men? They've gone four different ways. Returning as Shadows goes back and forth between these men's lives, slowly drawing the threads back together. Surprises keep popping up. For example, Ernest Hemingway, having overindulged at his Cuban hacienda, is suddenly transported into a poker game with one of the characters. The men are indeed shadows, their experiences dreamlike but bursting with meaning. Read, and see why Le Monde calls Taibo "one of the best narrative clowns of our time."

    Sinister and sexy, it forged a new icon: the tough, independent, take-no-guff dame. Determined, desirable, dangerous when cornered, she could handle trouble -- or deal out some of her own.If you thought these women were something special onscreen, wait till you meet the genuine articles. In "Dark City Dames, acclaimed film historian Eddie Muller profiles six women who made a lasting impression in this cinematic terrain -- from veteran "bad girls" Audrey Totter, Marie Windsor, and Jane Greer to unexpected genre fixtures Evelyn Keyes, Coleen Gray, and Ann Savage. The book surveys the lives of these formidable women during the height of their careers circa 1950, as they balanced love and career, struggled against typecasting, and sought fulfillment in a ruthless business. Their personal stories -- teeming with larger-than-life characters like Howard Hughes, L.B. Mayer, Robert Mitchum, Otto Preminger, and John Huston -- offer an illuminating counterpoint to their movies, such as "Out of the Past, Detour, The Lady in the Lake, and "The Killing. Then "Dark City Dames revisits each one of these women today, fifty years on, to witness their hard-won -- and triumphant -- survival. On every page their own voices ring through, reflecting on their lives with as much passion, pain, intelligence, energy, and humor as any movie script."Dark City Dames re-creates the excitement and glamour of a group of gifted performers who lived out their youthful fantasies -- and, along the way, remade the image of the American woman.

    Like Holden Caulfield and Huck Finn, Shuggie Akins tells his story of a reluctant descent into the world of adults in this unforgettable and ultimately moving novel.

    Be awed and amazed at a mystical, five-legged cow whose untimely death inspires a revolution. Stare agast at the depraved actions of a group of small-town freaks as they unleash a night of savagery and violence. Be astonished by the sadism of an ordinary housewife and her cohorts, as their foul afternoon entertainment turns deadly for an innocent young child. And roar with laughter at the infidelities of a middle-aged clown with blood on his hands who claws his way out of the darkness only to take the ultimate fall...This fourth volume collects four more complete stories from David Lapham's Eisner Award-winning series.

    With powers unremarkable in comparison to the great icons of Marvel, Jessica never found her niche. But once she hung up her cape, she was surprised at how quickly she fell out of the spandex loop. Sure, she may hang out with some of the Avengers socially, but she`s not welcome in Avengers Mansion. And she feels the rejection. She's self-destructive, drinks too much, and has a huge inferiority complex. And did we mention that she's now a Private Investigator who specializes in cases of the super human variety? So if you're thirsty for the film noir feel and complex characterization, grab a stool at the bar!

    Featuring a selection of Chandler's previously unpublished early writings - including a gripping piece about his combat experiences in World War I - and an abandoned profile of the infamous mobster "Lucky" Luciano, The Raymond Chandler Papers is a must-have for all true fans and an important contribution toward understanding the life and work of the enigmatic man Evelyn Waugh called "the greatest living American novelist."

    But can Jones match Mosley's engaging long-term hero Easy Rawlins? On the evidence of this first book, the answer is resoundingly in the affirmative, even if the new series takes a little time to establish the new protagonist. And this is probably because the central character here is not so much the eponymous Fearless Jones as Paris Minton, the owner of a small second-hand bookstore. Minton is savagely beaten up and his store burned to the ground for mysterious reasons. A beautiful woman is involved, and the beleaguered Minton asks for the aid of his friend, the resourceful Fearless Jones. As Jones painstakingly investigates the woman's past, a very dark mystery begins to unravel. The crime aspects here are delivered with total panache, but Mosley would never be happy without adding that level of socio-political commentary he is so adept at, and the place of black men in 1950s LA (with few rights and little money) is a potent theme. Easy Rawlins is still Mosley's main man, but Fearless Jones gives every appearance of possessing similar longevity. --Barry Forshaw

    What is literary noir? How do British and American noir thrillers relate to their historical contexts? Lee Horsley's updated study of the genre, now available in paperback, ranges over hundreds of novels from the hard-boiled fiction of Hammett, Chandler and Cain to the game-players, voyeurs and consumers of contemporary thrillers and future noir.

    Sometimes rivals, sometimes partners, sometimes lovers, Lindsey and Plum are a study in contrasts. He's white, gentle, and unassuming. She's black, tough, and street-smart. Their adventures have filled seven novels with an eighth on its way. Now they return in One Murder at a Time: the Casebook of Lindsey