This is the moving and powerful account of two remarkable boys struggling to survive in Chicago's Henry Horner Homes, a public housing complex disfigured by crime and neglect.

    The song became so popular, in fact, it was vaulted back onto the iTunes charts more than twenty years after its release—making it clear that Tupac’s music and the way it addresses systemic racism, police brutality, mass incarceration, income inequality, and a failing education system is just as important now as it was back then. In Changes, published to coincide with the fiftieth anniversary of Tupac’s birth and twenty-fifth anniversary of his death, Sheldon Pearce offers one of the most thoughtful and comprehensive accounts yet of the artist’s life and legacy. Pearce, an editor and writer at The New Yorker, interviews dozens who knew Tupac throughout various phases of his life. While there are plenty of bold-faced names, the book focuses on the individuals who are lesser known and offer fresh stories and rare insight. Among these are the actor who costarred with him in a Harlem production of A Raisin in the Sun when he was twelve years old, the high school drama teacher who recognized and nurtured his talent, the music industry veteran who helped him develop a nonprofit devoted to helping young artists, the Death Row Records executive who has never before spoken on the record, and dozens of others. Meticulously woven together by Pearce, their voices combine to portray Tupac in all his complexity and contradiction. This remarkable book illustrates not only how he changed during his brief twenty-five years on this planet, but how he forever changed the world.

    Cesar is not only sexy but he's a rare and hot commodity who's every woman's dream. But he's taken by Mink, a selfish trick who doesn't deserve him and loves money more than her own snatch. When his back's against the wall, Cesar struggles to keep his hands clean. His pride won't allow him not to take care of his son, the one thing tying he and Mink together. Will Mink suck him dry before its all said and done or does Cesar have other tricks up his sleeve?

    out-of-town hit man who spends the night after a local contract is completed. 2. A juvenile sentenced to serve any period longer than nine months in a state-managed facility.This is the story of four young boys. Four lifelong friends.Intelligent, fun-loving, wise beyond their years, they are inseparable. Their potential is unlimited, but they are content to live within the closed world of New York City's Hell's Kitchen. And to play as many pranks as they can on the denizens of the street. They never get caught. And they know they never will. Until one disastrous summer afternoon.On that day, what begins as a harmless scheme goes horribly wrong. And the four find themselves facing a year's imprisonment in the Wilkinson Home for Boys. The oldest of them is fifteen, the youngest twelve. What happens to them over the course of that year -- brutal beatings, unimaginable humiliation -- will change their lives forever. Years later, one becomes a lawyer. One a reporter. And two have grown up to be murderers, professional hit men. For all of them, the pain and fear of Wilkinson still rages within. Only one thing can erase it. Revenge. To exact it, they will twist the legal system. Commandeer the courtroom for their agenda. Use the wiles they observed on the streets, the violence they learned at Wilkinson. If they get caught this time, they only have one thing left to lose: their lives.SLEEPERS is the extraordinary true story of four men who take the law into their own hands. It is a searing portrait of a system gone awry and of the people -- some innocent, some not so innocent -- who must suffer the consequences. At the heart of SLEEPERS is a sensational murder trial that ultimately gives devastating, yet exhilarating, proof of street justice and truly defines the meaning of loyalty and love between friends. Told with great humor and compassion, even at its most harrowing, SLEEPERS is an unforgettable reading experience.

    But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Stranger's Gate builds a portrait of this moment in New York through the story of their journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to their tiny basement room on the Upper East Side--the smallest apartment in Manhattan--and later to SoHo, where he captures a unicorn: an affordable New York loft. Between tender, laugh-out-loud reminiscences, including affectionate portraits of New York luminaries from Richard Avedon to Robert Hughes and Jeff Koons, Gopnik takes us into the corridors of Conde Nast, the galleries of MoMA and many places between to illuminate the fascinating world capital of creativity and aspiration that is New York, then and now.

    But as a name with a rep to uphold it's tough, and Carlito needs to pull in some money somehow.

    Her signature? Arriving first on the scene—in impractical designer stilettos. Armed with a master’s degree in forensic science and impeccable instincts, Jordan has thus far been able to balance her dueling motivations: breaking every big story—and giving voice to the voiceless.From her time reporting in Texas, she’s sure she has covered the vilest of human behaviors, but nothing has prepared her for Chicago. You see, Jordan is that rare breed of journalist who can navigate a crime scene as well as she can a newsroom—often noticing what others tend to miss. Again and again, she is called to cover the murders of black females, many of them sexually assaulted, most brutalized, and all of them quickly forgotten.All until Masey James—the story that Jordan just can’t shake, try as she might. A fifteen-year-old girl whose body was found in an abandoned lot, Masey has come to represent for Jordan all of the frustration that her job—with its required distance—often forces her to repress. Putting the rest of her workload and her (fraying) personal life aside, Jordan does everything she can to give the story the coverage it desperately requires, and that a missing black child would so rarely get. Three young boys are eventually charged with Masey’s murder, but Jordan remains unconvinced.There’s a serial killer on the loose, Jordan believes, and he’s hiding in plain sight.

    It is the story of Dave Pelzer, who was brutally beaten and starved by his emotionally unstable, alcoholic mother: a mother who played tortuous, unpredictable games—games that left him nearly dead. He had to learn how to play his mother's games in order to survive because she no longer considered him a son, but a slave; and no longer a boy, but an "it." Dave's bed was an old army cot in the basement, and his clothes were torn and raunchy. When his mother allowed him the luxury of food, it was nothing more than spoiled scraps that even the dogs refused to eat. The outside world knew nothing of his living nightmare. He had nothing or no one to turn to, but his dreams kept him alive—dreams of someone taking care of him, loving him and calling him their son.

    It took ten years and a half a million miles of travel across three continents to find it, but finally, in an astonishing feat of genealogical detective work, he discovered not only the name of "the African"—Kunta Kinte—but the precise location of Juffure, the very village in The Gambia, West Africa, from which he was abducted in 1767 at the age of sixteen and taken on the Lord Ligonier to Maryland and sold to a Virginia planter.Haley has talked in Juffure with his own African sixth cousins. On September 29, 1967, he stood on the dock in Annapolis where his great-great-great-great-grandfather was taken ashore on September 29, 1767. Now he has written the monumental two-century drama of Kunta Kinte and the six generations who came after him—slaves and freedmen, farmers and blacksmiths, lumber mill workers and Pullman porters, lawyers and architects—and one author.But Haley has done more than recapture the history of his own family. As the first black American writer to trace his origins back to their roots, he has told the story of 25,000,000 Americans of African descent. He has rediscovered for an entire people a rich cultural heritage that slavery took away from them, along with their names and their identities. But Roots speaks, finally, not just to blacks, or to whites, but to all people and all races everywhere, for the story it tells is one of the most eloquent testimonials ever written to the indomitability of the human spirit.

    In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home.Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

     Paula and John met in Italy, fell in love, and four years later, married in Rome. But less than a month after the wedding, tragedy struck. They had transferred from their Italian paradise to Warsaw and while reporting on an uprising in Romania, John was shot and nearly killed by sniper fire. Although he recovered from his physical wounds in less than a year, the process of healing had just begun. Unable to regain his equilibrium, he sank into a deep sadness that reverberated throughout their relationship. It was the abrupt end of what they'd known together, and the beginning of a new phase of life neither had planned for. All of a sudden, Paula was forced to reexamine her marriage, her husband, and herself. Paula began to reconsider all of her previous assumptions about healing. She discovered that sometimes patience can be a vice, anger a virtue. That sometimes it is vital to make demands of the sick, that they show signs of getting better. And she rediscovered the importance of the most fundamental of human rituals: the daily sharing of food around the family table. A universal story of hope and healing, Keeping the Feast is an account of one couple's triumph over tragedy and illness, and a celebration of the simple rituals of life, even during the worst life crises. Beautifully written and tremendously moving, Paula's story is a testament to the extraordinary sustaining powers of food and love, and to the stubborn belief that there is always an afterward, there is always hope.

    When she stabs him and flees to her mother’s house with her three-year-old daughter, she thinks it’s finally over. Unfortunately, the drama has just begun! “Will she find the courage to leave him for good? And will he let her?” Lisa Perkins, seventeen, is the “strong one,” or at least that’s what Tabitha and Shanice think. However, this couldn’t be further from the truth. When she leaves her home after her mother refuses to believe that her stepfather has raped and impregnated her, she thinks that distance will solve everything. She finds that she couldn’t be more wrong. Shanice Thomas, fourteen, is giving teenage rebellion a whole knew meaning. Her mother recently found Christ, and the party that was Shanice’s life is apparently over. Thrust into situations she isn’t equipped to handle, Shanice suddenly finds herself learning painful new lessons about the consequences of sleeping around.Strawberry Mansion: A Philadelphia Story is fierce fiction peppered with urban grit! It not only explores the girls’ struggles in vivid detail, it highlights their loyalty, love, and kindness for each other! You won’t be able to put this book down!

    He questions her and finds she thought she was in the apartment of his neighbor, Morris Barnes, who lives above him. While he is on the telephone, she quietly slips out of his flat and heads to Barnes’ abode. A few hours later, she is once again at his door – this time looking scared and faint. She asks Wrayson to escort her downstairs as the hallway is unlit. As they emerge, a hansom sits at the doorway with Morris Barnes in it. But, they discover that Barnes has been strangled. Wrayson soon learns that the young lady is the estranged older daughter of a club acquaintance, retired Colonel Fitzmaurice. He also discovers that he has fallen in love with her. The big question however, has he fallen for a murderess? How can he discover the truth? In typical Oppenheim style, this “whodunit” weaves a tangled web and one must wait until the end to discover the surprising truth. (Summary by Tom Weiss)

    

    Just the thought of Simone Campbell makes him turn away from any chick. Whether it's the baddest bitch or a foreign chick, he'll pass. But then "she" came into his life and that all changed. He's ready to live and love again, and she just might be the one. That is, if Simone doesn't ruin it like she has everything else in his life. Simone and her wicked, deadly ways are back. But she isn't still that devious side bitch that's obsessed with Omari Sutton. Now, she's obsessed with staying out of prison. However, one glimpse of Omari and his new leading lady causes her insanity to resurface. Little does she know, Detective Keisha Howard is just as obsessed as she is and won't sleep until she tracks down Simone to ensure that she pays for all of her murderous ways. In Secrets of a Side Bitch 4, every lie, trick, and murder is laid out on the table, and karma begins to take its revenge on some, while new life begins for others.