Visually spectacular, shockingly violent, and singularly horrifying, Gantz is a relentless fever dream of consummate skill and fiendish imagination. This value-priced omnibus collection features 680 pages of havoc and horror!Kei Kurono's work as a Gantz alien fighter is a hellish nightmare, but his life as a high-school student is looking up, with a new ladylove opening his heart. But when his beloved is threatened by a Gantz-obsessed schoolmate on a shooting rampage, Kei must face the murderous student without his Gantz suit for protection!Collects Gantz individual volumes 10, 11, and 12.

    • The Dragon Ball & Dragon Ball Z series combined have sold through more than one million GNs in the U.S. to date (BookScan). • Over 11.7million Dragon Ball and Dragon Ball Z videos & DVDs have sold through in the U.S. to date (VideoScan). • Every volume of the Dragon Ball series is still selling to this day.  There are 42 volumes total and they debuted in the U.S. in 2000! • Toriyama has a strong fan base in the U.S. • Dragon Ball & Dragon Ball Z have also spawned numerous video games, which consistently rank in the top ten in national sales. • A live action Dragon Ball Z movie is currently in production to be released theatrically in Spring 2009.Dragon Ball: The Complete Illustrations   A seminal series from a legendary creator. Dragon Ball, a wry update on the Chinese "Monkey King" myth, introduces us to Son Goku, a young monkey-tailed boy whose quiet life is turned upside-down when he meets Bulma, a girl determined to collect the seven "Dragon Balls." If she gathers them all, an incredibly powerful dragon will appear and grant her one wish. But the precious orbs are scattered all over the world, and to get them she needs the help of a certain super-strong boy...

    In "Hotel Harbour View," a Japanese expatriate in Hong Kong spends his time drinking whisky, photographing a high class prostitute and waiting for death at the hands of the assassin he knows is coming for him. In "Brief Encounter," a notorious Parisian assassin is himself marked for assassination and his hunter is no stranger to him.

    American editions of his spectacular graphic epics have been highly praised and voraciously collected. Now, his gorgeous and highly detailed color art has been collected for the first time into a single, handsome trade paperback. Beautifully printed in Japan and featuring text in both Japanese and English, this package features nearly two hundred full-color Shirow works, 47 published for the first time anywhere in the world! This book is a nearly complete archive of Shirow's color work from 1981 to 1991, including material from Appleseed, Dominion, Black Magic, Orion, and much more. This is an absolute must for fans of Shirow, science-fiction and fantasy art, and manga.

    New York Sketches features 15 full-color reproductions of the beautiful ink-and-watercolor drawings that Tomine began after moving from California to the city. Each shows his unparalleled eye for detail: a police officer scrutinizes a stylish young mother; a girl remains content but completely motionless through four subway stops; a disgruntled worker kicks a chair while he sweeps. This remarkable portfolio is printed on finely textured 130-lb. Cougar paper, accordion folded so that images can be detached for framing or displayed upright together. It is the only full-color project featuring new art from Adrian Tomine, one of the most respected and perhaps the most widely visible alternative cartoonists of our time.

    The cultural equivalent of the fairy tales of the Brothers Grimm, Tono Monogatari is a defining text of Japanese folklore and one of the country’s most important works of literature. This graphic novel was created during the later stage of Mizuki’s career, after he had retired from the daily grind of commercial comics to create personal, lasting works of art.Originally written in 1910 by folklorists and field researchers Kunio Yanagita and Kizen Sasaki, Tono Monogatari celebrates and archives legends from the Tono region. These stories were recorded as Japan’s rapid modernization led to the disappearance of traditional culture. This adaptation mingles the original text with autobiography: Mizuki attempts to retrace Yanagita and Sasaki’s path, but finds his old body is not quite up to the challenge of following in their footsteps. As Mizuki wanders through Tono he retells some of the most famous legends, manifesting a host of monsters, dragons, and foxes. In the finale, Mizuki meets Yanagita himself and they sit down to discuss their works.Translated and with additional essays by Mizuki scholar Zack Davisson, Tono Monogatari displays Mizuki at his finest, exploring the world he most cherished.

    Gothic Art Now brings together for the first time the finest, the freshest, the darkest and the most exciting talents from around the world. The work covers the most compelling gothic art across various media, from paintings and illustrations to photography, sculpture, and digital art.Featured gothic art includes the breathtaking sculptures of H.R. Giger, the ethereal watercolors of Natalia Pierandrei, the grim fairytale paintings of David Stoupakis, the hypnotic oil paintings of David Bowers, the haunting photography of Shannon Hourigan, the sinister dolls of Scott Radke, the delicately dismal portraits of Dorian Cleavanger, and numerous other terrifying and thought-provoking artistic creations in literature, digital media, film, and advertising. Inside information from the artists on how they created their work along with a full artist directory are also featured.Contents:Foreword by acclaimed gothic art author and illustrator BromIntroductionFemmes FatalesMen in BlackGothic EleganceIndustrial Goth Lurking HorrorDark FantasyCreepy CreationsGrim Comics

    When the story begins, Fujio and Mitsuo are dreaming of training in martial arts overseas and becoming famous. When they accidentally kill their overbearing boss, they decide to cover up the evidence and bury him at a man-made garbage mountain known as DARK FUJI. Unfortunately for them, the tons of rotting garbage have been contaminated with industrial waste... Which, naturally, transforms the bodies of the dead into ravenous, flesh-eating zombies. Fuji and Mitsuo try their best to survive in this horrific new landscape, but the hapless pair become separated after an idiotic mistake involving potato chips and a stray dog. Skip to a few years later. Post-apocalyptic Tokyo has become a feudalistic society, in which the rich have enslaved the lower classes, who toil in the walled city for protection against the zombies. To alleviate boredom, the rich have created gladiator death matches, pitting zombies against slaves. Fuji and Mitsuo meet up under strange circumstances in the ring of one of these death matches. All hell breaks loose when the two are reunited, and the sanctuary city of the rich comes under fire from a revolutionary pig farmer and a motorcycle gang of roving bandits. Tokyo Zombie was originally serialized in the cutting-edge manga magazine AX from 1998 to 1999. Many years before the film Shaun of the Dead introduced Western audiences to the zombie comedy genre, Hanakuma's send up of Romero zombie films and post-apocalyptic survival story was already a cult classic in Japan. Now English-speaking audiences will have the chance to check out the genre-mashing tale that started it all. Hanakuma's "heta uma" (Literally "Bad, but Good") drawing style punctuates the gory but hilarious depiction of a Tokyo overrun with zombies. This is mixed with a dynamic and authentic depiction of actual martial arts, sourced from Hanakuma's own years of training and competing as a professional martial artist. In addition to the success of the cult manga, Tokyo Zombie was also adapted into a hit film directed by Sakichi Sato and starring cult film stars Tadanobu Asano (Ichi the Killer) and Sho Aikawa (Dead or Alive), with a cameo from famed horror manga artist Kazuo Umezu.

    Drawn in a range of styles asimprovisational as Coltrane and Mingus — everything from loose lineworkto tight pen and ink to gestural pencils — Blutch captures the excitement oflive performance, the lovelorn, and the Great Jazz Detective, who is out butnot down.

    The first issue, #0, was released in October 1994 by Fantagraphics Books, and a second issue, #1, was released the following January. A third issue (#2) was announced in the pages of other Fantagraphics publications and solicited in Previews but was never published. "I Was Killing When Killing Wasn't Cool", a color short story with a markedly different art style originally intended for issue #2, appeared instead in the anthology Zero Zero. In a 2010 interview, Columbia recalled that the unfinished issue "looked so different that it just didn’t look right, it didn’t look consistent, and it didn’t feel right to keep putting out that same comic book, to try to tell a story where the style is mutating."[1] The series' title is taken from a passage in the William S. Burroughs book Exterminator! (in the chapter "Short Trip Home"). The passage in question is quoted briefly in a story from issue #0, also titled "The Biologic Show".Each issue of The Biologic Show contains several short stories and illustrated poems. Many of the pieces deal with disturbing subject matter such as mutilation, incest, and the occult. Issue #0 introduces three of Columbia's recurring characters: the hapless, Koko the Clown-like Seymour Sunshine in the opening story "No Tomorrow If I Must Return", and the sibling duo Pim and Francie in "Tar Frogs". (Both "Tar Frogs" and the aforementioned "The Biologic Show" had originally appeared in the British comics magazine Deadline but were partially redrawn for Columbia's solo book.) Issue #1 is dominated by the 16-page Pim and Francie story "Peloria: Part One", intended as the start of an ongoing serial. It includes another character, Knishkebibble the Monkey-Boy, who reappears in Columbia's later work. Upon the demise of The Biologic Show Fantagraphics announced that Peloria would be released as a stand-alone graphic novel,[2] but this plan was also abandoned.

    Exhausted Salarymen are pushed beyond the brink. Blood, sweat and screams of 'FUCK YOU!' pour out of the characters within The Pits of Hell, and yet a sense of humour always shines through. Bold, absurd and all too real, Ebisu Yoshikazu's work feels distinctly underground, almost punk. The Pits of Hell collects eight classic stories by Ebisu Yoshikazu, originally published between 1969 and 1981. The collection features a foreword by Minami Shinbo and an essay by Ryan Holmberg placing Ebisu Yoshikazu and his work into context.

    The freak show includes such unsavory characters as a mummyman, a snake woman, and a drooling man with no limbs. The owner of the freak show, the eponymous Mr. Arashi, is a strict man who allows his freaks very little freedom or joy in life. He is especially cruel to Midori. Midori works, not as a freak since she is normal, but as a sort of caretaker of the freaks.

    When a life insurance policy worth one million pounds takes Master Keaton to the Dodecanese islands of Greece, what will he discover amidst his scuffles with bloodthirsty thieves and assassins?