Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century.Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.

    

    The eccentric group who satirised trad jazz, pop and rock, reached Number five with ‘I’m The Urban Spaceman’ in 1968. A punishing schedule of tours and television followed, including work with the future Monty Python team. The following year, broke and burned out, the Bonzos split up, leaving behind a loyal cult following.Vivian launched into myriad solo projects in music, film and theatre, giving himself several nervous breakdowns in the process. His comic masterpiece, ‘Sir Henry at Rawlinson End’, was heard in radio, on an album, and then hit the big screen. Vivian wrote the musical ‘Stinkfoot’, was narrator on ‘Tubular Bells’ and provided lyrics for Steve Winwood. In person, he was just as multi-faceted, by turns the erudite artist and the truculent Teddy Boy, breathtakingly rude. A powerful figure, tall, red-haired and never less than extravagant in his fashion, Vivian Stanshall was a hell-raiser of legendary reputation – ably assisted through much of the 1970s by Who drummer Keith Moon. Vivian drove the many who loved him to the limit, struggling with terrible tranquilliser and alcohol dependency. He died at home in a house fire in 1995. The story of his turbulent life is utterly compelling.

    Volume 1 addresses the development, through the eighteenth century, of Shinto, Buddhism, and Confucianism.

    Too impetuous to be satisfied as a subsidiary wife, this beautiful (and unnamed) noblewoman of the Heian dynasty protests the marriage system of her time in one of Japanese literature's earliest attempts to portray difficult elements of the predominant social hierarchy. A classic work of early Japanese prose, The Gossamer Years is an important example of the development of Heian literature, which, at its best, represents an extraordinary flowering of realistic expression, an attempt, unique for its age, to treat the human condition with frankness and honesty. A timeless and intimate glimpse into the culture of ancient Japan, this translation by Edward Seidensticker paints a revealing picture of married life in the Heian period.

    This striking book contains full-color woodblock prints made during Japan's famous Edo Period, historic and contemporary photographs of geisha life, and images of the "floating world" Japan's mysterious artistic subculture. The accompanying text includes evocative Japanese poems and haikus. All celebrate the beauty and creativity of the geisha, who with her exquisitely detailed costume, elaborate make-up and hairstyle, and artfully ritualized behavior, chastely beguiles and entertains Japan's most powerful men.

    Four see-through vellum sections, of four layers each, begin with a "naked" geisha; they show, stage by stage, how her distinctive costume and make-up are assembled. You'll view the subtle changes of appearance through the round of seasonal events, and the elaborate array of equipment in the geisha's wardrobe, as well as everything she needs to do her demanding jobs. Equally revealing is the incredibly detailed information about the women's training, lives, and history.

    Focusing on the domestic impact of Japan's activities in Northeast China between 1931 and 1945, Young considers "metropolitan effects" of empire building: how people at home imagined and experienced the empire they called Manchukuo.Contrary to the conventional assumption that a few army officers and bureaucrats were responsible for Japan's overseas expansion, Young finds that a variety of organizations helped to mobilize popular support for Manchukuo—the mass media, the academy, chambers of commerce, women's organizations, youth groups, and agricultural cooperatives—leading to broad-based support among diverse groups of Japanese. As the empire was being built in China, Young shows, an imagined Manchukuo was emerging at home, constructed of visions of a defensive lifeline, a developing economy, and a settler's paradise.

    Included are extensive notes, a preface by renowned translator Red Pine, a findings list, and photographs of the cave and surrounding area where Han Shan (“Cold Mountain”) lived.Cold Mountain is one of the most revered poets in China. He was a Taoist/Buddhist hermit who begged for food at temples, often sang and drank with cowherds, and became an immortal figure in the history of Chinese literature and Zen. His poems were written twelve-hundred years ago on the rocks, trees, and temple walls of China’s Tientai Mountains. This revised edition also includes poems by Han Shan’s colleagues, Pickup (Shih-te) and Big Stick (Feng-kan), translated here for the first time.As Red Pine begins his Preface, “If China’s literary critics were put in charge of organizing a tea for their country’s greatest poets of the past, Cold Mountain would not be on many invitation lists. Yet no other poet occupies the altars of China’s temples and shines, where his statue often stands alongside immortals and bodhisattvas. He is equally revered in Korea and Japan. And when Jack Kerouac dedicated The Dharma Bums to him in 1958, Cold Mountain became the guardian angel of a generation of Westerners as well.”Reviews of Red Pine's Collected Songs of Cold Mountain:”The translator’s preface describes his rendition of the life of Cold Mountain, offering an excellent historical and philosophical context for the simple yet profound poems attributed to the poet."—Library Journal“These are poems one must taste fully and drink whole... The poems of Han-shan read like a journal or memoir, and they often work as Zen koans, challenging the mind to go beyond the words and reason.”—Parabola“Red Pine... has given us the first full collection of Han Shan’s songs in an idiom that is clear, graceful, and neutral enough to last... His translations are accurate and mirror the music of the originals... The Collected Songs of Cold Mountain is a considerable performance and a truly valuable book. Thanks to Copper Canyon's high standards of bookmaking, it is beautiful to hold and behold; thanks to Red Pine’s care, it will survive as the definitive text of Han Shan in English for many years. It belongs on the shelf of everyone with an interest in poetry and... should be opened often."—The Bloomsbury Review“An exquisite publication that captures the Taoist practice of passionate attention, of being still inside and relaxed in the comforts and discomforts around you, going nowhere else... We discover this in the poet’s vision and spirit, in the precision and balance of the translator’s scholarship and heart, and in the elegant wilderness of the bookmaker’s art around them. On every level this is a beautiful book.”—Judges’ comments on awarding the WESTAF Award in Translation“Cold Mountain’s colloquial poetry...sound like inspired raps—marvelously direct, with skips, jumps, verbal nudges and abrupt revelations... The volume is beautifully produced, with a long and careful introduction... This is an indispensable book.”—The Berkeley Monthly“More than anyone else, Red Pine has made [Han Shan’s] spontaneous poems accessible to Western readers... In this new, expanded edition, invaluable notes and an extensive new critical preface provide a contextual awareness, not just for the poems, but for their sources in Buddhist and Confucian culture.”—Inquiring MindRed Pine is one of the world’s leading translators of Chinese literary and religious texts. His other translations include Lao-tzu’s Taoteching (isbn 9781556592904) and Poems of the Masters: China’s Classic Anthology of T’ang and Sung Dynasty Verse (isbn 9781556591952).

    "Richie is a stupendous travel writer; the book shines with bright witticisms, deft characterizations of fisherfolk, merchants, monks and wistful adolescents, and keen comparisons of Japanes and Western culture." —San Francisco Chronicle"A learned, beautifully paced elegy."—London Review of BooksSheltered between Japan’s major islands lies the Inland Sea, a place modernity passed by. In this classic travel memoir, Donald Richie embarks on a quest to find Japan’s timeless heart among its mysterious waters and forgotten islands. This edition features an introduction by Pico Iyer, photographs from the award-winning PBS documentary, and a new afterword. First published in 1971, The Inland Sea is a lucid, tender voyage of discovery and self-revelation.Donald Richie is the foremost authority on Japanese culture and cinema with 40+ books in print.

    It was a period of upheaval and change as the rulers carved out their territories and clan politics were full of intrigue, rivalry and betrayals. The samurai were still valued for their swordsmanship, and were a cut above the peasants, artisans, and merchants in the social hierarchy. Without battles to fight, however, they struggled to retain their sense of pride and meaning in life as they devoted themselves to mundane jobs, marriage and family. The occasional flash of the sword and samurai discipline were tempered by the unexpected intrusion of human interaction. Sympathies, conspiracies, kindnesses, enmities-all kinds of odd relationships were formed and conflicts resolved in surprising ways. These tales are colorful, atmospheric, exciting, tender, violent and gently ironic.The Bamboo Sword and Other Samurai Tales is published as part of the Japanese Literature Publishing Project (JLPP), which is run by the Japanese Literature Publishing and Promotion Center (J-Lit Center) on behalf of the Agency for Cultural Affairs of Japan.

    An ancient curse. A real-life archaeological adventure.Since the 1800s rumours have circulated about an ancient pyramid, built on an immense scale, hidden deep in the jungles of Samoa. Evidence perhaps of a great forgotten Pacific Empire. And yet there is no mention of the pyramid in the entire pantheon of Samoan myth. Samoan society is steeped in tradition but the local legends are silent on the subject of the pyramid."A bold and gutsy adventure" -Christopher Dunn - Author of the Giza Power PlantWhen one woman digging into the archives discovers an outlier in the dataset of Pacific history, it is the catalyst for an adventure that takes us on a treasure hunt deep into the jungles of Samoa. The Samoan Pyramid interweaves the spellbinding stories behind archaeology’s centuries-long quest to find the forgotten pyramid with the author's own journey into the jungles of Samoa as she unravels one of the greatest archaeological mysteries of the Pacific.Buy the Samoan Pyramid and uncover the secret today.

    In her brief life she wrote poems, essays, short stories and a great, multivolume diary. This book is made up of a critical biography, interlaced with extracts from the diary, and Robert Danly's translations of nine representative stories.

    But for thousands of years, people have done things like this—and things that make radioactive underpants seem downright sensible! In their hit podcast, Sawbones, Sydnee and Justin McElroy breakdown the weird and wonderful way we got to modern healthcare. And some of the terrifying detours along the way.Every week, Dr. Sydnee McElroy and her husband Justin amaze, amuse, and gross out (depending on the week) hundreds of thousands of avid listeners to their podcast, Sawbones. Consistently rated a top podcast on iTunes, with over 15 million total downloads, this rollicking journey through thousands of years of medical mishaps and miracles is not only hilarious but downright educational. While you may never even consider applying  boiled weasel to your forehead (once the height of sophistication when it came to headache cures), you will almost certainly face some questionable medical advice in your everyday life (we’re looking at you, raw water!) and be better able to figure out if this is a miracle cure (it’s not) or a scam. Table of Contents:Part One: The Unnerving The Resurrection Men Fun w Galvanism Weird Weight Loss Miracle Cure: Opium Black Plague Heroes of Misguided Medicine: Pliny the Elder Erectile Dysfunction The Doctor Is In: Listener Questions Answered Don’t Drill a Hole in Your HeadPart Two: The Gross Mummy Medicine The Guthole Bromance The Unkillable Phineas Gage Max Drank Poopy Water Heroes of Misguided Medicine: Robert Liston Golden Showers of Health Miracle Cure-All: Radium Dr. John Romulus Brinkley The Doctor Is In Q&A Just (Four) Humour Me The Camel Dung MiraclePart Three: The Weird The Dancing Plague Bad Medicine: Tobacco for Health The Seasick-Proof Saloon Miracle Cure-All: Vinegar The Doctor Is In Q&A Heroes of Misguided MedicinePart Four: The Awesome The Poison Squad Bad Medicine: Self Experimentation Eat Your Chocolate! Heroes of Misguided Medicine Parrot Fever Miracle Cure-All: Honey The Miraculous Polio Vaccine The Doctor Is In

    But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.