Hogtown is dead. A shining metropolis lives." -- Peter C. NewmanIn the last sixty years, Toronto has been transformed from a provincial town to significant urban heavyweight. Few cities have experienced such sustained growth, and the packed streets of North America’s fourth-largest city are a far cry from the origins of the city as "Little York," which was comprised of the lieutenant-governor’s muddy tent --which he shared with his wife and many children -- and some barracks. Between then and now, fervent Orangemen have imposed strict morals on the growing provincial town, and an influx of immigrants changed the face of the city.Allan Levine delves into the character of a city that strives to balance urban development with the preservation of its distinct neighbourhoods, to maintain its status without losing its individuality. Its inhabitants have fought tooth and nail to prevent an expressway being built to the downtown core, have called in the army to clear the city of snow after a blizzard and consistently pack the Maple Leafs' arena every game, win or lose, making the hockey team the most valuable franchise in the NHL. The city can also claim one of the first Canadian politicians to stand up for gay rights, a store owner who almost single-handedly preserved theatre in Toronto, and then there’s Mayor Rob Ford...With the same eye for character, anecdote and circumstance that made Peter Ackroyd's London and Colin Jones's Paris so successful, Levine's captivating prose integrates the sights, sounds and feel of Toronto with a broad historical perspective, linking the city's present with its past through themes such as politics, transportation, public health, ethnic diversity and sports. Toronto invites readers to discover the city’s lively spirit over four centuries and to wander purposefully through the city's many unique neighbourhoods, where they can encounter the striking and peculiar characters who have inhabited them: the powerful and powerless, the entrepreneurs and the entertainers, and the moral and the corrupt, all of whom have contributed to Toronto's collective identity.

     In her newest collection, Moore selects essays that celebrate the music of the natural world as a reminder of what can be taken from us—the yowl of wolves, tick of barnacles, laughter of children, shriek of falling mountains. Alongside these selections are brand new essays born from the sorrow and iniquity of this new age of extinction, all bearing witness to the glories of this world and the sins against it. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment to the determination to act.In Earth's Wild Music, Moore reminds us that whatever is left of the planet after its pillaging is the world in which those who remain must live. Whatever genetic song-lines, whatever fragments of whale-squeal and shattered harmonies are left, that's what evolution will have to work with. Music is the shivering urgency and exuberance of life on-going. In a time of terrible silencing, Moore asks, who will forgive us if we do not save the songs?

    I forget things too. It makes me sad. Or it makes me the saddest. The sadness is not really about George W. or our American optimism; the sadness lives in the recognition that a life cannot matter.The award-winning poet Claudia Rankine, well known for her experimental multigenre writing, fuses the lyric, the essay, and the visual in this politically and morally fierce examination of solitude in the rapacious and media-driven assault on selfhood that is contemporary America. With wit and intelligence, Rankine strives toward an unprecedented clarity-of thought, imagination, and sentence-making-while arguing that recognition of others is the only salvation for ourselves, our art, and our government.Don't Let Me Be Lonely is an important new confrontation with our culture, with a voice at its heart bewildered by its inadequacy in the face of race riots, terrorist attacks, medicated depression, and the antagonism of the television that won't leave us alone.

    A revised edition of Lee Maracle's visionary book which links teaching of her First Nations heritage with feminism.

     When an old friend contacted Steve Jenkins out of the blue and begged him to take in a ‘micro’ piglet, he couldn’t say no. Though he knew his partner wouldn’t be thrilled about him taking in yet another stray, the idea of having a cute little pig to care for was simply irresistible. Little did he know, that decision would turn his and Derek’s lives upside down. It turned out that as adorable as she was, there was nothing ‘micro’ about Esther, and as she grew and grew, Steve and Derek realised that they had actually signed on to raise a full-sized commercial pig. Within three years, dainty little Esther grew to a whopping 600 pounds (270 kilograms). After a rollercoaster ride of growing pains and a lot of pig-sized dramas, it became clear that Esther needed more space, so Steve and Derek made another life-changing decision: they bought a farm and opened the Happily Ever Esther Farm Sanctuary, where they could care for Esther and offer refuge to other animals in need. Inspired by their adventures with their not so little pig, Steve and Derek have become two of the world’s best known and most successful animal rights activists, alongside the magnificent Esther, who has hundreds of thousands of fans around the world. Best of all, Esther the Wonder Pig shows how families really do come in all shapes and sizes.

    While considering the direction of his own life, he began to contemplate the existence of this colossal tree. Standing in England for centuries, the oak would have been a sapling when the Magna Carta was signed in 1215.Canton examines our long-standing dependency on the oak, and how that has developed and morphed into myth and legend. We no longer need these sturdy trees to build our houses and boats, to fuel our fires, or to grind their acorns into flour in times of famine. What purpose, then, do they serve in our world today? Are these miracles of nature no longer necessary to our lives? What can they offer us? Canton tells the story of this tree in its ecological, spiritual, literary, and historical contexts, using it as a prism to see his own life and human history. The Oak Papers is a reflection on change and transformation, and the role nature has played in sustaining and redeeming us.

    Tatiana Ryckman chronicles the struggles of a long-distance relationship from summer to summer, forming a series of unsent musings to the beloved by the unnamed lover— all while keeping names and gender anonymous. At times funny, this sexy, charged, and deeply felt creation captures what loving from a distance can bring upon all of us.Cover art by Kyle William Butler

    Women who are naturally driven and goal-oriented shy away from it. They’re loath to see themselves—or be seen by others—as aggressive or, worst of all, as a bitch. Double Bind could not come at a more urgent time, a necessary collection that explodes this conflict, examining the concept of female ambition from every angle in essays full of insight, wisdom, humor, and rage.Perceptively identifying a paradox at the very heart of feminism, editor Robin Romm has marshaled a stunning constellation of thinkers to examine their relationships with ambition with candor, intimacy, and wit. Roxane Gay discusses how race informs and feeds her ambition. Theresa Rebeck takes on Hollywood and confronts her own unquenchable thirst to overcome its sexism. Francine Prose considers the origins of the stigma; Nadia Manzoor discusses its cultural weight. Women who work in fields long-dominated by men—from butchery to tech to dogsledding—weigh in on what it takes to crack that ever-present glass ceiling, and the sometimes unexpected costs of shattering it. The eternally complex questions of aspiration and identity can be made even more treacherous at the dawn of motherhood; Allison Barrett Carter attempts leaning in at home, while Sarah Ruhl tries to uphold her feminist vision within motherhood’s infinite daily compromises.Taken together, these essays show women from a range of backgrounds and at all stages of their lives and careers grappling with aspiration, failure, achievement, guilt, and, yes, success. Forthright and empowering, Double Bind breaks a long silence, reclaiming "ambition" from the roster of dirty words at last.

    She mothers everyoneher social work clients, her husband, her twenty-something daughters, and her reclusive sister who lives in the attic. Elsie is committed to taking care of everyone--everyone but herself. So, when crazy Aunt Hildy writes to demand a bedroom in their Halifax home, Elsie cant help but say yes. When Hilda arrives, she enchants and enrages the family with her moxie. That and her proclamation that she has hidden treasure in the house and the kings ransom will go to whoever loved her most. When someone threatens Aunt Hildy, she responds with her trademark sass: Go ahead. Shoot me. I dare you. Whoever it is takes her up on it. Suddenly, the house is turned topsy-turvy as Elsies family searches for a treasure that Elsie doesnt believe even exists, and for a killer that could be any one of them. Shoot Me is a funny and sometimes heart-wrenching story about family, fortune, and figuring out who you are and who you love. In Elsie, Crewe has created a character who speaks with humour and honesty to conflicts that exist in the lives of so many women: between work and home, between loving one man and wanting others, and between feeling fulfilled not only as a wife and a mother, but as a woman.

    The movement’s message found fertile ground in Canada, where Black activists speak of generations of injustice and continue the work of the Black liberators who have come before them. Until We Are Free contains some of the very best writing on the hottest issues facing the Black community in Canada. It describes the latest developments in Canadian Black activism, organizing efforts through the use of social media, Black-Indigenous alliances, and more."Until We Are Free busts myths of Canadian politeness and niceness, myths that prevent Canadians from properly fulfilling its dream of multiculturalism and from challenging systemic racism, including the everyday assaults on black and brown bodies. This book needs to be read and put into practice by everyone." —Vershawn Young, author of Your Average Nigga: Performing Race, Literacy, and Masculinity and co-author of Other People's English: Code Meshing, Code Switching, and African American LiteracyContributors: Silvia Argentina Arauz - Toronto, ON Leanne Betasamosake Simpson - Toronto, ON Patrisse Cullors - Los Angeles, CAGiselle Dias - Wilfrid Laurier University, Waterloo, ONOmisoore Dryden - Dalhousie University, Halifax, NSPaige Galette - Whitehorse, YKDana Inkster - University of Lethbridge, Lethbridge, AB Sarah Jama - Hamilton, ONEl Jones - Mount Saint Vincent University, Halifax, NSAnique Jordan - Toronto, ONDr. Naila Keleta Mae - University of Waterloo, Waterloo, ONJanaya Khan - Los Angeles, CAGilary Massa - York University, Toronto, ONRobyn Maynard - University of Toronto, Toronto, ONQueenTite Opaleke - Toronto, ONRandolph Riley - Halifax, NSCamille Turner - York University, Toronto, ONRavyn Wngz - Toronto, ON

    Beyond the stereotypes and cliche's of Rez dogs, drinking, and bingos, the story of a girl who loved to read and her family begins to unfold.

    But when he leads a group of tourists along the cliffs of St. John's harbour, one of them ends up dead. Not only is there a murderer in his tour group, but the cop assigned to the case is sleeping with Sebastian's ex-wife. It seems like things can't get any worse, but as he's enlisted to help flush out the perpetrator, the trail leads deeper than expected, and Sebastian finds himself on the edge.

    We buy books about how the French parent, why French women don't get fat, and how to be Parisian wherever you are. While our work hours increase every year, we think longingly of the six weeks of vacation the French enjoy, imagining them at the seaside in stripes with plates of fruits de mer.John von Sothen fell in love with Paris through the stories his mother told of her year spent there as a student. And then, after falling for and marrying a French waitress he met in New York, von Sothen moved to Paris. But fifteen years in, he's finally ready to admit his mother's Paris is mostly a fantasy. In this hilarious and delightful collection of essays, von Sothen walks us through real life in Paris--not only myth-busting our Parisian daydreams but also revealing the inimitable and too often invisible pleasures of family life abroad.Relentlessly funny and full of incisive observations, Monsieur Mediocre is ultimately a love letter to France--to its absurdities, its history, its ideals--but it's a very French love letter: frank, smoky, unsentimental. It is a clear-eyed ode to a beautiful, complex, contradictory country from someone who both eagerly and grudgingly calls it home.

    “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.

    She plunges deep into her inner world, shadowing the progression of the disease. Reality takes on sharp edges: the swell of cancer and its retreat with chemo. Her inner corporeal reality versus her outer manifestation of health, vitality, and femininity. Holding fast to the great love of her life, while preparing to leave him behind. Contemplating who she was before cancer, and who she is now.Starkly honest and wholly profound, Not One of These Poems Is About You distills life to its essence. Teva Harrison continues to gift the world with her clear-eyed insight and her open heart.