Tracing bloodlines from Sri Lanka's civil wars to Brooklyn and Toronto streets, these fierce poems are full of heart and guts, telling raw truths about brown girl border crossings before and after 9/11, surviving abuse, mixed-race journeys and high femme rebellions. Consensual Genocide celebrates our survival and marks our rebel memories into history.

    Invoking both the personal and the civic self, they chart uncertain new beginnings in a shattered nation. What emerges is both a poignant meditation on a daughter's relationship with her mother and a citizen's relationship to her country. from "Frontier" . . . At times, I felt sick, intoxicatedby BPA and mercury.At other times I fasted and the starsstumbled clear from the vault.Up there, the universe stands around drunk.I hope the Lord is kind to us,for we engrave our every mistake . . .

    Jones does for Washington, D.C., and what James Joyce did for Dublin: they expand our ideas and our expectations of the city by exposing its tough but vulnerable underbelly. Crucet’s writing has been shaped by the people and landscapes of South Florida and by the stories of Cuba told by her parents and abuelos. Her own stories are informed by her experiences as a Cuban American woman living within and without her community, ready to leave and ready to return, “ready to mourn everything.” Coming to us from the predominantly Hispanic working-class neighborhoods of Hialeah, the voices of this steamy section of Miami shout out to us from rowdy all-night funerals and kitchens full of plátanos and croquetas and lechón ribs, from domino tables and cigar factories, glitter-purple Buicks and handed-down Mom Rides, private homes of santeras and fights on front lawns. Calling to us from crowded expressways and canals underneath abandoned overpasses shading a city’s secrets, these voices are the heart of Miami, and in this award-winning collection Jennine Capó Crucet makes them sing.

    Her poems are intimate and real. They speak of lovers, friends, family, and self, with a powerful emotional honesty that makes you smile in self-recognition. My Song for Him Who Never Sang to Me is Merrit's first book.

    Stardust is Rania Attafi's debut full length collection of poetry.Charged with themes of feminism, existentialism, love, loss and uncertainties, it will take you on a rollercoaster ride where you will glimpse lives of different people with each poem.Stardust is a book about a constellation of homo-sapiens written for all Booklovers regardless of their planet of origin.

    In it she extends her poetic range in poems about the violences of history and the relationships among women and between cultures. Though she writes tenderly about the clumsiness of love and reminds us of each day's fragility, both the intensity and the irony of her vision are at their height. Passionately rooted in out time and space, these poems impel us to reexamine our lives.

    You paint with words and that is beautiful." "Your words capture a truth some may feel but be unable to word." "Definitely a skilled tongue." Join over 10,000 people who follow and enjoy Andrea Michelle's poetry. Download now for free!

    This collection of the works of Iqbal, considered to be one of the greatest poets of the Urdu language, showcases the musicality of style and unique rhyme and assonance that has made his work memorable. A lengthy introduction, discussing the important aspects of Iqbal's life and art, is also included.

    Calling poets away from civilization, back towards the wilderness, Lasky brazenly urges artists away from conceptual programs, resurrecting imagination and faith-in-the-uncertain as saviors from mediocrity.

    Best known for his command of the psychological fantasy story, De Quincey produced stories of the curious and obscure, but always with the traditional Romantic emphasis on feeling. His masterwork, "Confessions of an English Opium Eater" (1821), stemmed from his own laudanum addiction, and was followed by "Suspiria de Profundis", a collection of essays which continued to capture the same dark brilliance as in "Confessions". The collection was originally published in fragmentary form, and remained unfinished upon De Quincey's death in 1859. This edition includes "The Affliction of Childhood," a reflection on the death of the author's two sisters in childhood, "Levana and our Ladies of Sorrow," one of his best-known works about the Roman goddess of childbirth, and "The English Mail-Coach," on the "grandeur and power" of the English mail-coach system.

    —"Earth"With gravity and resplendence, Colosseum confronts ruin in the ancient world and in the living moment, from historical accounts and from firsthand experience. Displaced from New Orleans after Hurricane Katrina, Katie Ford returns this powerful report attesting to the storm's ferocity and its aftershock. Ford examines other catastrophes—those biblical, obscured by time, and those that play out daily, irrefutably, in the media. Colosseum is an essential, moving book in its insistence that our fates are intertwined and that devastation does not discriminate.

    Real people. Real stories.

    Hood and educated AF. You've met her. Wearing all her feelings and responding with a side-eye or a tongue-pop. You've seen her. At the grocery store. In restaurants. On the subway. At the bus stop. In a car you pulled up next to blaring whatever matches her mood. Hair in some natural or protective style for the Gods. Ebony Stewart. An around the way girl. One part human, all parts womxn. You know these poems because they be familiar. They be your grandmama, mama, auntie, and sis stories. Welcome to Home. Girl. Hood.

    A. Levy said, "If you want a revolution, return to your childhood & kick out the bottom." In Boatman, Vernon takes you on this spirited journey where you are immediately immersed in a bold story brimming with the hard, beautiful blue of life, love & death. This symbolic collection shows you what it means to be human. It reveals the depths of the soul & how sometimes we just want to give up-how our legs can get tired of treading all the dark water. Thankfully, Ashe is beside us through the entire tale, showing us how to love the water instead of fear it- & when the weight of our heads & hearts get to be too much, they offer us a hand & lead us to the boat, they ask us to climb up in it with them, & in the end, the whole of the voyage teaches us how to save ourselves."- Amanda Oaks, founder of Words Dance Publishing

    With compassionate wit and insight, Campbell McGrath transports us on a journey through contemporary society, transforming the commonplace into scenes of profound revelation. From late-night bars to early-morning diners, suburban malls to the Mojave Desert, McGrath's meticulously detailed vision defines singular moments of joy and melancholy.