While unrest surrounding the sudden death of the king of Devangarh grows, young prince Rudra Pratap Chauhan prepares to ascend the throne.But the kingdom is in turmoil. The Devangarh army is outnumbered and the British forces are closing in. To make matters worse, Rudra discovers the king’s death may not have been accidental after all. The strange appearance and disappearance of a mysterious hooded stranger and a series of ritualistic murders in which the bodies have been drained of blood, spread panic across the realm.As Rudra struggles to manage his new responsibilities and investigate his father’s death, dark secrets will be uncovered that will disrupt life as he knows it.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    The book is about the 3 lives he leads, the choices he makes in those lives and attainment of eternal wisdom and bliss. After his death, Ray is offered three lives, each designed out of his choices, to find happiness. What starts as a journey towards wealth, health and knowledge turns into a discovery of eternal wisdom, and ultimately leads to bliss. Exotic, evocative and haunting, the tale of Ray Cordoza’s three lives will make you ponder the choices that you make in your own life towards the pursuit of happiness. The book is a celebration of the beauty of this wonderful universe and our lives as human beings. It falls into the genre of spiritual fiction - a format in which a fictional narrative is interlaced with philosophical and spiritual concepts. It could also (easily) be categorized as inspirational, self-help and motivational, depending on the perspective of the reader. 3 Lives is a product of inspired passion which aims to present eastern and western spiritual concepts in a manner that demonstrates the one-ness of everything in this world that we find ourselves in. That we all share the same fears, desires and aspirations. And, that we all have the same questions. That we share, at a fundamentally spiritual level, a deep and abiding desire to find and hold onto happiness. Whether you're looking to be inspired or to comprehend the seemingly incomprehensible pain and disappointments that come our way in life, this short novella is bound to leave a deep and lasting impression on you. Happy journeys!

    Who is to blame? Who is driving these intriguing and bone chilling murders? What is the motive behind these gruesome killings? No one has a clue. And when Karan Panjabi, a press reporter and an ex-banker digs deeper, he realizes that he has stumbled on a global conspiracy with far reaching ramifications - a secret that could destroy not only the bank but cast a shadow on the entire nation. With only thirty-six hours at his disposal, he is running out of time and must trust no one if he wants to stay alive and uncover the truth. In the racy build up to unraveling the mystery, stranger than fiction characters emerge, faith get shattered and ivory towers come crashing down. Bankers build their careers on trust, or so everyone thought - till the day the truth within GB2 gets revealed. Is the banker at GB2 fast turning into a Bankster? Or was he always one? Spinning an intricate web of lies, deceit and treachery, bestselling author Ravi Subramanian is back. A master storyteller of financial crime, this is his most chilling thriller yet

    A masterful, mesmerizing modern tale about worlds dangerously colliding, the monsters that are unleashed when reason recedes, and a beautiful testament to the power of love and humanity in chaotic times. Inspired by 2,000 years of storytelling yet rooted in the concerns of our present moment, this is a spectacular achievement--enchanting, both very funny and terrifying. It is narrated by our descendants 1000 years hence, looking back on "The War of the Worlds" that began with "the time of the strangenesses": a simple gardener begins to levitate; a baby is born with the unnerving ability to detect corruption in people; the ghosts of two long-dead philosophers begin arguing once more; and storms pummel New York so hard that a crack appears in the universe, letting in the destructive djinns of myth (as well as some graphic superheroes). Nothing less than the survival of our world is at stake. Only one, a djinn princess who centuries before had learned to love humankind, resolves to help us: in the face of dynastic intrigue, she raises an army composed of her semi-magical great-great--etc.--grandchildren--a motley crew of endearing characters who come together to save the world in a battle waged for 1,001 nights--or, to be precise, two years, eight months and twenty-eight nights.

    Varun whiles away his time, hopping from pub to pub, spending time with friends and keeping a track of his love interest on Facebook.These traits worry his mother to the bone, compelling her to put the very meddlesome Anu Aunty on the job, to help get her son moving in the right direction in life. Anu Aunty does a rather good job of this, much to Varun's dismay. He then does all that he can to get her off his track, while pursuing his dreams to become an entrepreneur.How I Braved Anu Aunty and Co-Founded A Million Dollar Company is the author’s debut novel and is on its fourth reprint already. Having sold twenty thousand copies in only a month, the book has become a bestseller by national standards. It has also occupied a firm foothold on the bestseller charts for eighty days at a stretch. The author attained initial popularity with his Facebook blog posts, a few of which were sent to his publishers. The book was conceived once they demanded a full manuscript.

    Three thousand years ago, deep inside the forests of India, agreat ‘thought revolution’ was brewing.In those forest labs, the brightest thinker–philosopherscontemplated the universe, reflected on ancient texts called theVedas and came up with startling insights into questions westill don’t have final answers to, like:• What is the universe made of?• How do I know I’m looking at a tree when I see one?• Who am I? My body, my mind, my intelligence, my emotions,or none of the above?And where did they put those explosive findings?In a sprawling body of goosebumpy and fascinating oralliterature called the Upanishads! Intimidated? Don’t be! Forthis joyful, fun guide to some of India’s longest-lasting secularwisdoms, reinterpreted for first-time explorers by Roopa Pai, isguaranteed to keep you turning the pages.Why haven’t you read it yet?

    Hated and feared by many, he schemed to win the love of the beautiful goddess Parvati . . . but learned an important lesson when he invited her elephant-headed son Ganesha over for lunch one day . . . So goes one of the many delightful tales in this decidedly grown-up book of traditional Indian stories, retold for the modern reader. Author Kamla Kapur is well known in her native India as a poet and playwright, and her connection to these age-old stories is the reverent yet individualistic one we might expect from someone whose introduction tells of her hometown, where naked, dreadlocked holy men speed about on motorbikes. To collect these stories, Kapur relied on ancient sacred texts, modern scholarship, and chance encounters with interesting people who just happened to know a really good one about this time that Vishnu sank into the ocean, was incarnated as a pig, and had a really wonderful time. Like myths around the world, these are teaching stories that offer both a window into a fascinating culture that has endured for thousands of years, and a code for living that can be applied to the modern world.

    With text, translation, and Sri Aurobindo's commentary, this is probably the finest translation and commentary on the Bhagavad Gita that we have seen.

    The Argumentative Indian is "a bracing sweep through aspects of Indian history and culture, and a tempered analysis of the highly charged disputes surrounding these subjects--the nature of Hindu traditions, Indian identity, the country's huge social and economic disparities, and its current place in the world" (Sunil Khilnani, Financial Times, U.K.).

    The Mahabharata story is removed from its mythological elements and the whole theme and characters are placed in the historical time of 12th century B.C in India. Bhyrappa spent five years in researching the social, economic and cultural details of the period.

    Thus begins the story of Poonachi, the little orphan goat. As you follow her story from forest to habitation, independence to motherhood, you recognise in its significant moments the depth and magnitude of your own fears and longings, fuelled by the instinct for survival that animates all life. Masterly and nuanced, Perumal Murugan’s tale forces us reflect on our own responses to hierarchy and ownership, selflessness and appetite, love and desire, living and dying. Poonachi is the story of a goat who carries the burden of being different all her life, of a she-goat who survives against the odds. It is equally an expression of solidarity with the animal world and the female condition. The tale is also a commentary on our times, on the choices we make as a society and a nation, and the increasing vulnerability of individuals, particularly writers and artists, who resist when they are pressed to submit. Reviews for Poonachi “Murugan’s sarcasm speaks of the robustness of his spirit … As in all his novels, (his) story is rich in detail … (He) sustains the narrative tension right from the start.”- Elizabeth Kuruvilla, The Hindu Literary Review

    R. K. Narayan provides a superb rendition in an abbreviated and elegant retelling of this great epic.

    The play is a political satire, written as historical drama. Based on the life of Nana Phadnavis (1741–1800), one of the prominent ministers in the court of the Peshwa of Pune. Its theme is how men in power give rise to ideologies to serve their purposes, and later destroy them when they become useless.

    Pramukh Swamiji became a friend of the eleventh president of India, Dr A.P.J. Abdul Kalam. Together they created an unparalleled spirituality-science fellowship.In Transcendence, Dr Kalam and Arun Tiwari map a journey of self-realization reflected in the eyes of Pramukh Swamiji, painting a delightful fusion of spirituality, science and leadership.His candid vignettes from life on the centre stage of Indian technology and societal missions,Indian politics and world affairs are interwoven with revelations of a profound connection with Swamiji.Through the life of Pramukh Swamiji and the history of the Swaminarayan mission, Dr Kalam traces the great rise of the Indian diaspora across the world. Drawing from the lives of great scientists and creative leaders, Transcendence captures the spiritual essence of all religions and is as much a fountain of inspiration and a treasury of wisdom as it is a tribute to the multi-faith Indian society.