These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze - whether on the natural world or the details of his own life - is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour. Alongside fine translations from Neruda and Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in "The Wrecking Light" pitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems - certainties become volatile, the simplest situations thicken with strangeness and threat - all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark. This is a book of considerable grandeur and sweep which confirms Robertson as one of the most arresting and powerful poets at work today.

     “I climbed into this book and lived its plot. I read it at every spare moment.” Margaret “Beautifully written and engaging.” Ratana 1895, SCOTLAND Emma Greig is almost fourteen when her father announces she will be sent to be a maid at Bonnybrae Farm. She has never left her village so she is terrified of the change, especially when she realises she must learn to milk cows. PERFECT FOR FANS OF NADINE DORRIES, GLENDA YOUNG, DILLY COURT OR SHEILA NEWBERRY. Emma goes to work for the Sinclair family. Maggie Sinclair, the oldest of the Sinclair children, is kind and gentle. Her brothers, Jim and William, are friendly and tease Emma, but their mother offers no welcome. Mrs Sinclair is a proud woman with a secret in her past which has left her bitter and without compassion. She is angry when friendship blossoms between a mere maid and her own family. As the bond between Emma and her son strengthens, she dismisses Emma without notice or a reference. And William is banished from the farm he loves and sent away to Yorkshire to make his own way in the world. WILL THIS DESTROY THEIR LIVES AND BURGEONING ROMANCE? DISCOVER A ROMANTIC AND HEART-WARMING TALE ALSO BY GWEN KIRKWOOD SINCLAIR FAMILY SAGA SERIES Book 1: Moorland Mist Book 2: Moorend Farm

    

    The love of her life was out of reach, so she walked away and never looked back. Now, visiting the beautiful, snowy village of Glen Avich for Christmas, Viola is shocked to find him here, staying only metres away. Can she risk heartbreak again?Inary Monteith's life is at a turning point - a surprise baby has come to upset her plans and open the door to a whole new world. But as her bump grows, fear trumps over love and Inary feels completely inadequate to her new role. As she and her cousins, Eilidh and Viola, gather for Christmas lunch, no one could expect what lies ahead, least of all the arrival of a mysterious visitor who delivers a gift for them all...

     Imagine waking up in your once beautiful mansion, being pampered by housekeepers, and maids, surrounded by people who literally worshipped the ground you walked on...all simply because you were considered 'Hood Royalty.' That had been the life for twenty four year old,Sanai, until it was all suddenly snatched away from her when her fiancé was sentenced to 25 years, leaving her with absolutely nothing but pain and heartache. Sanai had two kids and one on the way, and just with that pressure alone she finds herself at rock bottom, forcing her to move back to the low income section 8 projects where she was born and raised. It doesn't take long for Sanai to see that being a pretty kept chick can only get you so far, especially in a world full of savages, thugs and drug dealers. Growing up in Newark's Southward, life hadn't always been easy for Saint. From birth, he had been thrown into the gang banging lifestyle, following in his mothers footsteps as one of the most vicious Crips throughout New Jersey. Saint and his left hand, Cuz, only have two things on their twenty year old minds: getting money and sleeping with multiple women that loved their lifestyle. Above all things they plan to one day take over the legacy and run things just like their parents. That is, until Saint runs across the sexy single mother that moved into his projects. Kayla and John have been together for eight years. Their relationship transformed from two happy people, into strangers who coexist fearing the idea of being alone. At wits end, Kayla agrees to give their a relationship one last shot by allowing another woman into their bedroom. Just when things start looking up, Kayla meets the rough, straight forward, Havoc, who shows her that real men don't need much in this world to be satisfied. But is Kayla ready to leave a 'grown boy', or is she too focused on the longevity to get her happy ending. Sit back and enjoy the ride as the gang experiences the wins and losses that come along with the game they love. Sometimes you have to lose people in order to make room for those worthy of being in your life... loving the Plug is cool, but it's that Savage that your heart desires.

    Covering topics from love and heartbreak to chaos and self-discovery, each poem is laced in a cozy, magical energy that is sure to hold the reader suspended in the in-between.

    The poems deal with the impossibility of such an endeavor and celebrate our persistence in striving anyway.At its core, the collection is built around a very wise line from a Beatles song: I want to hold your hand. I want to hold your hand with no further expectations. I want to hold your hand instead of telling you I understand when I don’t. I want to hold your hand although we don’t always get along. I want to hold your hand despite the calluses, scratches, and scars that get in the way. I want to hold your hand knowing I’ll have to let it go one day.I just want to hold your hand.

    A frightful monster lives a million miles away, but is equally scared of you. A magic rope hangs from the sky, next to a sign saying "Give me a try." In this brightly illustrated selection of playful, often provocative poems, ideas run the gamut from stopping your lightning-fast running to help others keep up, imagining a store that sells colors never before made, or admitting you’ll never know all the answers (and sleeping better at night). Following the runaway success of his self-published debut, Dallas Clayton’s quirky, captivating collection makes it clear that this rising talent, whose work has evoked comparisons to Dr. Seuss, Maurice Sendak, and Shel Silverstein, exudes a spirit and style all his own.

    Important, so inspiring... Please read this book" -Sonny Moore, Recording Artist "There are very few ways to get inside the mind of a lyricist. One way is through reading their diaries, the other through sleeping with them. Eric's book is the more entertaining of the options. It's a raw look inside the heart and mind of a rock 'n' roll spiritualist whose struggles with love (Chaplin) and versus the world (Keaton) are laid out bare like an exhibitionist on a double-dare." -Mike Shea, Founder, AP Magazine "Coma Therapy" is the sound of a powerful new voice in contemporary American literature. Victorino's brand of punchy prose often draws comparisons to the likes of Charles Bukowski and Hunter S. Thompson. This debut collection of poems and short stories draws a dangerously thin line between the heartwarming and the horrifying... Eric Victorino then mischievously walks that line all the way to the last page. Defiant, triumphant, hopeful and wise.

    In 1980, Margaret Atwood's longtime friend, the distinguished Canadian artist Charles Pachter, illustrated, designed, and published a handmade boxed portfolio edition of 120 copies of the poem with silkscreen prints, created as an act of homage to the poet. Atwood herself has said of Pachter's work, His is a sophisticated art which draws upon many techniques and evokes many echoes. The poem and the prints inspire one another. This is the first facsimile edition of the original, as well as the first one-volume American edition of the poem, with an introduction by Charles Pachter and a foreword by David Staines.

    As a footballer, he touched the pinnacle in England's legendary 1966 World Cup winning team. As a manager, he dragged the Republic of Ireland from the backwaters of international football to compete with the world's best. As a man, he was noted for his forthright personality - one whose views were as honest as they were respected.This is his story, the life of a man who specialised in the improbable, told in his own words.

    This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.

    But what it lacks in years, it makes up for in its range of use. Acrylics appeared on the market for artists in the late 1940s as a quick-drying alternative to oil paint. In its early manifestations, it dried so quickly that more than a few brushes stuck immediately to the canvas!Although acrylic has been around for more than fifty years, incredible advances continue to be made in the research and development of acrylic polymers and pigments. These advancements are attributable not only to the efforts of a few dedicated chemists, but also to the work of an entire community devoted to acrylic. There are a lot of brilliant minds taking these minute molecules very seriously.

    For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from Generation Terrorists through Holy Bible and right up to last year's remarkable album, Postcards from a Young Man. Edited down from over 1,000 of Wire's personal polaroids and with accompanying text by the man himself, Death of The Polaroid promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

    Do Angels Need Haircuts? is an extraordinary snapshot of this turning point in Reed’s career. Gathering poems, photographs and ephemera from this era (including previously unreleased audio of the 1971 St. Mark’s Church reading), and featuring a new foreword by Anne Waldman and an afterword by Laurie Anderson, this book provides a window to a little-known chapter in the life of one of the most singular and uncompromising voices in American popular culture.