This volume, with its erudite introduction by Mario Praz, presents three of the most celebrated Gothic novels: The Castle of Otranto, published pseudonymously in 1765, is one of the first of the genre and the most truly Gothic of the three; in its blending of two kinds of romanticism, ancient and modern, it is a precursor of Romanticism. Vathek (1786), an oriental tale by an eccentric millionaire, exotically combines Gothic romanticism with the vivacity of The Arabian Nights, and is a narrative tour de force. The story of Frankenstein (1818) and the monster he created is as spine-chilling today as it ever was; as in all Gothic novels, horror is the keynote.The cover shows a detail from The Nightmare by J.H. Fuseli.

    The old people of the village came stooping along the street. Children, with bright faces, tripped merrily beside their parents, or mimicked a graver gait, in the conscious dignity of their Sunday clothes. Spruce bachelors looked sidelong at the pretty maidens, and fancied that the Sabbath sunshine made them prettier than on week days. When the throng had mostly streamed into the porch, the sexton began to toll the bell, keeping his eye on the Reverend Mr. Hoopers door. The first glimpse of the clergymans figure was the signal for the bell to cease its summons.

    The major works of the movement’s six most famous poets—William Wordsworth, George Gordon Byron, Percy Bysshe Shelley, Samuel Taylor Coleridge, John Keats, and William Blake—are represented in this handsome Word Cloud Classics volume, The Romantic Poets. One of the largest and most influential artistic movements in history, Romanticism valued intuition and pastoralism, and its themes are well represented in the verse of its stars.

    H. Lawrence. The story describes a young middle-class Englishwoman who "had no luck." Though outwardly successful, she is haunted by a sense of failure; her husband is a ne'er-do-well and her work as a commercial artist doesn't earn as much as she'd like. The family's lifestyle exceeds its income and unspoken anxiety about money permeates the household. Her children, a son Paul and his two sisters, sense this anxiety; moreover, the kids even claim they can hear the house whispering "There must be more money." Paul tells his Uncle Oscar Cresswell about betting on horse races with Bassett, the gardener. He's been placing bets using his pocket money and has won and saved three hundred twenty pounds. Sometimes he says he is "sure" of a winner for an upcoming race, and the horses he names do in fact win, sometimes at remarkable odds. Uncle Oscar and Bassett both place large bets on the horses Paul names. After further winning, Paul and Oscar arrange to give the mother a gift of five thousand pounds, but the gift only lets her spend more. Disappointed, Paul tries harder than ever to be "lucky." As the Derby approaches, Paul is determined to learn the winner. Concerned about his health, his mother rushes home from a party and discovers his secret. He has been spending hours riding his rocking horse, sometimes all night long, until he "gets there," into a clairvoyant state where he can be sure of the winner's name. Paul remains ill through the day of the Derby. Informed by Cresswell, Bassett has placed Paul's bet on Malabar, at fourteen to one. When he is informed by Bassett that he now has 80,000 pounds, Paul says to his mother: "I never told you, mother, that if I can ride my horse, and get there, then I'm absolutely sure - oh absolutely! Mother, did I ever tell you? I am lucky!" "No, you never did," said his mother. The boy dies in the night and his mother hears her brother say, "My God, Hester, you're eighty-odd thousand to the good, and a poor devil of a son to the bad. But, poor devil, poor devil, he's best gone out of a life where he rides his rocking horse to find a winner.

    She wrote or collaborated on more than 60 works of children's literature and was also a political activist who co-founded the Fabian Society, a socialist organisation later affiliated to the Labour Party. Edith's father died before her fourth birthday and her sister Mary's ill health meant the family travelled around for several years, living at various locations in Britain, France, Spain and Germany. When Edith was 17 the family settled back in London, Mary having died in 1871, and the following year she met bank clerk Hubert Bland. In April 1880, then 7 months pregnant, she married Bland but the marriage proved tempestuous with Edith later adopting two of Bland's children with her former friend, Alice Hoatson. Edith's first published works were poems, with 'Under the Trees' appearing in Good Words magazine in March 1871, but she later established herself as an accomplished children's author, producing several series which have remained popular up to the present day. The best known of her children's books are The Story of the Treasure Seekers (1899), the first in her series about the Bastable children, and the three titles from the Psammead series: Five Children and It (1902), The Phoenix and the Carpet (1904), and The Story of the Amulet (1906). However, the most famous of all is her stand alone children's novel The Railway Children (1906), which has been adapted for film several times, most notably the 1970 version. Edith also wrote fiction for adults, including both novels and story collections. Grim Tales is a selection of her horror stories first published together in book form 1893, having previously appeared in various journals such as Longman's Magazine, Temple Bar, and Argosy. The seven stories included are: The Ebony Frame, John Charrington's Wedding, Uncle Abraham's Romance, The Mystery of the Semi-Detached, From the Dead, Man-Size in Marble, and The Mass for the Dead.

    Here is the green and carefree world of a boy who delights in the possibilities of each day, of a child who wrings from every moment a feeling as intensely magical as it is profoundly innocent.

    Content of the novel is based upon background of sea travel, heroes have portraits for the characters. Action is running in the "invented" places, whose names resemble names of the real cities in Crimea. Novel was written in 1928.

    Castigated by his contemporaries for his treatment of moral, spiritual and political rebellion, and his sometimes sadistic and blasphemous subject matter, his poetry is imaginative through both classical and romantic traditions.

    He is best known for his visionary poetry ('Kubla Khan') and his ballads ('The Rime of the Ancient Mariner'), but he used and transformed a variety of verse forms, from the sonnet to the conversation poem, on subjects as diverse as nature, love, and politics. This selection calls attention to the range of Coleridge's work, its strong autobiographical content,and its artistic development throughout his career. The old chronological form has been abandoned and the poems are organised according to genre, with each section displaying its own individual development in craft and theme.

    And it happened -- as such things often so happen -- that this man went back into his days that were gone. Again and again and again he went back. Even as every man, even as you and I, so this man went back into his Yesterdays. Then -- why then there was a woman. And it happened -- as such things sometimes so happen -- that this woman also went back into her days that were gone. Again and again and again she went back. Even as every woman, even as you and I, so this woman went back into her Yesterdays.From the introduction: Behold the child, by Nature's kindly law, Pleased with a rattle, tickled with a straw; Some livelier plaything gives his youth delight, A little louder, but as empty quite; Scarfs, garters, gold, amuse his riper stage, And beads and prayer-books are the toys of age; Pleased with this bauble still, as that before; Till tired he sleeps, and life's poor play is o'er."AN ESSAY ON MAN"--Pope.

    It is a masterly historical novel, rich in language, character, and plot--a panoramic story of passion, tragedy, and resilience.

    Among these guests are figures recognizable to Peacock's contemporaries, including characters based on Lord Byron and Samuel Taylor Coleridge. Mr. Glowry's son Scythrop (also modeled on a famous Romantic, Peacock's friend Percy Bysshe Shelley) locks himself up in a tower where he reads German tragedies and transcendental philosophy and develops a "passion for reforming the world." Disappointed in love, a sorrowful Scythrop decides the only thing to do is to commit suicide, but circumstances persuade him to instead follow his father in a love of misanthropy and Madeira. In addition to satire and comic romance, Nightmare Abbey presents a biting critique of the texts we view as central to British romanticism.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    Instead he depicts Margaret Mackenzie, overwhelmed with money troubles, as she tries to assess the worth and motives of four very different suitors. Although her creator calls her "unattractive," most readers will warm to Miss Mackenzie and admire her modesty, dignity, and shrewdness.

    Fine line-drawings by Laszlo Kubinyi enhance the mysterious and sometimes chilling mood.The lady's maid's bell (1904)The eyes (1910)Afterward (1910)Kerfol (1916)The triumph of night (1914)Miss Mary Pask (1925)Bewitched (1925)Mr Jones (1928)Pomegranate seed (1931)The looking glass (1935)All souls' (1937)