A cemetery full of secrets. And murderous ghosts on the loose. After more than a decade, Connor Mann is forced out of the psychiatric ward he once called home. He finds himself back in the town where he grew up, with a distant father, and a tragedy all too painful to bear. His attempt to resume a normal life soon comes under attack when he encounters restless spirits lurking in the basement. And someone - or something - terribly vicious awaits him with open arms in nearby Pine Grove Cemetery. Meanwhile, a series of unexplained murders begin to wreak havoc on the town, and a group of detectives work tirelessly on the puzzling case. Unbeknownst to them, an elderly Chinese man, Hu, is on the lookout for a nefarious priest, who might hold the key to unlocking the mystery. As a legion of deadly ghosts cast an ominous cloud over Pine Grove, Connor must confront his tragic past and gather all his strength to defeat them. The battle against unimaginable evil will change everything he knows about himself, and the world.

     The mayor of Bleath provides Zoe with accommodation at the empty Wilmont house. It's not the friendly farmhouse Zoe was picturing, and worse, the house seems to change day by day. The walls change and strange objects appear. Late at night, scratching noises scrape along the staircase banister and inside the trinket box under her bed. And out in the wheat field below her bedroom window, ghostly figures wait . . . . Is Zoe slipping into an imaginary world of her own? Or are the things she's experiencing terrifying real? PARACOSM is a standalone novel. It is part of a wider world, having a deep connection to The Dark Carousel series.

    The secrets of the past are reaching out from beyond the grave and the horror begins before the Kellars have finished unpacking.

    Four days later, his mother is dead, and a strange cult of religious wanderers have been brutally murdered by the terrified local farmers. In 1995, a gnarled sycamore tree planted over their graves is uprooted by bulldozers--and evil arises.

    After the arrival of the new fellows―including the intriguing, handsome photographer Richard Banks―she begins to suspect that her predecessor chose the group with a dangerous purpose in mind. As the chilling mysteries of Cliffside Manor unravel and the eerie sins of the past are exposed, Eleanor must fight to save the fellows—and herself—from sinister forces.

    As children, she and Emma Martin wandered into Heaven’s Bottom, an isolated Kentucky community cut off by the Ohio River and mountainous terrain. The two women share strange memories of the traumatic experience. Emma is convinced they witnessed a blood sacrifice and moon magic, surrounded by zombies. As a scientist, Olivia believes there’s a logical explanation.Detective Steven Lewis pursues his own investigation of the mysterious town. His wife, a social worker, fought her way into the Bottom to investigate suspected child abuse. She didn’t make it out alive. Haunted by grief and regret, Steven is obsessed with finding her killer. He’s convinced the murderer is hiding in the wild forest, camouflaged by the swirling mist.Olivia and Steven enter into an uneasy partnership to find Emma and solve his wife’s brutal murder. They contact Sheriff Noah McCracken, who holds the local law enforcement role that’s been passed down through his family for centuries. Like his ancestors, the sheriff ignores the chilling events in Heaven’s Bottom.Can Olivia and Steven convince Noah to “release the McCracken” in time to save their lives?SPECIAL BONUS: As a reader appreciation gift, “The Hand of Karma” mystery/horror short story is included FREE at the end of the book.

    She soon becomes obsessed with the files from the world-famous Rhine parapsychology lab experiments, which attempted to prove ESP really exists.Along with a handsome professor, she uncovers troubling cases, including one about a house supposedly haunted by a poltergeist, investigated by another research team in 1965. Unaware that the entire original team ended up insane or dead, the two professors and two exceptionally gifted Duke students move into the abandoned mansion to replicate the investigation, with horrifying results.The Unseen is Alexandra Sokoloff's most thrilling novel to date: a story of deception, attraction, and the unknown.

    One, there's never been an actual authenticated haunted house. Two, it's not the house that's haunted, but the person.Callie is a young architectural student who marries Mateo, a wine importer, and moves to a grand old house in Southern Spain. Hyperion House is flooded with light, it also has a mute gardener, a sinister housekeeper and a sealed, dark servants' quarters that nobody has the keys for. And although initially happy, and taking care of Mateo's daughter, Callie can't help being drawn to the dark empty rooms at the back of the house, and becomes convinced that someone is living in there.Uncovering the house's history, she discovers the shocking truth. As Callie's fear of the darkness returns, she comes to understand the true nature of evil.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    The setting of her dream is the historic Korban Manor, and she's compelled to face the secrets of her soul.Sculptor Mason Jackson has come to the manor to make a final, all-or-nothing attempt at success before giving up his dreams. When he becomes obsessed with carving Ephram Korban's form out of wood, even Anna can't divert his bizarre passion.The manor itself has secrets, with fires that blaze constantly in the hearths, portraits of Korban in every room, and deceptive mirrors on the walls. With an October blue moon looming, both the living and the dead learn the true power of their dreams.

    For Ellen Wilder, editor of the local newspaper, the gruesome killing is as disturbing as the irrational fears that have suddenly woven themselves into her mind and left her doubting her own sanity. For state police detective Michael Chandler, whose haunting near-death experience has left him with an uncanny way of sensing things, the murder is only a hint of what is to come.But nothing could have prepared either of them for the return of Franny Corbett. A hulking child of a man and the blackest sheep in a family of black sheep, his eerie presence may have ushered in all of these bizarre and frightening events. Soon the town of Wiltshire will be shaken again. For in a car sunk beneath the surface of a glimmering blue lake, floats another body. And the killing has just begun....

    New surroundings and new ideas, a new beginning. Fresh air."These are the opening lines of the journal kept by the narrator of Daniel Kehlmann's spellbinding new novel: the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of his recollection and seems to defy the very laws of physics. The narrator is eager to finish a screenplay, entitled Marriage, for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and in himself.

    But their quiet life together is shattered when her father is jailed for killing another man in a barroom brawl and injuring Sarah in a drunken car crash. Left in the cold care of a loveless foster family and alienated at school, Sarah finds a kindred spirit in classmate Nick Dunnigan, a former mental patient still plagued by voices and visions. And in eccentric art instructor Bettina Phillips, Sarah finds a mentor eager to nurture her talent for painting.But within the walls of Bettina’s ancestral home, the mansion called Shutters, Sarah finds something altogether different and disturbing. Monstrous images from the house’s dark history seem to flow unbidden from Sarah’s paintbrush–images echoed by Nick’s chilling hallucinations. Trapped for ages in the shadowy rooms of Shutters, the violence and fury of long-dead generations have finally found a gateway from the grave into the world of the living. And Sarah and Nick have found a power they never had: to take control, and take revenge.

    Inexplicably, four men and one woman are having heart-stopping nightmares revolving around the dark and forbidding houses where each of them were born. When recent terrifying events occur, they are each drawn to their identical childhood homes, only to confront a sinister supernatural presence which has pursued them all their lives, and is now closer than ever to capturing their souls....

    . . In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on forty-four acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago. With her passion for artifacts, Helen finds special materials to incorporate into the house--a beam from an old schoolroom, bricks from a mill, a mantel from a farmhouse--objects that draw her deeper into the story of Hattie and her descendants, three generations of Breckenridge women, each of whom died suspiciously. As the building project progresses, the house will become a place of menace and unfinished business: a new home, now haunted, that beckons its owners and their neighbors toward unimaginable danger.