Stevie is a bookworm, yet she longs to fit in with the cool crowd. Fighting her mother every step of the way, she begins to experiment with talkin' trash, "kicking butt," and boys.With the assassination of Dr. King she gains a new political awareness, which makes her decide to wear her hair in a 'fro instead of straightened, to refuse to use skin bleach, and to confront the prejudice she observes in blacks as well as whites. April Sinclair writes frankly about a young black woman's sexuality, and about the confusion Stevie faces when she realizes she's more attracted to the school nurse—who is white—than her teenage boyfriend. As readers follow Stevie's at times harrowing, at times hilarious story, they will learn what it was like to be black before black was beautiful.

    A white father. Two murdered sons. A quest for vengeance.Ike Randolph has been out of jail for fifteen years, with not so much as a speeding ticket in all that time. But a Black man with cops at the door knows to be afraid.The last thing he expects to hear is that his son Isiah has been murdered, along with Isiah’s white husband, Derek. Ike had never fully accepted his son but is devastated by his loss. Derek’s father Buddy Lee was almost as ashamed of Derek for being gay as Derek was ashamed his father was a criminal. Buddy Lee still has contacts in the underworld, though, and he wants to know who killed his boy.Ike and Buddy Lee, two ex-cons with little else in common other than a criminal past and a love for their dead sons, band together in their desperate desire for revenge. In their quest to do better for their sons in death than they did in life, hardened men Ike and Buddy Lee will confront their own prejudices about their sons and each other, as they rain down vengeance upon those who hurt their boys.Provocative and fast-paced, S. A. Cosby's Razorblade Tears is a story of bloody retribution, heartfelt change - and maybe even redemption.

    In this searing courtroom drama, best-selling author John Grisham probes the savage depths of racial violence, as he delivers a compelling tale of uncertain justice in a small southern town, Clanton, Mississippi. The life of a ten-year-old girl is shattered by two drunken and remorseless young men. The mostly white town reacts with shock and horror at the inhuman crime. That is, until her black father acquires an assault rifle and takes matters into his hands.For ten days, as burning crosses and the crack of sniper fire spread through the streets of Clanton, the nation sits spellbound as young defense attorney Jake Brigance struggles to save his client's life, and then his own.

    After eight years in prison on a drug charge, he's come "uptown"-back to the Washington, DC neighborhood where he grew up, where his old cohorts still work their corners and their angles, trying to get ahead and stay alive. But Lorenzo's had enough of the life: Now he has a job as a Humane Society officer, policing animal abusers and protecting the abused. In the dangerous streets he used to menace, Lorenzo plays a part in maintain- ing order-and it's a role reversal some of his former friends don't appreciate. Rachel Lopez, Lorenzo's parole officer, tries to help him, even as she battles her own demons and excesses. Trying to stay one step ahead of her troubled past is a daily struggle. It looks like they both might make it, until a malevolent young killer, working for the powerful local drug boss, changes everything with one violent act. Now Lorenzo finds himself caught between the light and dark sides of the street, struggling to stay legit-or throw everything away to exact revenge.

    An introverted young man from Alabama, black and queer, he has left behind his family without escaping the long shadows of his childhood. For reasons of self-preservation, Wallace has enforced a wary distance even within his own circle of friends—some dating each other, some dating women, some feigning straightness. But over the course of a late-summer weekend, a series of confrontations with colleagues, and an unexpected encounter with an ostensibly straight, white classmate, conspire to fracture his defenses while exposing long-hidden currents of hostility and desire within their community.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.The detectives suspect that these are killings of retribution, but soon discover that eerily similar murders are taking place all over the country. Something truly strange is afoot. As the bodies pile up, the MBI detectives seek answers from a local root doctor who has been documenting every lynching in the country for years, uncovering a history that refuses to be buried. In this bold, provocative book, Everett takes direct aim at racism and police violence, and does so in fast-paced style that ensures the reader can’t look away. The Trees is an enormously powerful novel of lasting importance from an author with his finger on America’s pulse.

    Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.

    After finding out their beloved foster mother, Claudette McPhearson, was anything but the sweet old woman they thought her to be, Javon, Shanelle, and the rest of their siblings hit the ground running in order to keep the Syndicate operating and to keep themselves alive. That also means they have to lose some of the people they love the most.With the legacy of their mother and her plans for them in motion, the McPhearson children are operating on a broken foundation. Attacked on all fronts, Javon and Shanelle are struggling to keep the family normal, while following the criminal plans of their dead mother. The Syndicate is growing, and Javon is determined to bring in new blood while looking for those who killed Claudette. Not to mention, something odd is going on with all of his siblings that threatens to rock the family to the core. Will the McPhearson clan fall in order for the Syndicate to rise, or will the truth end the legacy before it can even begin?

    But just as she’s decided to call for help, something stops her. The next day, she wakes up to the news that one of the girls—beautiful, green-eyed Anna Ballard—has disappeared.A year later, Anna is still missing. Ella is wracked with guilt over what she failed to do, and she’s not the only one who can’t forget. Someone is sending her threatening letters—letters that make her fear for her life.Then an anniversary appeal reveals that Anna’s friends and family might have something to hide. Anna’s best friend, Sarah, hasn’t been telling the whole truth about what really happened that night—and her parents have been keeping secrets of their own.Someone knows where Anna is—and they’re not telling. But they are watching Ella.Listening Length: 8 hours and 26 minutes

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    After being saved by a caring nurse she was given a new lease on life. Being born from death you would think there was nowhere for her life to go but up. However the sickly baby survived only to be placed into the dangerous New York state foster care system where she was passed along from one dysfunctional foster home to the next. Things quickly went from bad to worse when she was placed at the Brown's residence, which also happened to be the town's brothel. At the Brown's the impressionable young girl witnessed every scandalous sex act imaginable along with brutal acts of violence as her foster parents waited for her to become of a ripe age to be sold. As fate would have it Yolo was saved from a life of prostitution when her foster mother died an untimely death. Upon the woman's death Yolo was then placed in the care of an aging gentleman who just happened to be a hitman for the notorious Black Mob. The elderly man took the young girl under his wing and starts grooming her to one day be his replacement. All young girls develop crushes and Yolo was no different with the exception that her crush wasn't a rapper or an actor. Instead Yolo had fallen for a methodical killer by the name of Killa and vowed to claim him as her own. Knowing that one day their paths would cross and they would meet she embarks on a murderous journey to impress him. The two indeed meet and when they do all hell breaks loose. Yolo takes you on a non-stop thrill ride from start to finish and it's ending will leave you speechless. So buckle up and prepare to take the ride of a lifetime with Yolo, the LOVELY LITTLE LUNATIC.

    Reviewers have called his fiction “ingenious” (USA Today) and “compulsively readable” (Memphis Commercial Appeal). His narrative power and flair for characterization have been compared to the likes of Harper Lee, Flannery O'Connor, Elmore Leonard, and Cormac McCarthy. Now the Edgar Award-winning author returns with his most accomplished and resonant novel so far—an atmospheric drama set in rural Mississippi. In the late 1970s, Larry Ott and Silas "32" Jones were boyhood pals. Their worlds were as different as night and day: Larry, the child of lower-middle-class white parents, and Silas, the son of a poor, single black mother. Yet for a few months the boys stepped outside of their circumstances and shared a special bond. But then tragedy struck: Larry took a girl on a date to a drive-in movie, and she was never heard from again. She was never found and Larry never confessed, but all eyes rested on him as the culprit. The incident shook the county and perhaps Silas most of all. His friendship with Larry was broken, and then Silas left town.More than twenty years have passed. Larry, a mechanic, lives a solitary existence, never able to rise above the whispers of suspicion. Silas has returned as a constable. He and Larry have no reason to cross paths until another girl disappears and Larry is blamed again. And now the two men who once called each other friend are forced to confront the past they've buried and ignored for decades.

    Adaptation for younger readers.Mitch McDeere, a Harvard Law graduate, becomes suspicious of his Memphis tax firm when mysterious deaths, obsessive office security, and the Chicago mob figure into its operations.