Boosters of the city have long capitalized on this splendor, recently likening it to the fairytale capital of L. Frank Baum’s The Wizard of Oz, the Emerald City. But just as Dorothy, Toto, and their traveling companions discover a darker reality upon entering the green gates of the imaginary Emerald City, those who look more closely at Seattle’s landscape will find that it reveals a history marked by environmental degradation and urban inequality.This book explores the role of nature in the development of the city of Seattle from the earliest days of its settlement to the present. Combining environmental history, urban history, and human geography, Matthew Klingle shows how attempts to reshape nature in and around Seattle have often ended not only in ecological disaster but also social inequality. The price of Seattle’s centuries of growth and progress has been paid by its wildlife, including the famous Pacific salmon, and its poorest residents. Klingle proposes a bold new way of understanding the interdependence between nature and culture, and he argues for what he calls an “ethic of place.” Using Seattle as a compelling case study, he offers important insights for every city seeking to live in harmony with its natural landscape.

    Nearly four centuries later, George O'Connor brings Harmen van den Bogaert's journal of his travels to life with simple and striking artwork.

    Simon Targett roll back the clock to reveal that America had been in the making for seventy years before the Mayflower sailed.And while religion played a role, the driving impulse of the American initiative was commercial. Yes, America was the most ambitious start-up ever attempted.New World, Inc. is neither a straight history nor a conventional business book. Through the stories of this extraordinary group of pioneers--which have been all but forgotten--Butman and Targett show that the America of today--what it is and what it isn't--was largely created in those years before the Mayflower even set sail.

    Remonstrating with her husband, Jack, that she had only three rooms and a kitchen instead of "a whole house," she was informed that "women are not reckoned in at all in the War Department," which also failed to appreciate that "'lieutenants' wives needed quite as much as colonels’ wives." In fact, Martha had only a short time to enjoy her new quarters, for in June her husband’s regiment was ordered to Arizona, "that dreaded and then unknown land." Although Martha Summerhayes’s recollections span a quarter of a century and life at a dozen army posts, the heart of this book concerns her experiences during the 1870s in Arizona, where (as Dan L. Thrapp observes in his introduction) the harsh climate and "perennial natural inconveniences from rattlesnakes to cactus thorns and white desperadoes, all made [it] a less than desirable posting for the married man and his wife." First privately printed in 1908, Vanished Arizona was so well-received that in 1910 Mrs. Summerhayes prepared a new edition (reprinted here), which was published in 1911, the year of her death. Among "the essential primary records of the frontier-military West," the book "retains its place securely because of the narrative skill of the author, her delight in life—all life, including even, or perhaps principally, army life and people—and because it is such a joy to read.

    First published in 1955 by Hodder, "The Making Of The English Landscape" is a classic of English history. It was the first book to study, literally, the history of the landscape, and also the first to explode the myth that the English landscape was 'formed by enclosures'. Instead W. G. Hoskins traces the beauty and oddities of the English landscape further back, from pre-Roman times to the seventeenth century and beyond. Hoskins explains the layers of history in the landscape by taking the reader with him along Devonshire lanes, past lost villages in Lincolnshire, and through the pastures of upland Northamptonshire. This is a delightful book, readable and scholarly, which has been much-loved by readers for the past fifty years.

    Bethany Tudor relates the story of her mother's life through a smooth-flowing narrative, old and contemporary photographs and samples of the artist's work.

    Now, in his brilliant debut book, historian Jason Sokol explores the untold stories of ordinary people experiencing the tumultuous decades that forever altered the American landscape. So often historical accounts of the era have focused on the movement’s most dramatic moments and figures, and paid greatest attention to the brave steps taken by blacks to effect long-awaited change. In this riveting book, Sokol goes beyond the 1955 Montgomery bus boycott, the 1960 student sit-ins, and the soul-stirring speeches of Martin Luther King, Jr., and into the lives of middle- and working-class whites whose world was becoming unrecognizable to them. He takes us to New Orleans’s Ninth Ward, where, in 1960, a painful episode of school integration brought out the fiercest prejudices in some and made accidental radicals of others; to Ollie’s Barbecue in Birmingham and Pickrick Fried Chicken in Atlanta, and thousands of lunch counters in between, where “some white employees greeted black customers as though they had been patrons for years; others slammed doors in their faces; still more served them hesitantly and reluctantly.” There Goes My Everything traces the origins of the civil rights struggle from World War II, when some black and white American soldiers lived and fought side by side overseas (leading them to question Jim Crow at home), to the beginnings of change in the 1950s and the flared tensions of the 1960s, into the 1970s, when strongholds of white rule suddenly found themselves overtaken by rising black political power. Through it all, Sokol resists the easy categorization of whites caught in the torrent of change; rather, he gives us nuanced portraits of people resisting, embracing, and questioning the social revolution taking place around them. Drawing on recorded interviews, magazine bureau dispatches, and newspaper editorials, Sokol seamlessly weaves together historical analysis with firsthand accounts. Here are the stories of white southerners in their own words, presented without condescension or moral judgment. An unprecedented picture of one of the historic periods in twentieth-century America.

    Yet his orthodox brethren were convinced tolerance fostered anarchy and courted God’s wrath. Banished from Massachusetts Bay Colony in 1635, Williams purchased land from the Narragansett Indians and laid the foundations for the colony of Rhode Island as a place where Indian and English cultures could flourish side by side, in peace.As the seventeenth century wore on, a steadily deepening antagonism developed between an expansionist, aggressive Puritan culture and an increasingly vulnerable, politically divided Indian population. Indian tribes that had been at the center of the New England communities found themselves shunted off to the margins of the region. By the 1660s, all the major Indian peoples in southern New England had come to accept English authority, either tacitly or explicitly. All, except one: the Narragansetts.In God, War, and Providence “James A. Warren transforms what could have been merely a Pilgrim version of cowboys and Indians into a sharp study of cultural contrast…a well-researched cameo of early America” (The Wall Street Journal). He explores the remarkable and little-known story of the alliance between Roger Williams’s Rhode Island and the Narragansett Indians, and how they joined forces to retain their autonomy and their distinctive ways of life against Puritan encroachment. Deeply researched, “Warren’s well-written monograph contains a great deal of insight into the tactics of war on the frontier” (Library Journal) and serves as a telling precedent for white-Native American encounters along the North American frontier for the next 250 years.

    When the English and Dutch empires both tried to claim the same patch of coast between the Hudson River and Cape Cod, the sea itself became the arena of contact and conflict. During the violent European invasions, the region’s Algonquian-speaking Natives were navigators, boatbuilders, fishermen, pirates, and merchants who became active players in the emergence of the Atlantic World. Drawing from a wide range of English, Dutch, and archeological sources, Lipman uncovers a new geography of Native America that incorporates seawater as well as soil. Looking past Europeans’ arbitrary land boundaries, he reveals unseen links between local episodes and global events on distant shores.   Lipman’s book “successfully redirects the way we look at a familiar history” (Neal Salisbury, Smith College). Extensively researched and elegantly written, this latest addition to Yale’s seventeenth-century American history list brings the early years of New England and New York vividly to life.

    The group, whose ballot symbol was a snarling black panther, was formed in part to protest the barriers to black enfranchisement that had for decades kept every single African American of voting age off the county's registration books. Even after the passage of the Voting Rights Act, most African Americans in this overwhelmingly black county remained too scared even to try to register. Their fear stemmed from the county's long, bloody history of whites retaliating against blacks who strove to exert the freedom granted to them after the Civil War.Amid this environment of intimidation and disempowerment, African Americans in Lowndes County viewed the LCFO as the best vehicle for concrete change. Their radical experiment in democratic politics inspired black people throughout the country, from SNCC organizer Stokely Carmichael who used the Lowndes County program as the blueprint for Black Power, to California-based activists Bobby Seale and Huey P. Newton, who adopted the LCFO panther as the namesake for their new, grassroots organization: the Black Panther Party for Self Defense. This party and its adopted symbol went on to become the national organization of black militancy in the 1960s and 1970s, yet long-obscured is the crucial role that Lowndes County"historically a bastion of white supremacy"played in spurring black activists nationwide to fight for civil and human rights in new and more radical ways.Drawing on an impressive array of sources ranging from government documents to personal interviews with Lowndes County residents and SNCC activists, Hasan Kwame Jeffries tells, for the first time, the remarkable full story of the Lowndes County freedom struggle and its contribution to the larger civil rights movement. Bridging the gaping hole in the literature between civil rights organizing and Black Power politics, Bloody Lowndes offers a new paradigm for understanding the civil rights movement.

    Buzzard, and the Bolito Man recounts a traditional way of life that is threatened by change, with stories that speak to our deepest notions of family, community, and a connection to one’s homeland.Cornelia Walker Bailey models herself after the African griot, the tribal storytellers who keep the history of their people. Bailey’s people are the Geechee, whose cultural identity has been largely preserved due to the relative isolation of Sapelo, a barrier island off the coast of Georgia. In this rich account, Bailey captures the experience of growing up in an island community that counted the spirits of its departed among its members, relied on pride and ingenuity in the face of hardship, and taught her firsthand how best to reap the bounty of the marshes, woods and ocean that surrounded her. The power of this memoir to evoke the life of Sapelo Island is remarkable, and the history it preserves is invaluable.

    Lyons uncovers a world where runaway wives challenged their husbands' patriarchal rights and where serial and casual sexual relationships were commonplace. By reading popular representations of sex against actual behavior, Lyons reveals the clash of meanings given to sex and illuminates struggles to recast sexuality in order to eliminate its subversive potential. Sexuality became the vehicle for exploring currents of liberty, freedom, and individualism in the politics of everyday life among groups of early Americans typically excluded from formal systems of governance--women, African Americans, and poor classes of whites. Lyons shows that men and women created a vibrant urban pleasure culture, including the eroticization of print culture, as eighteenth-century readers became fascinated with stories of bastardy, prostitution, seduction, and adultery. In the post-Revolutionary reaction, white middle-class men asserted their authority, Lyons argues, by creating a gender system that simultaneously allowed them the liberty of their passions, constrained middle-class women with virtue, and projected licentiousness onto lower-class whites and African Americans.Lyons's analysis shows how class and racial divisions fostered new constructions of sexuality that served as a foundation for gender. This gendering of sexuality in the new nation was integral to reconstituting social hierarchies and subordinating women and African Americans in the wake of the Revolution.

    "Bienville's Dilemma" presents sixty-eight articles on the historical geography of New Orleans, covering the formation and foundation of the city, its urbanization and population, its "humanization" into a place of distinction, the manipulation of its environment, its devastation by Hurricane Katrina, and its ongoing recovery.

    CONTENTS: Scenes of My Childhood Seeking an Education The Law and Politics In National Politics On Entering and Leaving the Presidency Some of the Duties of the President Why I Did Not Choose to Run

    . . . Mr. Stampp wants to show specifically what slavery was like, why it existed, and what it did to the American people."--Bruce Catton