Paris in Color author Nichole Robertson turns her lens onto spots both legendary and little-known, highlighting quiet moments that every booklover savors—inviting cafe scenes, comfy chairs, enticing book nooks—and the weathered charm of places steeped in centuries of literary history. Quotes by great writers such as Balzac and Colette are interspersed throughout, while a timeline and an index of featured locations round out the volume. This bijou treasure of a book will inspire every creative soul who dreams of following in the footsteps of their literary heroes.

    The skeleton, muscles and joints are covered with descriptions of differences between female and male anatomy.This is a reproduction of a 1852 British publication and may contain non-standard spellings and characters. The work has been proof-read and edited to remove typographical errors and reformat the text for the Kindle. All images have been cleaned and resized.

    There, he has a chance encounter with Evelyn Skinner, a middle-aged art historian who has come to Italy to salvage paintings from the ruins and recall long-forgotten memories of her own youth. In each other, Ulysses and Evelyn find a kindred spirit amongst the rubble of war-torn Italy, and set off on a course of events that will shape Ulysses's life for the next four decades.As Ulysses returns home to London, reimmersing himself in his crew at The Stoat and Parrot -- a motley mix of pub crawlers and eccentrics -- he carries his time in Italy with him. And when an unexpected inheritance brings him back to where it all began, Ulysses knows better than to tempt fate, and returns to the Tuscan hills.With beautiful prose, extraordinary tenderness, and bursts of humor and light, Still Life is a sweeping portrait of unforgettable individuals who come together to make a family, and a richly drawn celebration of beauty and love in all its forms.

    For readers of Amy Bloom and Anthony Doerr.In London, 1939, Ada Vaughan is a young woman with an unusual dressmaking skill, and dreams of a better life for herself. That life seems to arrive when Stanislaus, an Austrian aristocrat, sweeps Ada off her feet and brings her to Paris. When war breaks out, Stanislaus vanishes, and Ada is taken prisoner by the Germans, she must do everything she can to survive: by becoming dressmaker to the Nazi wives. Abandoned and alone as war rages, the choices Ada makes will come to back to haunt her years later, as the truth of her experience is twisted and distorted after the war. From glamorous London hotels and Parisian cafes to the desperation of wartime Germany, here is a mesmerizing, richly textured historical novel, a story of heartbreak, survival and ambition, of the nature of truth, and the untold story of what happens to women during war.

    From an adorable raccoon calling someone a -cumstain- to a -Cunt-A-Saurus Rex-, you'll love these filthy cuties! If you love to swear and love all things cute, you'll adore this book. The book has 30 different single sided pages to cover. Fucking Adorable-er, the sequel to this book, is now available!! Find it here! https: //www.amazon.com/Fucking-Adorable-er-Cr...

    Many pilots, including Douglas Bader, thought it was superior to the Spit--but together they saved Britain from Nazi invasion and possible defeat.Adrian Stewart has produced a gloriously atmospheric and nostalgic book capturing the spirit of these great aircraft and the pilots who flew them. It tracks the aircraft as it was developed and improved, and follows it to the many theaters of the war where it saw service. Among the lesser-known are Burma and hazardous convoy protection in the Arctic and Mediterranean, flying from makeshift carriers. This book will fascinate specialist aviation historians and those who enjoy a rattling good war story, and includes a superb selection of rare photographs.

    Illustrator, architect, and international workshop instructor and Urban Sketcher Stephanie Bower has collected 101 of her best insider drawing tips, hacks, and techniques and shares them in this fully illustrated, portable book. Learn shortcuts to getting your perspective right, determining your composition, and balancing your light and shadow. This book collects many basic drawing techniques into one handy volume:How to draw a great lineUsing ellipses to draw archesHow towers are like wedding cakesThe importance of your eye level line in sketchingand 97 things more!The book also features beautiful example illustrations from Urban Sketchers around the globe! Whether you are new to sketching or are an experienced artist, this book is chock-full of useful, practical, and clever tips to take your drawing to the next level. The Urban Sketching Handbook series offers location artists expert instruction on creative techniques, on-location tips and advice, and an abundance of visual inspiration. These handy references come in a compact, easy-to-carry format—perfect to toss in your backpack or artist’s tote.

    I felt protected in the atmosphere we created together. We had an inner narrative, producing our own unspoken film, with or without a camera." -Patti Smith, from her afterword Like a scene in Godard's Vivre sa vie or Dreyer's La Passion de Jeanne d'Arc, Patti Smith posed for the lens of a young photographer, Judy Linn. It was 1969, some years before Patti Smith entered the arena of rock and roll. Smith was a struggling poet, harboring a romantic ideal of the collaborative possibilities between an artist and model- a dream happily fulfilled within this intimate and high-spirited body of work. Linn's images of Smith range from the vulnerable to the iconic. Focusing on shifting influences and spotlighting her profound relationships with artists such as Robert Mapplethorpe and Sam Shepard, Linn has captured Smith like no one else, in the grainy atmosphere of a bygone New York. Judy Linn's photographs document the blooming of an enduring friendship and the evolution of two unique artists: gritty and visionary, fragile and tough.Praise for Patti Smith 1969-1976:"a striking new book, Patti Smith: 1969-1976 (out March 1) . . . collects photographs of the coolly photogenic star taken by her talented friend Judy Linn during the same time Kids describes. They're wonderfully composed shots of Smith looking like the star of a Godard film of her own making. The pictures show her fully ready for a closeup that would cement her boho image just a few years later, on the iconic cover of her first album, Horses, shot, of course, by Mapplethorpe himself." -New York Daily News "Here is Smith's acclaimed 2010 memoir, Just Kids, come to life-the shrines to Bob Dylan, the dress up-and the photos strike the same wistful note; as Smith writes in her afterword: 'once upon a time, we were young and beautiful and anyone we imagined we could be.'" -Publishers Weekly"Anticipating a new generation's excitement for Smith and Mapplethorpe, their friend Judy Linn has published a new book of her photographs, Patti Smith 1969-1976, that centers on the era covered in Just Kids, the time before Patti and Robert were famous. The book's a nice visual testament to their friendship, but it's also a bible of good clothing, an early record of one of the most stylish couples of all time." -The Fader.com"Linn's collection of photographs is the perfect complement to Smith's National Book Award-winning memoir, Just Kids . . . like Smith's memoir, the photos-uninterrupted by titles, captions, or any other text-serve two purposes: they tell the story of young artists finding their voice and style and serve as a love letter to '70s New York, four decades later." -Flavorwire.com

    Booklist calls the WWII era novel, "Masterfully conceived and crafted, Barr’s dazzling debut novel has it all: passion and jealousy, intrigue and danger." Fugitive Colors asks the reader: How far would you go for your passion? Would you kill for it? Steal for it? Or go to any length to protect it?Hitler’s War begins with the ruthless destruction of the avant-garde, but there is one young painter who refuses to let this happen. An accidental spy, Julian Klein, an idealistic American artist, leaves his religious upbringing for the artistic freedom of Paris in the early 1930s. Once he arrives in the “City of Light,” he meets a young German artist, Felix von Bredow, whose larger-than-life personality overshadows his inferior artistic ability, and the handsome and gifted artist Rene Levi, whose colossal talent will later serve to destroy him. The trio quickly becomes best friends, inseparable, until two women get in the way—the immensely talented artist Adrienne, Rene’s girlfriend with whom Julian secretly falls in love, and the stunning artist’s model Charlotte, a prostitute-cum-muse, who manages to bring great men to their knees.Artistic and romantic jealousies abound, as the characters play out their passions against the backdrop of the Nazis' rise to power. Felix returns to Berlin, where his father, a blue-blooded Nazi, is instrumental in creating the master plan to destroy Germany’s modern artists, and seeks his son’s help. Bolstered by vengeance, Felix will lure his friends to Germany, an ill-fated move, which will forever change their lives. Twists and turns, destruction and obsession, loss and hope will keep you up at night, as you journey from Chicago to Paris, Berlin to New York. With passionate strokes of captivating prose, Barr proves that while paintings have a canvas, passion has a face—that once exposed, the haunting images will linger . . . long after you have closed the book.The Hollywood Film Festival awarded Fugitive Colors first prize for “Best Unpublished Manuscript” (Opus Magnum Discovery Award). The novel has been optioned for movie development by Hollywood producer Arthur Sarkissian (Rush Hour trilogy, While You Were Sleeping).

    But before achieving fame as an author, Carroll was a prolific and sophisticated photographer, acutely engaged in the art world of Victorian England. This illustrated volume examines Carroll's photographs not as the sideline of a celebrated writer, but as the creations of a serious photographic artist, and demonstrates their importance to the history of photography. Douglas Nickel traces the evolution in thought about Carroll's photography in the period since his death, demonstrating the ways it has been viewed largely through the filter of his literary reputation. Key to this have been certain preconceptions built up around Carroll's attitudes toward children, especially Alice Liddell, the inspiration for his first book and the subject of a number of his photographs. Nickel demonstrates how, by overturning the modern myths that have attached themselves to Carroll's photography, the works themselves can be seen again as they were by their original Victorian viewers. This analysis is designed to reveal not only Carroll's signal achievement in the medium, but also a new understanding of Victorian art photography in general.

    Lieutenant David Brent and his crew are waiting on a torpedo boat – fast, agile and terribly vulnerable.They are the sole members of a Commando raiding party, poised to charge ashore on a carefully orchestrated rescue mission. Little do they know that Hell is about to break loose…The near-suicidal mission has been ordered at the very highest level of government. Now, engines idling, alert for the tell-tale sounds of patrolling E-boats, they can only pray to come out of this alive… A nerve-shredding war thriller that crackles with intensity, perfect for fans of Anthony Trew, Douglas Reeman and Philip McCutchan.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    The new novel from the author of international bestsellers The Sweetness of Forgetting and The Life Intended shows why her books are hailed as “engaging” (People), “absorbing” (Kirkus Reviews) and “enthralling” (Fresh Fiction).Emily Emerson is used to being alone; her dad ran out on the family when she was a just a kid, her mom died when she was seventeen, and her beloved grandmother has just passed away as well. But when she’s laid off from her reporting job, she finds herself completely at sea…until the day she receives a beautiful, haunting painting of a young woman standing at the edge of a sugarcane field under a violet sky. That woman is recognizable as her grandmother—and the painting arrived with no identification other than a handwritten note saying, “He always loved her.”Emily is hungry for roots and family, so she begins to dig. And as she does, she uncovers a fascinating era in American history. Her trail leads her to the POW internment camps of Florida, where German prisoners worked for American farmers...and sometimes fell in love with American women. But how does this all connect to the painting? The answer to that question will take Emily on a road that leads from the sweltering Everglades to Munich, Germany and back to the Atlanta art scene before she’s done. Along the way, she finds herself tempted to tear down her carefully tended walls at last; she’s seeing another side of her father, and a new angle on her painful family history. But she still has secrets, ones she’s been keeping locked inside for years. Will this journey bring her the strength to confront them at last?

    Suspended for a few seconds, they float in their own space and time with their own hidden prospects. For want of a better term, we call these moments “magical” and when we remember them they are cloaked in a halo of special meaning.’For 14-year-old Johnny Clegg, hearing Zulu street music as plucked on the strings of a guitar by Charlie Mzila one evening outside a corner café in Bellevue, Johannesburg, was one such ‘magical’ moment. The success story of Juluka and later Savuka, and the cross-cultural celebration of music, language, story, dance and song that stirred the hearts of millions across the world, is well documented. Their music was the soundtrack to many South Africans’ lives during the turbulent 70s and 80s as the country moved from legislated oppression to democratic freedom. It crossed borders, boundaries and generations, resonating around the world and back again. Less known is the story of how it all began and developed. Scatterling of Africa is that origin story, as Johnny Clegg wrote it and wanted it told. It is the story of how the son of an unconventional mother, grandson of Jewish immigrants, came to realise that identity can be a choice, and home is a place you leave and return to as surely as the seasons change.

    Men and women with abilities science cannot explain. Heroes and monsters. Both beloved and feared, the Titans are the new superpowers in the post-Wave world.Into this changed world are thrust Mercy Garner and her crew, trapped in time for fifty years and thought to be dead. They were the first to detect the Wave, the first to be hit by it, and the last to discover the changes the Wave brought to their world.