The Holy Forest, now spanning five decades, is Blaser's highly acclaimed lifelong serial poem. This long-awaited revised and expanded edition includes numerous published volumes of verse, the ongoing "Image-Nation" and "Truth Is Laughter" series, and new work from 1994 to 2004. Blaser's passion for world making draws inspiration from the major poets and philosophers of our time—from friends and peers such as Robert Duncan, Jack Spicer, Charles Olson, Charles Bernstein, and Steve McCaffery to virtual companions in thought such as Hannah Arendt, Maurice Merleau-Ponty, Michel Foucault, and Jacques Derrida, among others. This comprehensive compilation of Blaser's prophetic meditations on the histories, theories, emotions, experiments, and countermemories of the late twentieth century will stand as the definitive collection of his unique and luminous poetic oeuvre.

    A Jewish rebel. A little girl. Each one will fight for freedom—or die trying. Imprisoned in the Lodz Ghetto, Elsi discovers her mother’s desperate attempt to end her pregnancy and comes face-to-face with the impossibility of their situation. Risking her own life, Elsi joins a resistance group to sabotage the regime.Blonde, blue-eyed Matilda is wrenched from her family in Romania and taken to Germany, where her captors attempt to mold her into the perfect Aryan child. Spirited and brave, she must inspire hope in the other stolen children to make her dreams of escape a reality.Willem, a high-ranking Nazi doctor, plans to save lives when he takes posts in both the ghetto and Auschwitz. After witnessing unimaginable cruelties, he begins to question his role and the future of those he is ordered to destroy.While Hitler ransacks Europe in pursuit of a pure German race, the lives of three broken souls—thrown together by chance—intertwine. Only love and sacrifice might make them whole again.

    Drawing its name from the spacecraft currently departing our solar system on an embassy to the beyond, Voyager unfolds as three books within a book and culminates in a chilling Dantean allegory of leadership and its failure in the cause of humanity. At the heart of this volume lies the historical figure of Kurt Waldheim—Secretary-General of the U.N. from 1972-81 and former intelligence officer in Hitler’s Wehrmacht—who once served as a spokesman for humanity while remaining silent about his role in the collective atrocities of our era. Resurrecting this complex figure, Reddy’s universal voyager explores the garden of forking paths hidden within every totalizing dream of identity.

    Here are the early poems which first brought Denise Levertov's work to prominence -- from early uncollected poems, selections from The Double Image (London, 1946), and her three books Here and Now (1957), Overland to the Islands (1958) and With Eyes at the Back of Our Heads (1960), which established her as one of the more lyrical and most influential poets of the New American poetry.

    Take that familiar chestnut, #314, a la Legault: "Hope is kind of like birds. In that I don’t have any.” Or the classic hymn, #615: "God likes to watch.” As Dickinson herself said in #769 (basically, via our translator): This dead person used to be a person!”—and The Emily Dickinson Reader is here to tell you what that person meant.

    She seem snot only interested in using the natural world as a metaphoric lens in her poems but is set on building them item by item into natural worlds themselves."

    For readers devoted to poetry, it offers illuminating examples of the infinitely various ways a poem reaches a reader.In both the book and the videos on the accompanying DVD, poems by Sappho, Shakespeare, Keats, Whitman, and Dickinson as well as contemporary poets are introduced by people from across the United States—a construction worker, a Supreme Court justice, a glassblower, a marine—each of whom speaks about his or her connection to the poem. Their comments are variously poignant, funny, heartening, tart, penetrating, and eccentric, showing some of the ways poetry is alive for American readers. An Invitation to Poetry will inspire a fresh experience of poetry's pleasure and insight.

    Despite the deepest suffering and the most profound loss, Eva was able to rebuild her life, and with her husband, also a survivor, raise a family in America – in the city, suburbs, and on the farm. Lehrhaus is proud to publish the second edition, which includes Eva’s eventful return to Poland in 2013 with 16 of her closest relatives spanning three generations.

    Her last collection, Mysteries of Small Houses, was a finalist for both the Pulitzer Prize in poetry and the Los Angeles Times Book Prize. Structured as a long series of interconnected poems in which one of the main elements is an ongoing dialogue with a seedy detective, Disobedience sets out to explore the visible as well as the unconscious. These poems, composed during a fifteen-month period, also deal with being a woman in France, with turning fifty, and with being a poet, and thus seemingly despised or at least ignored. Author Biography: Alice Notley was born in Bisbee, Arizona, in 1945 and grew up in Needles, California. After a period of peripatetic traveling, she married poet Ted Berrigan. She has published more than twenty books and has been an important force in the eclectic second generation of the so-called New York School of poetry.

    Melissa Broder deepens the explorations of hunger and mystery and laughter that she began in MEAT HEART (Publishing Genius Press, 2012). The poems in SCARECRONE are consumed by universal questions, directed unapologetically back to the universe. The poet didn't ask to exist, but since she's here, she's not taking anything for granted.

    A Holocaust survivor chronicles the chain of events that kept him alive, providing first-hand accounts of Hitler's rise to power, Kristallnacht, and confinement in various concentration camps.

    The book draws upon the wisdom of foolishness and the logic of glee, while simultaneously exploring the suffering inherent to embodied consciousness. Speakers play out moments of bravado and fear, love and mortality, disappointment and desire. They socialize incorrigibly with lakes, lovers, fire, and readers, reasoning their way to unreasonable conclusions. These poems try to understand how it is that we come to recognize and differentiate objects and beings, how wholly each is attached to its name, and which space reveals them. What Is Amazing delights in fully inhabiting its varied forms and voices, singing worlds that often coincide with our own.

    Nath’s biggest success is the sustained atmospheric tension that he creates somewhat effortlessly."- Little Interpretations "A haunting and bittersweet novel that stays with you long after the final chapter – always the sign of a really well-written and praiseworthy story. It would also make an excellent screenplay."- Historical Novels Review - Editor's Choice, Feb 2011Nazi occupied Aquitaine, 1943: A young woman is found murdered in the shadow of the Bergerac Prefecture. Auguste Ran, Assistant Chief of Police, suspects Brunner, a German Security Police Major, of the crime. The more Auguste investigates, the more obsessed he becomes with bringing down the seemingly untouchable Brunner.Auguste begins to realise he has been conveniently ignoring the Nazi atrocities going on around him, and understands too late the human cost of his own participation in the internment of the local Jewish population.Driven by conscience and struggling with his Catholic religious beliefs, his actions start to put his own family at risk. Harbouring the daughter of his lifelong Jewish friend Pierre, they are forced into a desperate trek towards neighbouring Switzerland, pursued all the way by the German Sicherheitspolizei.The Cyclist is the first in Fredrik Nath's series of World War 2 novels. The adventures continue in Farewell Bergerac, Francesca Pascal. Find out more about The Cyclist and Fredrik Nath's other holocaust novels in his 3D author room at http://inkflash.com/FredrikNath

    In the poem, Lowell's visit to the park leads to a series of associations that the dug-up park conjures. First, watching the construction of the underground parking garage beneath the Common makes him think about his childhood and how Boston had changed; in particular, the South Boston Aquarium that he'd visited as a child had recently been demolished in 1954.This leads him to think about the Robert Gould Shaw memorial and the history associated with the memorial (including Robert Gould Shaw and the all-black 54th Massachusetts Volunteer Infantry that he led). Finally, Lowell thinks of the then-controversial civil rights movement and the images of the integration of black and white schoolchildren that Lowell had recently seen on television.The final lines of the poem, which read, "The Aquarium is gone. Everywhere,/ giant finned cars nose forward like fish;/ a savage servility/ slides by on grease" are particularly well-known for their rather dark description of the large American cars that were popular at the time.

    Trumpets should be blown, garlands made ... loquacious, playful, wildly comic ... poignant. His greatness is as certain as that of the poets he invokes' Daily Telegraph 'Whatever the densities of Hill's expression, or the powerful impacted forces in his syntax and rhythms, this poetry achieves a strength, memorability and precision beyond the abilities of any other poet writing in English' Peter McDonald, TLS