There is a place inside of mea space deep down inside of me where all my feelings hide. Summertime is filled with joy—skateboarding and playing basketball—until his community is deeply wounded by a police shooting. As fall turns to winter and then spring, fear grows into anger, then pride and peace.In her debut, illustrator Noa Denmon articulates the depth and nuances of a child’s experiences following a police shooting—through grief and protests, healing and community—with washes of color.

    His friends can’t understand it—how can he be in a bad mood when it’s SUCH a beautiful day? They encourage him not to hunch, to smile, and to do things that make THEM happy. But Jim can’t take all the advice…and has a BIT of a meltdown. Could it be that he just needs a day to feel grumpy?Suzanne and Max Lang bring hilarity and levity to this very important lesson. This picture book is an excellent case study in the dangers of putting on a happy face and demonstrates to kids that they are allowed to feel their feelings (though they should be careful of hurting others in the process!).

    He is alone, but happy. One day he sees another wolf approaching, a little wolf. Without a word, Little Wolf sits down next to Big Wolf. He stays all night and all the next day. At first Big Wolf is suspicious. He also is worried that Little Wolf will grow bigger and become a rival. After a while, however, he starts to feel fond of his small companion. He decides to let Little Wolf share his covers, just a little, so he isn’t cold at night. The next day he shares some of his lunch. Just as Big Wolf is starting to get used to his new friend, and even to care for him, Little Wolf disappears. Big Wolf is too proud to cry or get upset, but the reader cannot miss the great mix of emotions he feels, which are movingly portrayed in Olivier Tallec’s sensitive illustrations. Big Wolf loses his appetite and cannot sleep. He spends his time staring at the horizon, waiting for Little Wolf to return, but without the slightest reason to hope that he will. But with the arrival of spring Little Wolf does return. Big Wolf is so happy his heart almost bursts. The two wolves shyly admit that without each other they found life lonely. Never again will they leave each other’s side.Prix de l’album 2007 CherbourgPrix France Télévision 2006Prix des Enfants 2006 du Salon Chrétien de TroyesPrix littéraire jeunesse de 2006 Chambray-les-toursAdopted by the French National curriculum

    Lisa McCourt and Cyd Moore beautifully weave a reassuring tale of the love and affection of a parent. The imaginative son turns himself into a meat-eating dinosaur, a swamp creature and much, much more before being satisfied with the fact that no matter how stinky he is or how slimy of a creature he could possibly be, he is loved and nothing will change that.

    It is a world in which Christopher Robin and Alice watch the changing of the guard at Buckingham Palace, and where James James Morrison Morrison Weatherby George Dupree takes great care of his Mother, though he is only three. In this timeless wonderland, the Little Black Hen is much too busy to lay eggs for anyone (except Christopher Robin), and the three little foxes play in the forest, keeping their handkerchiefs in cardboard boxes. The King plaintively asks for butter for the Royal slice of bread. And at the end of an active day, a little boy kneels at the foot of his bed: Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. Here in one irresistible volume you will find When We Were Very Young and Now We Are Six, the two collections of verses which A. A. Milne wrote for his only son-verses that are cherished by everyone who has had the good fortune to become acquainted with them. To add to the excitement, Ernest Shepard, whose beloved black-and-white drawings in the original books have delighted millions of children, contributed endpapers and eight full-page illustrations, all in full color. Of course, Pooh, that remarkable bear, refuses to stay out of these pages, even though he has two books of his own. But his appearance here should cause no surprise. After all, he belongs. For as Christopher Robin is fond of saying, Wherever I am, there's always Pooh, There's always Pooh and Me.

    He is going to play a sneaky trick on his friend, Square. Or so Triangle thinks. . . . With this first tale in a new trilogy, partners in crime Mac Barnett and Jon Klassen will have readers wondering just who they can trust in a richly imagined world of shapes. Visually stunning and full of wry humor, here is a perfectly paced treat that could come only from the minds of two of today's most irreverent—and talented—picture book creators.

    Unable to sleep, a young boy climbs into his father's arms. Feeling the warmth and closeness of his father, he begins to ask questions about the birds, the foxes, and whether his mom will ever wake up. They go outside under the starry sky. Loss and love are as present as the white spruces, while the father's clear answers and assurances calm his worried son. Here we feel the cycles of life and life's continuity, even in the face of absence and loss, so strongly and clearly that we know at the end that everything will, somehow, be all right.Born in 1953, Stein Erik Lunde has written sixteen books, mostly for children and young adults. His books have been published in many countries. This is his first book to be published in the United States. He also writes lyrics and has translated Bob Dylan into Norwegian. In 2009 My Father's Arms Are A Boat was awarded the Norwegian Ministry's Culture Prize for the Best Book for Children and Youth. The book was also nominated for the 2011 German Children's Literature Award.Born in 1972, Øyvind Torseter is an artist and one of Norway's most acclaimed illustrators. He employs both traditional and digital picture techniques. Torseter has received numerous prizes for many of his books. In 2011 he received the Norwegian Book Art Prize. For 2012 he has been nominated for the ALMA Award and the Hans Christian Andersen Award.

    Emily Elizabeth describes the activities she enjoys with her very big red dog and how they take care of each other.

    Funny and entertaining.

    Nobody ever seems to notice him or think to include him in their group, game, or birthday party... until, that is, a new kid comes to class.When Justin, the new boy, arrives, Brian is the first to make him feel welcome. And when Brian and Justin team up to work on a class project together, Brian finds a way to shine.From esteemed author and speaker Trudy Ludwig and acclaimed illustrator Patrice Barton, this gentle story shows how small acts of kindness can help children feel included and allow them to flourish. Any parent, teacher, or counselor looking for material that sensitively addresses the needs of quieter children will find The Invisible Boy a valuable and important resource. Includes backmatter with discussion questions and resources for further reading.

    So he is excited to make a list of all the things he loves about Pig. And who better to help him write the list than Pig himself? But Pig is busy, and keeps sending Rabbit away. But no matter what Pig does, Rabbit is inspired to add another thing to his list. When Pig says, “Rabbit, I'm starting to lose my patience!” Rabbit has #6—“I love Pig because he’s not afraid to show his feelings!” Fortunately, Pig’s dwindling patience is rewarded when Rabbit completes his list—and the two realize exactly why they are such good pals.

    But donkeys don't come from eggs! And when the "egg" finally opens, Bear gets a fruity surprise. Luckily, Bear doesn't have to face disappointment alone . . . Hare is there to help!

    Nicholas". No one claimed authorship until 13 years later. Clement Clarke Moore, a professor and poet, said that he wrote the piece for his children. Unbeknownst to him, his housekeeper had sent it to the newspaper to be published. However, the family of Henry Livingston Jr. contended that their father had been reciting “A Visit from St. Nicholas” for 15 years prior to publication. Regardless of the true author, the poem is now a Christmas classic.

    The new arrival is male. This new concept is explained to the child as "just one more kind of love". The text is suitably straightforward, and the format--single lines of copy beneath full-page illustrations--easily accessible to the intended audience.

    One that's visually stimulating! With scenic pictures! And style! He has plenty of ideas about what makes a great book, but his friends just WON'T. STOP. TALKING.Children and adults alike will chuckle at this comedic take on bookmaking from acclaimed author-illustrator Ryan T. Higgins.