Steel your nerves, reach into your weapons locker, and tie tight your running shoes as humanity takes up arms against the monsters and gods of H. P. Lovecraft’s Cthulhu Mythos. Grab your pistols, your knives, your gearpunk grenades. Confront deep ones, mi-go, and flying polyps. Fight in the past, present and future, from the birth of the shotgun to the end of the world. Escape by car, carriage, and hot air balloon. Above all, remember to count your bullets...you may need the last one for yourself.

    Braunbeck109 • The Pig Man • (1993) • short story by Augustine Funnell125 • Mobius • (1987) • short story by Richard Christian Matheson129 • The Rendering Man • (1994) • short story by Douglas Clegg147 • Weight • (1994) • short story by Dominick Cancilla159 • Layover • (1991) • short story by Ed Gorman169 • Johnny Halloween • (1992) • short story by Norman Partridge181 • Hope • (1993) • short story by Steve Bevan187 • The Mailman • (1988) • short story by Bentley Little197 • Silhouette • (1996) • short story by Stephen Mark Rainey215 • Roadkill • (1991) • short story by Tom Elliott221 • The Rifle • (1995) • short story by Jack Ketchum233 • Pieces • (1992) • short story by Ray Garton237 • Rustle • (1993) • short story by Peter Crowther255 • When the Silence Gets Too Loud • (1995) • short story by Brian Hodge269 • The Rabbit • (1990) • short story by Jack Pavey281 • The Flood • (1986) • short story by John Maclay287 • The Right Thing • (1994) • short story by Gary L. Raisor [as by Gary Raisor]305 • Pig's Dinner • (1991) • short story by Graham Masterton317 • Crash Cart • (1993) • short story by Nancy Holder329 • Wall of Words • (1994) • short story by Lucy Taylor337 • Metastasis • (1990) • short story by David B. Silva349 • Wrapped Up • (1981) • short story by Ramsey Campbell357 • Depth of Reflection • (1990) • short story by David L. Duggins369 • The Mole • (1990) • short story by David Niall Wilson375 • Saviour • (1991) • short story by Gary A. Braunbeck391 • Great Expectations • (1990) • short story by Kim Antieau397 • Shell • (1992) • short story by Adam Corbin Fusco

    All you have is the disconnected voice of an attentive caretaker. Dr. Kuhn is there to help you—physically, emotionally, and psychologically. She’ll help you remember everything. She’ll make sure you reclaim your lost identity. Now answer one question: Are you sure you want to?Paul Tremblay’s The Last Conversationis part of Forward, a collection of six stories of the near and far future from out-of-this-world authors. Each piece can be read or listened to in a single thought-provoking sitting.

    Your hosts are the Hugo Award-winning editors John Klima (Electric Velocipede) and Lynne M. Thomas (Apex Magazine), and the Hugo-nominated editor Michael Damian Thomas (Apex Magazine).Join glittery authors Christopher Barzak (One for Sorrow) and Daryl Gregory (Pandemonium) on the dance floor, drink cocktails with Maria Dahvana Headley (Queen of Kings: A Novel of Cleopatra, the Vampire) and Tim Pratt (Marla Mason series), and skate with Seanan McGuire (InCryptid series), Diana Rowland (Kara Gillian series), and Maurice Broaddus (The Knights of Breton Court series). The fantastic Amber Benson gets the party started with her floor-rattling introduction (Calliope Reaper-Jones series).We’re waiting.Table of ContentsIntroduction by Amber BensonSister Twelve: Confessions of a Party Monster by Christopher BarzakApex Jump by David J. SchwartzWith Her Hundred Miles to Hell by Kat HowardStar Dancer by Jennifer PellandOf Selkies, Disco Balls, and Anna Plane by Cat RamboSooner Than Gold by Cory SkerrySubterraneans by William Shunn & Laura ChavoenThe Minotaur Girls by Tansy Rayner RobertsUnable to Reach You by Alan DeNiroSuch & Such Said to So & So by Maria Dahvana HeadleyRevels in the Land of Ice by Tim PrattBess, the Landlord’s Daughter, Goes for Drinks with the Green Girl by Sofia SamatarBlood and Sequins by Diana RowlandTwo-Minute Warning by Vylar KaftanInside Hides the Monster by Damien Walters GrintalisBad Dream Girl by Seanan McGuireA Hollow Play by Amal El-MohtarJust Another Future Song by Daryl GregoryThe Electric Spanking of the War Babies by Maurice Broaddus & Kyle S. JohnsonAll That Fairy Tale Crap by Rachel Swirsky

    But the gallery you are about to visit specializes in the most irresistibly riveting art of all--the art of horror, as practiced to perfection by the greatest modern masters of that ghoulish trade. With twenty gripping, hair-raising selections, Gallery of Horror is one of the very best anthologies ever assembled. But beware--these are writers for whom no leap into the unknown evil is too bold or frightening. Are you ready for it?Contents Aim for the Heart • (1983) • shortstory by Craig Shaw GardnerCanavan's Back Yard • [Canavan] • (1958) • shortstory by Joseph Payne BrennanDeath to the Easter Bunny! • (1983) • shortstory by Alan RyanDerelicts • (1983) • shortstory by Steve Rasnic TemDown Among the Dead Men • (1982) • novelette by Gardner Dozois and Jack DannGravid Babies: A Novel of Horrific Menace in Considerable Synopsis • (1983) • shortstory by Michael BishopIn Darkness, Angels • (1983) • novelette by Eric Van LustbaderIntroduction (Gallery of Horror) • (1983) • essay by Charles L. Grant (aka Introduction (The Dodd, Mead Gallery of Horror))Nona • (1978) • novelette by Stephen KingNunc Dimittis • (1983) • novelette by Tanith LeeOut of Sorts • (1983) • shortstory by Bernard TaylorPetey • (1979) • novella by T. E. D. KleinSomething Nasty • (1983) • shortstory by William F. NolanTalent • (1953) • shortstory by Theodore SturgeonThe Arrows • (1983) • shortstory by Chelsea Quinn YarbroThe Chair • (1983) • novelette by Dennis EtchisonThe Conqueror Worm • (1983) • shortstory by Stephen R. DonaldsonThe Crazy Chinaman • (1983) • shortstory by John CoyneThe Rubber Room • (1980) • shortstory by Robert BlochThe Sunshine Club • (1983) • shortstory by Ramsey CampbellThe Typewriter • (1983) • novelette by David Morrell

    Angela Carter takes real people and literary legends - most often women - who have been mythologized or marginalized and recasts them in a new light. In a style that is sensual, cerebral, almost hypnotic, "The Fall River Axe-Murders" portrays the last hours before Lizzie Borden's infamous act: the sweltering heat, the weight of flannel and corsets, the clanging of the factory bells, the food reheated and reserved despite the lack of adequate refrigeration, the house "full of locked doors that open only into other rooms with other locked doors." In "Our Lady of the Massacre" the no-nonsense voice of an eighteenth-century prostitute/runaway slave questions who is civilized - the Indians or the white men? "Black Venus" gives voice to Charles Baudelaire's Creole mistress, Jeanne Duval: "you could say, not so much that Jeanne did not understand the lapidary, troubled serenity of her lover's poetry but, that it was a perpetual affront to her. He recited it to her by the hour and she ached, raged and chafed under it because his eloquence denied her language." "The Kiss" takes the traditional story of Tamburlaine's wife and gives it a new and refreshing ending. Sometimes disquieting, sometimes funny, always thought-provoking, Angela Carter's stories offer a feminist revision of images that lie deep in the public psyche.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    Buildings breathe, cars attack, angels patrol, and hyper-intelligent pets rebel.With unbridled invention and breakneck adventure, Hannu Rajaniemi is on the cutting-edge of science fiction. His post-apocalyptic, post-cyberpunk, and post-human tales are full of exhilarating energy and unpredictable optimism.How will human nature react when the only limit to desire is creativity? When the distinction between humans and gods is as small as nanomachines—or as large as the universe? Whether the next big step in technology is 3D printing, genetic alteration, or unlimited space travel, Rajaniemi writes about what happens after.

    Monsters, real and imagined, external and internal, are the subject. They are us and we are them and Ballingrud's intense focus makes these stories incredibly intense and irresistible.These are love stories. And also monster stories. Sometimes these are monsters in their traditional guises, sometimes they wear the faces of parents, lovers, or ourselves. The often working-class people in these stories are driven to extremes by love. Sometimes, they are ruined; sometimes redeemed. All are faced with the loneliest corners of themselves and strive to find an escape.Nathan Ballingrud was born in Massachusetts but has spent most of his life in the South. He worked as a bartender in New Orleans and New York City and a cook on offshore oil rigs. His story "The Monsters of Heaven" won the inaugural Shirley Jackson Award. He lives in Asheville, North Carolina, with his daughter.

    A collection of truly gripping stories, with contributions from leading horror writers dedicated to the popular contemporary sub-genre of "body horror," which revolves around disease and mutation, whether self-inflicted or otherwise.

    Valente, Dexter Palmer and others KAREN JOY FOWLER, guest editor, is the author of six novels and four short story collections, including We Are All Completely Beside Ourselves. She is the winner of the 2014 PEN/Faulkner Award, a finalist for the Man Booker Prize, and has won numerous Nebula and World Fantasy awards. JOHN JOSEPH ADAMS, series editor, is the best-selling editor of more than two dozen anthologies, including Brave New Worlds and Wastelands. He is the editor and publisher of the digital magazines Lightspeed and Nightmare and is the editor of John Joseph Adams Books, a new science fiction/fantasy novel imprint from Houghton Mifflin Harcourt.Table of Contents:"Meet Me in Iram" by Sofia Samatar"The Game of Smash and Recovery" by Kelly Link"Interesting Facts" by Adam Johnson"Planet Lion" by Catherynne M. Valente"The Apartment Dweller’s Bestiary" by Kij Johnson"By Degrees and Dilatory Time" by S.L. Huang"The Mushroom Queen" by Liz Ziemska"The Daydreamer by Proxy" by Dexter Palmer"Tea Time" by Rachel Swirsky"Headshot" by Julian Mortimer Smith"The Duniazát" by Salman Rushdie"No Placeholder for You, My Love" by Nick Wolven"The Thirteen Mercies" by Maria Dahvana Headley"Lightning Jack’s Last Ride" by Dale Bailey"Things You Can Buy for a Penny" by Will Kaufman"Rat Catcher’s Yellows" by Charlie Jane Anders"The Heat of Us: Notes Toward an Oral History" by Sam J. Miller"Three Bodies at Mitanni" by Seth Dickinson"Ambiguity Machines: an Examination" by Vandana Singh"The Great Silence" by Ted Chiang

    His earliest stories, the ones that made his name a quarter of a century ago, were set in the jungles of South America and filled with creatures dark and fantastical. Stories like “Salvador,” “The Jaguar Hunter,” and the excoriatingly brilliant “R&R” deconstructed war and peace in South America, in both the past and the future, like no other writer of the fantastic.A writer of great talent and equally great scope, Shepard has also written of the seamier side of the United States at home in classic stories like “Life of Buddha” and “Dead Money,” and in “Only Partly Here” has written one of the finest post-9/11 stories yet. Perhaps strangest of all, Shepard created one of the greatest sequences of “dragon” stories we’ve seen in the tales featuring the enormous dragon Griaule.The Best of Lucius Shepard is the first ever career retrospective collection from one of the finest writers of the fantastic to emerge in the United States over the past quarter century. It contains nearly 300,000 words of his best short fiction and is destined to be recognized as a true classic of the field.

    L. Moore created Jirel, ruler of Joiry, in reaction to the beefy total-testosterone blood-and-thunder tales of '30s pulp magazines, but Jirel is no anti-Conan. She's a good Catholic girl, stubbornly purposeful, relentless in pursuit of enemies or vengeance, hard-boiled and a little stupid, and cannot be distracted by mere physical attractiveness. Indeed, in Jirel's world, beauty = decadence = corruption. Were these stories written today, inevitably Jirel would have a lot of hot sex, but as they were first published in Weird Tales between 1934-1939, sexual attraction is mostly only vividly implied. No loss. Jirel's journeys through unnatural landscapes and her battles with supernatural opponents are still wonderful to read, and though newcomers Red Sonja and Xena are more famous now, Jirel rules as the archetypal, indomitable redheaded swordswoman in chain mail and greaves, swinging her "great two-edged sword."Contents:· Jirel Meets Magic · nv Weird Tales Jul ’35 · Black God’s Kiss · nv Weird Tales Oct ’34 · Black God’s Shadow · nv Weird Tales Dec ’34 · The Dark Land · nv Weird Tales Jan ’36 · Hellsgarde · nv Weird Tales Apr ’39

    Whether based in sf or fantasy, Shea's short fiction is not for the squeamish.Contents:Polyphemus (1981)The Angel of Death (1979)Uncle Tuggs (1986)The Pearls of the Vampire Queen (1982)The Horror on the #33 (1982)The Extra (1987)The Autopsy (1980)

    Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.