As the band enters its fourth decade, Fleetwood and Davis ( Hammer of the Gods ) recount the fun, turmoil and triumphs that shaped and, at times, threatened to destroy the group. Despite numerous personnel changes over the years, involvement with drugs, grueling road trips, divorces and reconciliations, the core members of the group--Fleetwood, John McVie and Christine McVie--seem to have the same enthusiasm for music they displayed together as a raunchy blues band playing in London pubs. Anecdotes about the group and its sometimes outrageous performances (on and off the stage) abound, as does commentary about rock stars who pop in and out of the text at unexpected places. Fleetwood emerges as hip and flip and the book is written in an assured, essentially happy tone.

     Frank Sinatra was the best-known entertainer of the twenti­eth century—infinitely charismatic, lionized and notori­ous in equal measure. But despite his mammoth fame, Sinatra the man has remained an enigma. As Bob Spitz did with the Beatles, Tina Brown for Diana, and Peter Guralnick for Elvis, James Kaplan goes behind the legend and hype to bring alive a force that changed popular culture in fundamental ways. Sinatra endowed the songs he sang with the explosive conflict of his own personality. He also made the very act of listening to pop music a more personal experience than it had ever been. In Frank: The Voice, Kaplan reveals how he did it, bringing deeper insight than ever before to the complex psyche and tur­bulent life behind that incomparable vocal instrument. We relive the years 1915 to 1954 in glistening detail, experiencing as if for the first time Sinatra’s journey from the streets of Hoboken, his fall from the apex of celebrity, and his Oscar-winning return in From Here to Eternity. Here at last is the biographer who makes the reader feel what it was really like to be Frank Sinatra—as man, as musician, as tortured genius.

    Alongside former bandmates Don Henley, Glenn Frey, Randy Meisner, and Felder's childhood friend Bernie Leadon, he sold tens of millions of records (Eagles: Their Greatest Hits: 1971-1975 is the bestselling album of all time), performed before countless adoring fans, and co-wrote the renowned hit 'Hotel California'. His guitar-playing ability lifted the band from mere popularity to iconic status. And now Don Felder finally breaks the Eagles' decades of public silence to take fans behind the scenes - where drugs, greed and endless acrimony threatened to tear the band apart almost daily. Maybe there was too much talent. Maybe the personalities clashed with the egos. Whatever the reason, there were always these explosive arguments going on while I sat silently in a corner. I never expected it to survive. Never once did I feel, 'Hey, I got it made. This thing's gonna last for years.' Felder was wrong about that, but he was also right: the band split up in 1980, only to reunite for 1994's mega-selling 'Hell Freezes Over' album and tour.But tempers continued to flare, and in 2001, after 27 contentious years as an Eagle, Felder was summarily fired by the 'board of directors': Frey and Henley. Lawsuits and counter-suits followed. In 'Heaven and Hell', Felder takes us inside the pressurised recording studios, the trashed hotel rooms and the tension-filled courtrooms, where he, Frey, and Henley had their ultimate confrontation.

    His real life was only revealed after his tragic death 10 years ago, when he was found in the Mississippi river just hours before he was due to start rehearsals for the follow-up album to Grace., In this startling new bio, Jeff Buckley's friends, peers, enemies, lovers, collaborators, and others all speak of the Jeff Buckley they knew - or, in some cases, thought they knew. The contents of his many personal letters are revealed for the first time. His struggle with writer's block is explored, as are his battles with the concept of stardom, his desire for escape, and his attempts to deal with the unavoidable legacy of his equally gifted father, Tim Buckley. Even 10 years after his death, Buckley is still influential - Radiohead and Coldplay readily confess to the debt they owe him.

    Her life was a dramatic roller-coaster of triumphant highs and devastating lows: the suicide of her husband, her feud with Johnny Carson, her estrangement from her daughter, her many plastic surgeries, her ferocious ambition and her massive insecurities. But Rivers' career was also hugely significant in American cultural history, breaking down barriers for her gender and pushing the boundaries of truth-telling for women in public life. A juicy, intimate biography of one of the greatest comedians ever-a performer whose sixty year career was borne, simply, out of a desire to make people laugh so she could feel loved-LAST GIRL BEFORE FREEWAY delves into the inner workings of a woman who both reflected and redefined the world around her.

    An enormous influence on these musicians as well as Jimi Hendrix, Jimmy Page, and Jeff Beck, he is the living embodiment of Chicago blues. Guy's epic story stands at the absolute nexus of modern blues. He came to Chicago from rural Louisiana in the fifties—the very moment when urban blues were electrifying our culture. He was a regular session player at Chess Records. Willie Dixon was his mentor. He was a sideman in the bands of Muddy Waters and Howlin' Wolf. He and Junior Wells formed a band of their own. In the sixties, he became a recording star in his own right.When I Left Home tells Guy's picaresque story in his own unique voice, that of a storyteller who remembers everything, including blues masters in their prime and the exploding, evolving culture of music that happened all around him.

    The historical record is unclear on whether Champlain was baptized Protestant or Catholic, but he fought in France's religious wars for the man who would become Henri IV, one of France's greatest kings, and like Henri, he was religiously tolerant in an age of murderous sectarianism. Champlain was also a brilliant navigator. He went to sea as a boy and over time acquired the skills that allowed him to make twenty-seven Atlantic crossings without losing a ship.But we remember Champlain mainly as a great explorer. On foot and by ship and canoe, he traveled through what are now six Canadian provinces and five American states. Over more than thirty years he founded, colonized, and administered French settlements in North America. Sailing frequently between France and Canada, he maneuvered through court intrigue in Paris and negotiated among more than a dozen Indian nations in North America to establish New France. Champlain had early support from Henri IV and later Louis XIII, but the Queen Regent Marie de Medici and Cardinal Richelieu opposed his efforts. Despite much resistance and many defeats, Champlain, by his astonishing dedication and stamina, finally established France's New World colony. He tried constantly to maintain peace among Indian nations that were sometimes at war with one another, but when he had to, he took up arms and forcefully imposed a new balance of power, proving himself a formidable strategist and warrior.Throughout his three decades in North America, Champlain remained committed to a remarkable vision, a Grand Design for France's colony. He encouraged intermarriage among the French colonists and the natives, and he insisted on tolerance for Protestants. He was a visionary leader, especially when compared to his English and Spanish contemporaries -- a man who dreamed of humanity and peace in a world of cruelty and violence.This superb biography, the first in decades, is as dramatic and exciting as the life it portrays. Deeply researched, it is illustrated throughout with many contemporary images and maps, including several drawn by Champlain himself.

    The tales are recalled in a conversational, feverish tone, following the musician in his childhood and young adulthood in post-World War II suburbia, pausing along the way for moments of clarity and introspection. The stories resist categorization—part memoir, part personal essay, part fiction, and part manifesto they simply stand alone, having their own logic, religious dogma, and mythological history.

    With 116 million albums sold worldwide and 25 years on the pop charts to their credit, Pink Floyd is one of the most successful rock groups in history, yet their storyuntil nowis one of the least known. The only continuous member of the band through its entire 40-year history, Nick Mason has witnessed every twist, turn, and sommersault from behind his drum kit. The journey begins with the band's origins as the darlings of London's late 1960s underground and the creation of the classic Pink Floyd sound, all the way through to The Wall and those legendary stadium shows. Here are the players who shaped the band's history and the story behind the storythe inside perspective on, for example, the deterioration and departure of Syd Barrett; the overwhelming success of The Dark Side of the Moon and the resulting pressures and conflicts within the band, including the rift with Roger Waters; and Nick and David Gilmour's decision to put their reputations on the line and continue as Pink Floyd. Packed with rare photographs and vintage Floyd graphics from Nick Mason's extensive private archive, Inside Out is an eye-opener for both veteran fans and those just discovering the group. And, in keeping with the classic Floyd style, the book's cover was designed by Storm Thorgerson, creator of such iconic images as the Dark Side pyramid. Always candid, by turns poignant and funny, Nick's own memories are augmented with extensive research and interviews, making Inside Out a comprehensive history of one of the most brilliant and imaginative bands the world has knownand a masterly memoir of rock and roll.

    Muhammad Ali was one of the twentieth century’s most fantastic figures and arguably the most famous man on the planet. But until now, he has never been the subject of a complete, unauthorized biography. Jonathan Eig, hailed by Ken Burns as one of America’s master storytellers, radically reshapes our understanding of the complicated man who was Ali. Eig had access to all the key people in Ali’s life, including his three surviving wives and his managers. He conducted more than 500 interviews and uncovered thousands of pages of previously unreleased FBI and Justice Department files, as well dozens of hours of newly discovered audiotaped interviews from the 1960s. Collectively, they tell Ali’s story like never before—the story of a man who was flawed and uncertain and brave beyond belief. “I am America,” he once declared. “I am the part you won’t recognize. But get used to me—black, confident, cocky; my name, not yours; my religion, not yours; my goals, my own. Get used to me.” He was born Cassius Clay in racially segregated Louisville, Kentucky, the son of a sign painter and a housekeeper. He went on to become a heavyweight boxer with a dazzling mix of power and speed, a warrior for racial pride, a comedian, a preacher, a poet, a draft resister, an actor, and a lover. Millions hated him when he changed his religion, changed his name, and refused to fight in the Vietnam War. He fought his way back, winning hearts, but at great cost. Like so many boxers, he stayed too long. Jonathan Eig’s Ali reveals Ali in the complexity he deserves, shedding important new light on his politics, religion, personal life, and neurological condition. Ali is a story about America, about race, about a brutal sport, and about a courageous man who shook up the world.

    In the early 1980s, a Houston socialite turned the attention of maverick Texas congressman Charlie Wilson to the ragged band of Afghan "freedom fighters" who continued, despite overwhelming odds, to fight the Soviet invaders. Wilson, who sat on the all-powerful House Appropriations Committee, managed to procure hundreds of millions of dollars to support the mujahideen. The arms were secretly procured and distributed with the help of an out-of-favor CIA operative, Gust Avrokotos, whose working-class Greek-American background made him an anomaly among the Ivy League world of American spies. Avrakotos handpicked a staff of CIA outcasts to run his operation and, with their help, continually stretched the Agency's rules to the breaking point. Moving from the back rooms of the Capitol, to secret chambers at Langley, to arms-dealers' conventions, to the Khyber Pass, this book presents an astonishing chapter of our recent past, and the key to understanding what helped trigger the sudden collapse of the Soviet Union and ultimately led to the emergence of a brand-new foe in the form of radical Islam.

    The long-awaited third and final volume takes us through World War II, FDR’s death, the founding of the UN, and Eleanor Roosevelt’s death in 1962. It follows the arc of war and the evolution of a marriage, as the first lady realized the cost of maintaining her principles even as the country and her husband were not prepared to adopt them. Eleanor Roosevelt continued to struggle for her core issues—economic security, New Deal reforms, racial equality, and rescue—when they were sidelined by FDR while he marshaled the country through war. The chasm between Eleanor and Franklin grew, and the strains on their relationship were as political as they were personal. She also had to negotiate the fractures in the close circle of influential women around her at Val-Kill, but through it she gained confidence in her own vision, even when forced to amend her agenda when her beliefs clashed with government policies on such issues as neutrality, refugees, and eventually the threat of communism. These years—the war years—made Eleanor Roosevelt the woman she became: leader, visionary, guiding light. FDR’s death in 1945 changed her world, but she was far from finished, returning to the spotlight as a crucial player in the founding of the United Nations. This is a sympathetic but unblinking portrait of a marriage and of a woman whose passion and commitment has inspired generations of Americans to seek a decent future for all people. Modest and self-deprecating, a moral force in a turbulent world, Eleanor Roosevelt was unique.

    By the time her life and artistry were cut tragically short by a heroin overdose, Joplin had become the stuff of rock–and–roll legend.Through the eyes of her family and closest friends , we see Janis as a young girl, already rebelling against injustice, racism, and hypocrisy in society. We follow Janis as she discovers her amazing talents in the Beat hangouts of Venice and North Beach–singing in coffeehouses, shooting speed to enhance her creativity, challenging the norms of straight society. Janis truly came into her own in the fantastic, psychedelic, acid–soaked world of Haight–Asbury. At the height of her fame, Janis's life is a whirlwind of public adoration and hard living. Laura Joplin shows us not only the public Janice who could drink Jim Morrison under the table and bean him with a bottle of booze when he got fresh; she shows us the private Janis, struggling to perfect her art, searching for the balance between love and stardom, battling to overcome her alcohol addiction and heroin use in a world where substance abuse was nearly universal.At the heart of Love, Janis is an astonishing series of letters by Janis herself that have never been previously published. In them she conveys as no one else could the wild ride from awkward small–town teenager to rock–and–roll queen. Love, Janis is the new life of Janis Joplin we have been waiting for–a celebration of the sixties' joyous experimentation and creativity, and a loving, compassionate examination of one of that era's greatest talents.

    Crafted from diaries, notebooks, and letters, this deeply personal yet universally appealing story moves with ease between the seemingly trivial concerns of hairstyles and boys to the more profound questions of faith and identity. By turns funny and poignant, heartbreaking and profound, Miss American Pie tackles all of the decade's issues--desegregation, drugs, the sexual revolution, the rise of feminism, and the spread of charismatic evangelical Christianity--with humor, frankness, and unexpected insight.

    He died at the age of thirty-two, and in his lifetime he never had a pop hit. Yet since his death, J Dilla has become a demigod: revered by jazz musicians and rap icons from Robert Glasper to Kendrick Lamar; memorialized in symphonies and taught at universities. And at the core of this adulation is innovation: a new kind of musical time-feel that he created on a drum machine, but one that changed the way “traditional” musicians play.In Dilla Time, Dan Charnas chronicles the life of James DeWitt Yancey, from his gifted childhood in Detroit, to his rise as a Grammy-nominated hip-hop producer, to the rare blood disease that caused his premature death; and follows the people who kept him and his ideas alive. He also rewinds the histories of American rhythms: from the birth of soul in Dilla’s own “Motown,” to funk, techno, and disco. Here, music is a story of Black culture in America and of what happens when human and machine times are synthesized into something new. Dilla Time is a different kind of book about music, a visual experience with graphics that build those concepts step by step for fans and novices alike, teaching us to “see” and feel rhythm in a unique and enjoyable way.Dilla’s beats, startling some people with their seeming “sloppiness,” were actually the work of a perfectionist almost spiritually devoted to his music. This is the story of the man and his machines, his family, friends, partners, and celebrity collaborators. Culled from more than 150 interviews about one of the most important and influential musical figures of the past hundred years, Dilla Time is a book as delightfully detail-oriented and unique as J Dilla’s music itself.