Summarizing the various apologetic arguments for the inclusion of queer people in Christianity, Tonstad moves beyond inclusion to argue for a queer theology that builds on the interconnection of theology with sex and money. Thoroughly grounded in queer theory as well as in Christian theology, Queer Theology grapples with the fundamental challenges of the body, sex, and death, as these are where queerness and Christianity find (and, maybe, lose) each other. "This pacey, accessible introduction steers a course adroitly through queer theology's choppy waters without flattening out its complexities. Tonstad orients readers to theological and cultural markers they will recognize, and lucidly outlines some emerging developments in the field." --Susannah Cornwall, Lecturer, University of Exeter, United Kingdom "Because we cannot all enroll in Linn Marie Tonstad's Queer Theology seminar, we owe it to ourselves, and to the vitality of queer theology itself, to read--and re-read--this book so we can learn from the one of its best practitioners the radical art of queer theological truth-telling." --Kent Brintnall, Associate Professor, University of North Carolina at Charlotte "Linn Tonstad is the best queer theologian of her generation, and she has written a superb introduction to the field. Tonstad lucidly explicates, and she judges, pointing to the limitations of queer theological projects that are insufficiently intersectional in their analysis as well as the possibilities being unleashed by a younger generation of queer theologians who adamantly refuse heteropatriarchy, racism, colonialism, and capitalism--all the while taking Christian traditions seriously." --Vincent Lloyd, Associate Professor, Villanova University "In this brilliant burst of theological becoming, Linn Tonstad leads us beyond liberal apologetics for sexual difference. Queer Theology reveals something indispensable and yet irreducible to theology itself: arching between desire and death, theology here faces its deformations and unleashes its transformations. Vibrantly engaging her students as well as her theorists, the text queers the deep questions of Christianity." --Catherine Keller, Professor, Drew University, The Theological School "At last, a truly helpful introduction to a hotly contested notion: 'queer theology.' Tonstad clarifies in graceful prose the limitations, stakes, and pleasures of what could be queer in Christian theology. Timely and long overdue, this book will help students, queer theologians, and other theological adventurers recognize the far deeper challenges and possibilities that queer theologies beyond apology may offer to Christian understanding and justice-making efforts." --Laurel C. Schneider, Professor, Vanderbilt University Linn Marie Tonstad is Associate Professor of Systematic Theology at Yale Divinity School. She is the author of God and Difference (2016).

    The reader is pulled through Ryan's transition from infant to child, child to body-obsessed teenage girl, teenage girl to eating-disordered young woman, female to male, daughter to son, and finally a beloved partner to a cherished fiance'. A unique lens on life and love. Ryan candidly shares his struggle to find love and acceptance; a struggle that transcends through every layer of society. He nearly died from an extreme case of anorexia as an insecure female college student. The only thing that saved him was his inner spirit begging for a chance to live. ? Second Son chronicles Ryan's battle with his family, his romantic partner, and his body. He unblinkingly focuses on the empowerment he achieved as he underwent gender reassignment surgeries and traces his evolution into manhood. ? It took twenty-nine years for Ryan to find himself. The world is now ready for this intimate and honest autobiography that will educate and empower men and women around the globe. At a time when fighting to find oneself is popular, Ryan's story will resonate with people everywhere who are journeying to find their own destinies, love, and life.

    In chapters on the penis (in all its incarnations), fifties Hollywood, male beauty standards, and sexual harassment, and in discussions of topics ranging from Marlon Brando and Boogie Nights to Philip Roth and Lady Chatterley's Lover, Bordo offers fresh and unexpected insights. Always--whether she is examining Michael Jordan or Humbert Humbert, the butch phallus or her own grade-school experiences--she rejects rigid categories in favor of an honest, nuanced version of men as flesh-and-blood human beings.

    The Feminist Five became a global cause célèbre, with Hillary Clinton speaking out on their behalf, and activists inundating social media with #FreetheFive messages. But the Feminist Five are only symbols of a much larger feminist movement of civil rights lawyers, labor activists, performance artists and online warriors that is prompting an unprecedented awakening among China’s urban, educated women. In Betraying Big Brother, journalist and scholar Leta Hong Fincher argues that the popular, broad-based movement poses the greatest threat to China’s authoritarian regime today.Through interviews with the Feminist Five and other leading Chinese activists, Hong Fincher illuminates both the challenges they face and their “joy of betraying Big Brother,” as Wei Tingting—one of the Feminist Five—wrote of the defiance she felt during her detention. Tracing the rise of a new feminist consciousness through online campaigns resembling #MeToo, and describing how the Communist regime has suppressed the history of its own feminist struggles, Betraying Big Brother is a story of how the movement against patriarchy could reconfigure China and the world.

    For when Jeanette Winterson looks at works as diverse as the Mona Lisa and Virginia Woolf's The Waves, she frees them from layers of preconception and restores their power to exalt and unnerve, shock and transform us."Art Objects is a book to be admired for its effort to speak exorbitantly, urgently and sometimes beautifully about art and about our individual and collective need for serious art."--Los Angeles Times

    This Very Short Introduction tells the story of Chinese literature from antiquity tothe present, focusing on the key role literary culture played in supporting social and political concerns. Embracing traditional Chinese understandings of literature as encompassing history and philosophy as well as poetry and poetics, storytelling, drama, and the novel, Sabina Knight discusses thephilosophical foundations of literary culture as well as literature's power to address historical trauma and cultivate moral and sensual passions. From ancient historical records through the modernization and globalization of Chinese literature, Knight draws on lively examples to underscore theclose relationship between ethics and aesthetics, as well as the diversity of Chinese thought. Knight also illuminates the role of elite patronage; the ways literature has served the interests of specific groups; and questions of canonization, language, nationalism, and cross-cultural understanding.The book includes Chinese characters for names, titles, and key terms.

    An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    For White, each momentous occasion came with a book to match: Proust's Remembrance of Things Past, which opened up the seemingly closed world of homosexuality while he was at boarding school in Michigan; the Ezra Pound poems adored by a lover he followed to New York; the biography of Stephen Crane that inspired one of White's novels. But it wasn't until heart surgery in 2014, when he temporarily lost his desire to read, that White realized the key role that reading played in his life: forming his tastes, shaping his memories, and amusing him through the best and worst life had to offer.Blending memoir and literary criticism, The Unpunished Vice is a compendium of all the ways reading has shaped White's life and work. His larger-than-life presence on the literary scene lends itself to fascinating, intimate insights into the lives of some of the world's best-loved cultural figures. With characteristic wit and candor, he recalls reading Henry James to Peggy Guggenheim in her private gondola in Venice and phone calls at eight o'clock in the morning to Vladimir Nabokov--who once said that White was his favorite American writer.Featuring writing that has appeared in the New York Review of Books and the Paris Review, among others, The Unpunished Vice is a wickedly smart and insightful account of a life in literature.

    Explains what patriarchy is (and isn't), how it works, and what gets in the way of understanding and doing something about it.

    Michel Foucault offers an iconoclastic exploration of why we feel compelled to continually analyze and discuss sex, and of the social and mental mechanisms of power that cause us to direct the questions of what we are to what our sexuality is.

    The Supergirls is an entertaining and informative look at these modern-day icons, exploring how superheroines fare in American comics, and what it means for the culture when they do everything the superhero does, but in thongs and high heels.Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can’t defeat?Mike Madrid, a San Francisco based refugee from the world of advertising, is a lifelong fan of comic books and popular culture. His goal is to inform and entertain readers with a new look at modern-day icons. He’s the creator of the online site heaven4heroes, where comic book fantasies come to life.The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics.”—STAN LEE

    The pair, of course, is modernist master Gertrude Stein and Alice B. Toklas, the "worker bee" who ministered to Stein's needs throughout their forty-year expatriate "marriage." As Malcolm pursues the mystery of the couple's charmed life in Vichy France, her subject becomes the larger question of biographical truth.

    Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As hooks herself notes, interrogations of popular culture can be a 'powerful site for intervention, challenge and change'. And intervene, challenge and change is what hooks does best.

    Set in the rural China in which Xiao grew up, these two masterpieces expand on many themes, including the plight of peasants and the role of women in society. With a realistic style that has been said to rival "Tolstoy's sweep, FlaubertÂ�s detachment and Ba JinÂ�s compassion," Xiao gives us an unflinching, surprisingly lyrical, and often wryly humorous account of the difficult lives of these characters. This is an updated and extensively revised new edition.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?