Chambers, Ambrose Bierce, and H. P. Lovecraft. This anthology, edited with an explanatory introduction by a noted weird fiction scholar, collects the tales of those writers that are relevent to True Detective. Unlike other ebook collections, that contain dozens of unrelated stories, such as Chambers's victorian romances and random Lovecraft stories that have nothing at all to do with True Detective, this anthology includes only those stories that directly reference The King in Yellow, Carcosa, and other important themes. This is the only collection that contains all of the stories by these authors that reference Hastur, the ancient god of Carcosa, who appears among the tattoos on Reggie Ledoux. It also includes the correct Lovecraft story that connects all of these works with the Cthulhu Mythos. This is the ideal collection for those who want to understand the many references to early weird fiction that have appeared in True Detective.

    What happened to them inside that house is an experience you'll pray couldn't happen to you.At first the Van Burens believed there had to be some natural explanation. Before it was over, they were fighting for their children's lives against an obscene manifestation of evil that engulfed them all in a desperate nightmare.

    Grant has written a vampire novel set in the author's distressing little town of Oxrun Station. It is a region to be found on the same maps as Lovecraft's Arkham and King's Castle Rock. The Soft Whisper of the Dead is the first of the Oxrun tales to be placed in other than a contemporary setting. The first in a trilogy of historical horror novels, it is the account of the evil Count Braslov's attempt to subjugate the Oxrun population to his vampiric will.This first novel of a fast-paced trilogy is fraught with gas-light atmosphere, plucky women, a befuddled constabulary and is filled with the excitement of the classic vampire tale. Great fun.

    A hunting ban on the Powhatan is about to expire. The environmentalists want to protect the wildlife; the hunters are oiling their guns. Then someone completely unexpected comes forward to spearhead the conservation effort--the weirdo. Includes a reader's guide.

    The police were baffled. There were no clues, and most people figured they were dead.  Only Danny still holds out hope that they’ll return. Months later, a disheveled Vietnam vet named Walter Pike shows up at Danny’s front door, claiming to know their whereabouts. The story he tells is so incredible that Danny knows he shouldn’t believe him. Others warn him about Walter Pike’s dark past, his shameful flight from town years ago, and the suspicious timing of his return. But he’s Danny’s last hope, and Danny needs to believe…

    It includes solid advice, from professionals of every publishing level, on how to improve one's writing skills. The volume edited by Michael Knost includes contributions by a dream-team of nationally known authors and storytellers, many Bram Stoker Award winners. Contributors to this work include#58; Clive Barker, Joe R. Lansdale, F. Paul Wilson, Ramsey Campbell, Thomas F. Monteleone, Deborah LeBlanc, Gary A. Braunbeck, Brian Keene, Elizabeth Massie, Tom Piccirilli, Jonathan Maberry, Tim Waggoner, Mort Castle, G. Cameron Fuller, Rick Hautala, Scott Nicholson, Michael A. Arnzen, J.F. Gonzalez, Michael Laimo, Lucy A. Snyder, Jeff Strand, Lisa Morton, Jack Haringa, Gary Frank, Jason Sizemore, Robert N. Lee, Tim Deal, Brian Yount, Brian J. Hatcher, and others. Here is what certain industry publications have already said about this exceptional project#58; "A veritable treasure trove of information for aspiring writers--straight from the mouths of today's top horror scribes!" --Rue Morgue Magazine. "Packing more knowledge and sound advice than four years' worth of college courses . . . It's focused on the root of your evil, the writing itself." --Fangoria Magazine.

    Falling in love with her now could end it. Yet watching her determination to return to the top, he can't resist the woman she has become. Working with Ruby to tell America her story, Micah falls deeper under her spell. But at a crucial moment, his feelings for her conflict with his job—the very thing that once saved him. Now he must choose between his skyrocketing career and the unlikely love of a good woman….

    And so he does. Home is the small Maine town where his parents were both killed in a grotesque car wreck years before. The kind of town Stephen King has described as mostly indifference spiced with an occasional vapid evil or worse, a conscious one. A small town caught in a centuries-old war between supernatural forces. This is a genuinely frightening tale of death and demons, love and possession.

    / My journey to your depths begins tonight / To serve immortal till the stars turn right."These lines from a poem by Ann K. Schwader are the coda for this fine collection of tales about H.P. Lovecraft's Innsmouth--that decadent, smugly rotting New England town where half-human creatures with forbidding batrachian faces follow the arcane practices of the Esoteric Order of Dagon. In his erudite and witty introduction, Robert M. Price calls Innsmouth "the most effective, most evocative ... example of Lovecraft's full-blown alien civilizations." The Innsmouth Cycle includes 13 stories and 3 poems, including the three tales by Lord Dunsany, Robert W. Chambers, and Irvin S. Cobb that inspired Lovecraft's "The Shadow over Innsmouth." This collection is planned as the first of a pair, the second half of which will be Tales of Innsmouth, containing (according to Price) all new works of "fishy fiction."A fun detail: this book is "respectfully dedicated to Ben Chapman, the Creature from the Black Lagoon." --Fiona Webster

    With every revelation of the narrator's bizarre lifestyle and unusual acquaintances, the reader is less sure of what can be believed, until the line between actuality and fantasy disappears completely. McDowell has crafted an explicit and unusual nightmarish vision of contemporary urban life that embraces the range of social and sexual maladjustment. The narrator's calm, understated recitation of the unsavory events only heightens the horror; the fine illustrations match the surrealistic mood perfectly. An offbeat, puzzling, and disturbing work that should interest even the most jaded fans of horror fiction.

    But Ashbourough has a deep, dark secret . . . and it's living in the woods behind his home. "One of the best and most refreshing horror novels you're likely to read this year."

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    At noon, the murdered child begs for his help. And by nightfall, they have killed a man together and set off into the afterlife, where nothing is what it was, and death is only the beginning of punishment. An eerie story about the nature of death and the self, Midnight Picnic inhabits an American landscape made strange and unfamiliar. From the author of the cult novel Fires, Midnight Picnic is a haunting and disturbing experience.

    "Thomas Luke" is a pen name of Graham Masterton, prolific author of such books as "The Manitou." "They said Hunter Peale didn't have a hope in hell of getting elected. They were wrong... He was a kindly, moderate man - with a less than moderate chance of winning. Then it all began to change... What power did Peale now have that brought men to their knees in abnormal pain - and made women writhe with unholy pleasure? The answer froze the spirit like a chill, rancid breath from the foul grave-stench mouth of Hell - for Peale had entered into a monstrous pact with none other than the Prince of Darkness himself..."

    The Hugo-winning short story about diners, bored teenagers, and parallel worlds.