In addition to stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, Haunted Nights also offers terrifying and mind-bending explorations of related holidays like All Souls' Day, Dia de los Muertos, and Devil's Night. -With Graveyard Weeds and Wolfbane Seeds- by Seanan McGuire -Dirtmouth- by Stephen Graham Jones--A Small Taste of the Old Countr- by Jonathan Maberry-Wick's End- by Joanna Parypinski -The Seventeen Year Itch- by Garth Nix-A Flicker of Light on Devil's Night- by Kate Jonez-Witch-Hazel- by Jeffrey Ford-Nos Galen Gaeaf- by Kelley Armstrong -We're Never Inviting Amber Again- by S. P. Miskowski-Sisters- by Brian Evenson-All Through the Night- by Elise Forier Edie -A Kingdom of Sugar Skulls and Marigolds- by Eric J. Guignard-The Turn- by Paul Kane-Jack- by Pat Cadigan-Lost in the Dark- by John Langan-The First Lunar Halloween- by John R. Little

    Hiding in the low-hive of Blackgheist, she pieces together the fragments of her broken memory, trying to regain her past even as a hideous plague sweeps the hive, turning men into monsters…READ IT BECAUSETake a nightmare journey into a plague-wracked city where monsters stalk the streets and nothing can be trusted… including the memories of the protagonist.THE STORYMorgravia Sanctus is being hunted; why or by whom she doesn’t know. Something terrible has happened to her, a profound trauma that has left behind ‘red dreams’ and a physical agony that can strike at any moment. Her life in danger and her memory fragmented, she arrives in the low-hive of Blackgheist to escape her pursuers and search for ‘the Broker’ – a trafficker in memories and psychic mind manipulation. Soon after, a plague sweeps the city, turning its citizens into blood-hungry monsters. Order collapses, death and slaughter are rampant. Caught up in the carnage, Morgravia must flee once more. But as the ravening spreads, is there any hope of stopping this contagion?

    Vampires, werewolves, ghouls and ghosts - not to mention Frankenstein's monster - stalk the premises. Bats and spiders drop upon the unwary. At every turn a new fright awaits - all in fun, of course.Happy HalloweenBut the Manse's history of horror is ancient and terrible - more awful than the innocent Trick-or-Treaters can imagine. For twelve years it has been biding its time, feeding on the fear its unsuspecting visitors so willingly offered...Happy HalloweenUntil tonight. Tomight is the Thirteenth Annual House of Horrors.It will be the last.Tonight, at the Witching Hour, all Hell will break loose.Happy Halloween

    It's an important job, though no one else seems to realize it. For, if the field is left untended, a horrific monster called an Aukowie will grow.Short listed by the American Library Association for best horror novel of 2010. Black Quill nominee for best dark genre book of the year.

    The farm is the site of the urban legend, La Reina de Las Chicharras - The Queen of The Cicadas.In 1950s south Texas a farmworker—Milagros from San Luis Potosi, Mexico—is murdered. Her death is ignored by the town, but not the Aztec goddess of death, Mictecacíhuatl. The goddess hears the dying cries of Milagros and creates a plan for both to be physically reborn by feeding on vengeance and worship.Belinda and the new owner of the farmhouse, Hector, find themselves immersed in the legend and realize it is part of their fate as well.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

    But almost nothing of his silent movies has survived, and now Thackeray is little more than a grace note in film history.Disgraced film critic Simon is determined to restore Tubby's reputation and his own. A commercially successful biography of Tubby will convince Simon's girlfriend -- and her parents -- that Simon is worthy of her. Uncovering the truth about Tubby isn't easy. Newspapers of the time contain mysterious, truncated accounts of disturbing events at Tubby's performances and at screenings of his films. The few seconds of film Simon finds of Tubby in action are profoundly disquieting; Tubby seems more demon than comedian. Tubby's leering, laughing clown's face haunts Simon. Everywhere he turns, he sees the clown's sardonic grin; his faintly glowing white costume; or his long, oddly jointed limbs.Tubby Thackeray is dead. But the evil that was Tubby Thackeray lives, and Simon's investigations have roused its hunger.

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    What will begin, however, with the solemnity of marriage vows will end in the echoing screams of the damned - an ungodly spectacle of spilled blood and sobbing, throat-aching terror. There is a curse that grips the Bradwins from generation to generation, from horror to bloody horror, and that climaxes in a spine-chilling nightmare of black occultism and blood vengeance.

    She remembers abandoned cars and children’s toys littered across the road. She remembers dark shapes in the snow and a terror she can’t explain. And then…nothing.When she wakes, aching and afraid in a stranger’s gothic home, he tells her she was in an accident. He claims he saved her. Clare wants to leave, but a vicious snowstorm has blanketed the world in white, trapping them together, and there’s nothing she can do but wait.At least the stranger seems kind…but Clare doesn’t know if she can trust him. He promised they were alone here, but she sees and hears things that convince her something else is creeping about the surrounding woods, watching. Waiting. Between the claustrophobic storm and the inescapable sense of being hunted, Clare is on edge…and increasingly certain of one thing:Her car crash wasn't an accident. Something is waiting for her to step outside the fragile safety of the house... something monstrous, something unfeeling.Something desperately hungry.

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.

    Throughout the story Blackwood personifies the surrounding environment—river, sun, wind—and imbues them with a powerful and ultimately threatening character. Most ominous are the masses of dense, desultory, menacing willows, which "moved of their own will as though alive, and they touched, by some incalculable method, my own keen sense of the horrible.""The Willows" is one of Algernon Blackwood's best known short stories. American horror author H.P. Lovecraft considered it to be the finest supernatural tale in English literature. "The Willows" is an example of early modern horror and is connected within the literary tradition of weird fiction.

    There are children—those who victimize, and those who are victims. There are supernatural horrors, psychological terrors, nourish dark fantasies, and downright weird fictions.   Featuring Nathan Ballingrud, Laird Barron, Pat Cadigan, Siobhan Carroll, Terry Dowling, Brian Evenson, Gemma Files, Jeffrey Ford, Carole Johnstone, Stephen Graham Jones, Caitlín R Kiernan, John Langan, Catherine MacLeod, Helen Marshall, Bruce McAllister, Gary McMahon, Garth Nix, Robert Shearman, Michael Marshall Smith, and Kaaron Warren.   Come on in, and make yourself a cozy little nook in the dark, and enjoy.

    This collection of classic and newly reprinted stories provides readers with more of her unsettling, dark tales, including the "The Possibility of Evil" and "The Summer People." In these deliciously dark stories, the daily commute turns into a nightmarish game of hide and seek, the loving wife hides homicidal thoughts and the concerned citizen might just be an infamous serial killer. In the haunting world of Shirley Jackson, nothing is as it seems and nowhere is safe, from the city streets to the crumbling country pile, and from the small-town apartment to the dark, dark woods. There's something sinister in suburbia.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.