A vivid narration of events in the making of a Prophet and a World Teacher.

    Eleven Gods and a Billion Indians takes you behind the scenes of India’s most popular sport—going from early tours in 1886 to the more contemporary IPL, offering a complete understanding of the evolution of the game both on and off the field. Featuring material that has never-been-released, this book sheds new light on cases like Monkeygate, the suspension of Lalit Modi, match-fixing scandals, and more. Weaving together personal interviews, photographs, and letters, Eleven Gods and a Billion Indians unflinchingly asks the questions that need answering, among them: Has internal conflict impacted the on- field performance of the Indian cricket team? Did some icons fail the country and the sport by trying to conceal important facts during the spot-fixing investigation? And does it matter to the ordinary fan who heads the BCCI as long as there is transparency and accountability in the system? Chronicling the history of cricket throughout colonial and post-colonial Indian life, Eleven Gods and a Billion Indians offers fascinating insight into those who patronize, promote, play, and watch the sport, as well as the entire nation now considered the global hub of the world of cricket.

    It is here that Laxman's sense of parodyand satire find some of their finest expressions. A selection of these rare and masterly cartoons which comment caustically on our social and political character were togethter in the first volume of "laugh with Laxman", and proved to be immensly popular. This is the second volume in the series replete with timeless gems that continue to amuse.

    This Special Collector's Edition celebrates 100,000 copies or the book in print, and the book's on-going importance and popularity.

    In what modern Indians mistakenly call the Indus Valley Civilisation. The inhabitants of that period called it the land of Meluha a near perfect empire created many centuries earlier by Lord Ram, one of the greatest monarchs that ever lived. This once proud empire and its Suryavanshi rulers face severe perils as its primary river, the revered Saraswati, is slowly drying to extinction. They also face devastating terrorist attacks from the east, the land of the Chandravanshis. To make matters worse, the Chandravanshis appear to have allied with the Nagas, an ostracised and sinister race of deformed humans with astonishing martial skills!The only hope for the Suryavanshis is an ancient legend: When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.Is the rough-hewn Tibetan immigrant Shiva, really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

    Now available in a compact, more convenient format, it offers the same text and many of the illustrations which first appeared in the widely acclaimed Oxford Illustrated History of Medieval Europe. Written by expert scholars and based on the latest research, the book explores a period of profound diversity and change, focusing on all aspects of medieval history from the empires and kingdoms of Charlemagne and the Byzantines to the new nations which fought the Hundred Years War. The Oxford History of the Medieval World also examines such intriguing cultural subjects as the chivalric code of knights, popular festivals, and the proliferation of new art forms, and the catastrophic social effect of the Black Death. Authoritative and eminently readable, this book will entertain as much as it will educate.

    In these twenty-nine interviews, Said addresses everything from Palestine to Pavarotti, from his nomadic upbringing under colonial rule to his politically active and often controversial life in America, and reflects on Austen, Beckett, Conrad, Naipaul, Mahfouz and Rushdie as well as fellow critics Bloom, Derrida and Foucault. Said speaks here with his usual candour, acuity and eloquence - confirming that he was in his lifetime among the truly most important intellects of our century.

    What he had not foreseen was how his trip would coincide with the historic Sepoy Mutiny and play havoc with their travel plans.This is a unique first-person, eyewitness account of their picaresque journey, recorded several years after their return home. This is also perhaps the only documentation of a momentous event in the history of India by an impoverished but learned young beggar-priest. The extent of Vishnu Bhattji's direct involvement in it remains under wraps but the strange combination of compelling candidness and vague disjointedness off the narrative invites the readers to read between the lines and explore the unspelt-out aspects of the saga.

    The cosmopolitan fabric of a vibrant trading society - with its Jewish and Arab merchants, Chinese pirate heroes and masterful Hindu Zamorins - was ripped apart, heralding an age of violence and bloodshed. One prince, however, emerged triumphant from this descent into chaos. Shrewdly marrying Western arms to Eastern strategy, Martanda Varma consecrated the dominion of Travancore, destined to become one of the most dutiful pillars of the British Raj. What followed was two centuries of internecine conflict in one of India's premier princely states, culminating in a dynastic feud between two sisters battling to steer the fortunes of their house on the eve of Independence. Manu S. Pillai's retelling of this sprawling saga focuses on the remarkable life and work of Sethu Lakshmi Bayi, the last - and forgotten - queen of the House of Travancore. The supporting cast includes the flamboyant painter Raja Ravi Varma and his wrathful wife, scheming matriarchs of 'violent, profligate and sordid' character, wife-swapping court favourites, vigilant English agents, quarrelling consorts and lustful kings. Extensively researched and vividly rendered, The Ivory Throne conjures up a dramatic world of political intrigues and factions, black magic and conspiracies, crafty ceremonies and splendorous temple treasures, all harnessed in a tragic contest for power and authority in the age of empire.

     Free History BONUS Inside! India is a land of mystery, richness, and deep spiritual discovery. Every facet of this ancient land seems scented with the famous spices that lured European traders to its shores more than five centuries ago. Here, Muslims, Hindus, Christians, Sikhs, and Buddhists live shoulder to shoulder in a crowded world of multiple gods and juxtaposed pilgrimage routes, each one perfectly peaceful in their own beliefs and traditions. More than one billion people live on the Indian subcontinent, working in a range of industries that begins in the agricultural sector and ends in the high-tech business world of Delhi. Intensified manufacturing and digital technologies have brought modern India into the global market, trading in communications software, customer service, and IT management—but these are far from the technologies and industries that put this ancient land on every map. Long before the British Raj or the tea trade, India was beloved for its spices and jewels. For much of history, India provided the majority of the world’s diamonds from its own mines. Some of those sparkling, perfect gems grace the likes of the British crown jewels. India is quite unique in the way it has brought its ancient histories and traditions with it into the modern age. Ganesh and Shiva have accompanied their people from the Indus River Valley–the spring of Indian civilization–down the Ganges and forward through time. In History of India: A Captivating Guide to Ancient India, Medieval Indian History, and Modern India Including Stories of the Maurya Empire, the British Raj, Mahatma Gandhi, and More, you will discover topics such as The Indus River Valley Mythology of the Vedic Age Aryan India and the Great Vedic Debate Alexander the Great The Empire of Chandragupta Maurya Buddhism and the Regrets of Ashoka The Return of the Greeks The Gupta Empire Ancient Mathematical Discoveries The Delhi Sultanate Babur and the Mughal Empire The Taj Mahal and a Story of Love India is “Rediscovered” by Portugal The Maratha Empire The East India Trading Company East India Company Rule The British Raj The Caste System Mohandas Gandhi The Salt March and Independence Wildlife, Then and Now A Brief History of the Curry The Space Program And much, much more! So if you want to learn more about the history of India, scroll up and click the "add to cart" button!

    In the course of a confession to a white 'sahib' the imprisoned Ameer Ali recounts his life as a devoted follower of Thuggee, a secret religious cult practising ritual mass murder and robbery. Taylor uncovered evidence of the crimes committed by bands of Thugs as a Superintendent of Police in India during the 1820s. Introducing a new standard of ethnographic realism to western fiction about India, Confessions of a Thug is a strikingly vivid, chilling and immensely readable thriller. This unique critical edition makes available a fascinating and significant work of Empire writing.

    The men rushed towards her. Grabbed her. Tugged at her hair. Poured acid on her face. Soon she started to burn like a living corpse. The acid ate through her skin and aimed for her bones, but it could not quell the fire in her heart. It lifted Reshma from tragedy and suffering and propelled her to New York, where she made global headlines by becoming the first acid-attack survivor to walk the ramp at the New York Fashion Week. Now an international anti-acid-sale activist, vlogger, model, and the face of Make Love Not Scars, Reshma tirelessly works towards empowering other acid-attack survivors like herself and has become a beacon of hope for millions. Inspiring and life-affirming, Being Reshma is the extraordinary story of a young girl from the slums of Mumbai who overcame insurmountable odds in a world ruled by men and dared to change it.

    Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.Table of ContentsIntroductionThe Psycho-Epistemology of ArtPhilosophy and Sense of LifeArt and Sense of LifeArt and CognitionBasic Principles of LiteratureWhat Is Romanticism?The Esthetic Vacuum of Our AgeBootleg RomanticismArt and Moral TreasonIntroduction to Ninety-ThreeThe Goal of My WritingThe Simplest Thing in the WorldIndex

    

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