Thammavongsa is a master at homing in on moments like this -- moments of exposure, dislocation, and messy feeling that push us right up against the limits of language.The stories that make up How to Pronounce Knife focus on characters struggling to find their bearings in unfamiliar territory, or shuttling between idioms, cultures, and values. A failed boxer discovers what it truly means to be a champion when he starts painting nails at his sister's salon. A young woman tries to discern the invisible but immutable social hierarchies at a chicken processing plant. A mother coaches her daughter in the challenging art of worm harvesting.In a taut, visceral prose style that establishes her as one of the most striking and assured voices of her generation, Thammavongsa interrogates what it means to make a living, to work, and to create meaning.How to pronounce knife --Paris --Slingshot --Randy Travis --Mani pedi --Chick-a-chee! --The universe would be so cruel --Edge of the world --The school bus driver --You are so embarassing --Ewwrrkk --The gas station --A far distant thing --Picking worms

    Icky" "Jemina"

    In "Horseman," a professor confronts a young plagiarist as well as her own weaknesses as the Thanksgiving holiday looms closer and closer: "And after that, who knew?" In "Intervention," a realtor facing an ominous medical prognosis finds himself in his father's shadow while he presses forward--or not. In "Voice," a semiretired academic is conned by his increasingly estranged brother into coming along on a group tour of the Venice Biennale, fleeing a mortifying incident with a traumatized student back in Massachusetts but encountering further complications in the maze of Venice. And in "Milton and Marcus," a lapsed novelist struggles with his wife's illness and tries to rekindle his screenwriting career, only to be stymied by the pratfalls of that trade when he's called to an aging, iconic star's mountaintop retreat in Wyoming.

    In these four stories—“Ministerial Aid,” “Slick-Tongued Devil,” “Toys for Tots,” and “Unbalanced” (three of which have been sent to Johnson’s fans over the years in the author’s “Post-it” e-mails)—Walt is alternately at his best and his worst. He helps a somewhat delusional elderly victim of domestic abuse while sporting a bathrobe and a mean hangover on New Year’s Day. He’s sidelined by grief when his wife’s obituary reappears in the paper and there’s an unexpected knock on his door two days before Christmas. He strives to help even those who don’t want it when he picks up a young female hitchhiker, and he’s forced into some last-minute Christmas shopping by the Greatest Legal Mind of Our Time, during which he might just end up saving a young Navy chaplain’s Christmas.Full of Longmire’s dry wit and good heart, Christmas in Absaroka County is a holiday must-have for every Longmire and Craig Johnson fan, and it also includes the first chapter of The Cold Dish, the first novel in the Walt Longmire Mystery Series. Amazon review

    In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.

    A man sees his favorite elephant vanish into thin air; a newlywed couple suffers attacks of hunger that drive them to hold up a McDonald's in the middle of the night; and a young woman discovers that she has become irresistible to a little green monster who burrows up through her backyard.By turns haunting and hilarious, The Elephant Vanishes is further proof of Murakami's ability to cross the border between separate realities -- and to come back bearing treasure.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Here are exiles, emigrants, and wanderers uprooting their families from the Philippines to begin new lives in the Middle East, the United States, and elsewhere—and, sometimes, turning back again. A pharmacist living in New York smuggles drugs to his ailing father in Manila, only to discover alarming truths about his family and his past. In Bahrain, a Filipina teacher drawn to a special pupil finds, to her surprise, that she is questioning her own marriage. A college student leans on her brother, a laborer in Saudi Arabia, to support her writing ambitions, without realizing that his is the life truly made for fiction. And in the title story, a journalist and a nurse face an unspeakable trauma amidst the political turmoil of the Philippines in the 1970s and ’80s.In the Country speaks to the heart of everyone who has ever searched for a place to call home. From teachers to housemaids, from mothers to sons, Alvar’s powerful debut collection explores the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. Deeply compassionate and richly felt, In the Country marks the emergence of a formidable new writer.

    For many of the desert's inhabitants, Ben's visits are their only contact with the outside world, and the only landmark worth noting is a once-famous roadside diner that hasn't opened in years. Ben's routine is turned upside down when he stumbles across a beautiful woman named Claire playing a cello in an abandoned housing development. He can tell that she's fleeing something in her past - a dark secret that pushed her to the end of the earth - but despite his better judgment he is inexorably drawn to her. As Ben and Claire fall in love, specters from her past begin to resurface, with serious and life-threatening consequences not only for them both, but for others who have made this desert their sanctuary. Dangerous men come looking for her, and as they turn Route 117 upside down in their search, the long-buried secrets of those who've laid claim to this desert come to light, bringing Ben and the other locals into deadly conflict with Claire's pursuers. Ultimately, the answers they all seek are connected to the desert's greatest mystery - what really happened all those years ago at the never-open desert diner? In this unforgettable story of love and loss, Ben learns the enduring truth that some violent crimes renew themselves across generations. At turns funny, heartbreaking and thrilling, The Never-Open Desert Diner powerfully evokes an unforgettable setting and introduces readers to a cast of characters who will linger long after the last page.

    In “This is Who You Are,” a young girl walks the line between Hebrew School and her regular school, realizing that both are filled with unexpected moments of insight and violence. In “Three Interviews,” an aging reporter must contend with her dwindling sense of self and resources, beleaguered by unemployment, which sets her on a path to three increasingly unhinged job interviews. In “Mrs. America,” a candidate for local office must confront a host of forces that threaten to undermine her campaign, forcing her to face her own role in the dissonance between what America is and what it should be.

    Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.

    Elsewhere, an aerobics instructor—the daughter of a Holocaust survivor—makes the most shocking leap imaginable to save her soul. These are just a few of the characters you'll encounter in Sam Lipsyte's richly imagined world.Featuring a grizzled and possibly deranged male doula, a doomsday hustler who must face the multi-universal truth of "the real-ass jumbo," and a tawdry glimpse of a high school shot-putting circuit in northern New Jersey, circa 1986, Lipsyte's short stories combine the tragicomic brilliance of his beloved novels with the compressed vitality of Venus Drive. The Fun Parts is Lipsyte at his very best—a far-ranging exploration of new voices and vistas from "the most consistently funny fiction writer working today" (Time).

    . . Every story here is cut like a stone."—Chicago Sun-Times), National Book Award–winning Ha Jin gives us a collection that delves into the experience of Chinese immigrants in America.  With the same profound attention to detail that is a hallmark of his previous acclaimed works of fiction, Ha Jin depicts here the full spectrum of immigrant life and the daily struggles—some minute, some grand—faced by these intriguing individuals.  A lonely composer takes comfort in the antics of his girlfriend's parakeet; young children decide to change their names so that they might sound more "American," unaware of how deeply this will hurt their grandparents; a Chinese professor of English attempts to defect with the help of a reluctant former student. All of Ha Jin's characters struggle in situations that stir within them a desire to remain attached to be loyal to their homeland and its traditions as they explore and avail themselves of the freedom that life in a new country offers.  In these stark, deeply moving, acutely insightful, and often strikingly humorous stories, we are reminded once again of the storytelling prowess of this superb writer.

    In “Floor Plans,” a woman at the end of her marriage tests her power when she inadvertently befriends the neighbor trying to buy her apartment. In “Appetite,” a sixteen-year old grieving her mother’s death experiences first love and questions how much more heartbreak she and her family can endure. In “Dinosaurs,” a recent widower and a young babysitter help each other navigate how much they have to give—and how much they can take—from the people around them. Through stories that are at once empathetic and unexpected, these women and girls defiantly push the boundaries between selfishness and self-possession. With a fresh voice and bold honesty, Back Talk examines how narrowly our culture allows women to express their desires.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more