By day, she studies at law school, and by night, she serves drinks at an exclusive club to afford her tuition. But the hard-working Melanie will never admit her true desire: to escape from her fast-paced, high-pressure life, if only for a moment. When Melanie meets Vanessa, a glamorous executive and a regular at the club, she is drawn to the enigmatic black-haired woman. Vanessa is relentless in pursuing what she wants—and what she wants is Melanie. Soon, Melanie finds herself caught up in Vanessa’s sensual games of submission, power and control. Melanie insists that her affair with Vanessa remains purely physical. But as her limits are tested, so is the line between lust and love. When ghosts from the past reappear, both women must face their deepest fears. Can Melanie surrender her everything to Vanessa, or will old wounds prove too great?

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    Now on the cusp of turning 30, I'm ready to expose some parts of my life that I haven't shared before. Before, it was all about privacy, process and time. And now the time has come! I’m ready to put myself out there, for you.  I'm a little nervous about all these vulnerable words going into the world, these tales about my love life, the wrestling I’ve done with faith, how I feel about sex and my family and myself. I’ve had a lot of trials, a lot of errors, but also a lot of passion. Here’s the thing--I've always found comfort in the stories shared by others, so I hope my stories, now that I feel ready to tell them, will bring you some comfort too.And when you read this book please remember: Buffering is just the time it takes to process.Enjoy!Love,Hannah

    Co-published by two of the premiere publishers in comics—DC and IDW, this oversize comic contains moving and heartfelt material from some of the greatest talent in comics, mourning the victims, supporting the survivors, celebrating the LGBTQ community, and examining love in today’s world. All material has been kindly donated by the writers, artists, and editors with all proceeds going to victims, survivors, and their families. Be a part of an historic comics event! It doesn’t matter who you love. All that matters is you love.

    A typical Christian kid, that is, until she developed a searingly deep crush on another little girl playing afterhours in church, and more importantly, until Jesus—a tiny, imaginary Jesus, one that stays “safely tucked behind the baseboard or the petals of a peony”—became her invisible friend and constant companion.Heartbreakingly honest and hilarious, My Almost Certainly Real Imaginary Jesus shows just how easy it can be to fall headlong into fundamentalism, venturing into the very heart of enemy territory and the church’s false promises of altar calls and sexual cures. In the spirit of Anne Lamott’s Traveling Mercies, this debut memoir is plainspoken, speaking with candor and insight. Barth particularly addresses the disconnect between the radical and very human Jesus of history and the church’s supernatural savior. She asks the question to all in the closet—both closet Christians and closet homosexuals: Which is more difficult, admitting to being Christian or admitting to being gay?An answer is found in her own hard-won journey, a hopeful answer that is an “attempt to leave a record of the early signs of the turning and softening of a collective heart.” Giving voice to many who have searched for sanctuary in a church that has largely rejected them, this story pauses at the threshold of one of a growing number of churches which, in opening the door to her and other homosexuals, welcome Jesus back inside as well.

    The V-Word captures the complexity of this important life-decision and reflects diverse real-world experiences. Includes helpful resources for parents and teens.Losing it. Popping your cherry. Handing in your V-card.First time sex is a big unknown. Will it be candlelight and rose petals or quick and uncomfortable? Is it about love or about lust? Deciding to have sex for the first time is a choice that’s often fraught with anxiety and joy. But do you have anyone telling you what sex is really like?In The V-Word seventeen writers (including Christa Desir, Justina Ireland, Sara Ryan, Carrie Mesrobian, Erica Lorraine Scheidt, and Jamia Wilson) pull back the sheets and tell all, covering everything from straight sex to queer sex, diving-in versus waiting, and even the exhilaration and disappointment that blankets it all. Some of their experiences happened too soon, some at just the right time, but all paint a broad picture of what first-time sex is really like.Funny, hot, meaningful, cringe-worthy, gross, forgettable, magnificent, empowering, and transformative, the stories in The V-Word are never preachy, but provide a map for teens to chart their own course through the steamy waters of sex. With The V-Word girls can finally take control, learn what’s on the horizon, and eliminate the fear and mystery surrounding this important milestone.

    By combining accessible introductory and explanatory material with primary texts and artifacts, this book explores the development and growth of LGBT (lesbian, gay, bisexual, transgender) identities and the interdisciplinary nature of LGBT studies.

    Shock Treatment includes Karen Finley’s most provocative and acclaimed performance monologues, essays, and poems, with “The Constant State of Desire,” “We Keep Our Victims Ready,” “It's Only Art,” and “The Black Sheep.” Excoriating misogyny, homophobia, abusive families, greed, and state coercion of bodies and minds, Finley holds out hope for a world informed not by hate and fear, but by truth and unconditional love.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    Nobody had ever written so frankly about the kinky potential of woman-to-woman sex (and nobody has ever done it any better). If any book is responsible for the formation of the modern lesbian leather community, this one is it.Despite its graceful language, imaginative scenarios, and abundant humor, the lesbian press trashed Macho Sluts, and it became a focal point for the infamous legal battles between Canada Customs and Little Sister's, the gay and lesbian bookstore. But readers loved it, and to this day Macho Sluts remains a vital and moving classic that still has the power to educate, radicalize, and expand our notions of the body's potential to provide us with pleasure, pain, and love.This new edition, part of Arsenal Pulp Press' Little Sister's Classics series resurrecting classics of LGBT literature, includes a new afterword by the author, and an introduction by Wendy Chapkis, a professor of sociology and women and gender studies at the University of Southern Maine in Portland.Patrick Califia has written many books about radical sex, queer communities, and the repression of desire. Almost ten years ago, Califia transitioned from female to male; he now lives as a bisexual transman in San Francisco.

    Top scholars--like the late John Boswell of Yale, Daniel Boyarin of Berkeley, Bernadette Brooten of Brandeis, L.William Countryman of the Church Divinity School of the Pacific in Berkeley, Victor P. Furnish of SMU, Saul M. Olyan of Brown and Robin Scruggs of Union Theological Seminary--show that those who perceive Bible passages as condemning homosexuality are being misled by faulty translation and poor interpretation...... Danial A. Helminiak, Ph.D. respected theologian and Roman Catholic priest, explains in a clear fashion the fascinating new insights of these scholars...... The Bible has been used to justify slavery, inquisitions, apartheid and the subjugation of women. Now, in this books which has sold over 100 thousand copies, read what the Bible really says about homosexuality.

    An early morning hotel fire turns out to be anything but routine, and firefighter Reid Webb's best friend and partner, Jimmy Grant, dies. Guilt-ridden and grieving, Reid feels responsible for her partner's young son, Chase. She would do anything for him, even if that means spending far too much time in the company of the woman she's harbored feelings for since high school. Isabel Grant doesn't know anything about raising children. But when she returns to her hometown to assume custody of her orphaned nephew, she gets a crash course. Isabel's struggle to keep her footing in the midst of chaos is further complicated by her growing attraction to Reid, a woman whom Isabel blames for her brother's death.

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    Her signature voice made songs such as, "I Only Want to Be With You," "Son of A Preacher Man," and "You Don't Have to Say You Love Me," international hits. In Dancing With Demons, two of her closest friends, Valentine and Wickham, capture, with vivid memories and personal anecdotes, a Dusty most people never glimpsed in this no-holds-barred yet touching portrait of one of the world's true grand dames of popular music.