Combining Adam's inimitable comedic voice and four-color illustrations by his friend Michael Narren, Rich Man Poor Man is a hilariously accurate look at what the people born with silver spoons in their mouths have in common with the people whose only utensils are plastic sporks stolen from a Shakey's.

    Warren Ellis' e-mail column "Bad Signal" shows that he is a modern master of the short form essay, as his biting wit makes even the most esoteric of topics into must-read material. By his own admission, BAD SIGNAL is Warren Ellis on the move, emptying his head of thoughts and shoving them into a handheld computer with a wireless modem plugged into it, so that he can instantly bug four thousand people with useless e-mail from public toilets all over the world. This first volume collects his humorous and insightful columns from 2001-2002.

    It immediately became a literary sensation on publication, and was the biggest selling book on Amazon – anywhere in the world.Replete with a forty page description of marital sex, details of worms, and even, following an abortion, ‘the best anal sex ever’, ‘Wrecked’ reannounced Charlotte Roche, and showed her exploring the detrimental pressures placed on women as mothers and wives.

    . . shortly before he was arrested for indecent exposure, and whose work continues to be held at the vanguard of contemporary art.And it is the story of her work as a pornographic model and striptease artiste which challenged assumptions about morality, erotica and art.Art Sex Music is the wise, shocking and elegant autobiography of Cosey Fanni Tutti.

    Her hilarious and deeply relatable look at the challenges of womanhood in a changing world became a cultural touchstone for women everywhere. Now Guisewite returns with her signature wit and warmth in this debut essay collection about another time of big transition, when everything starts changing and disappearing without permission: aging parents, aging children, aging self stuck in the middle.With her uniquely wry and funny admissions and insights, Guisewite unearths the humor and horror of everything from the mundane (trying to introduce her parents to TiVo and facing four decades' worth of unorganized photos) to the profound (finding a purpose post-retirement, helping parents downsize their lives, and declaring freedrom from all those things that hold us back). No longer confined to the limits of four comic panels, Guisewite holds out her hand in prose form and becomes a reassuring companion for those on the threshold of "what happens next." Heartfelt and humane and always cathartic, Fifty Things That Aren't My Fault is ideal reading for mothers, daughters, and anyone who is caught somewhere in between.

    Starting on the streets of New York with simple fly-posters, she has gone on to disseminate her truisms, slogans, memorials and poems through a variety of media. They are enunciated by an unstable register of personae, be it ad-man, stand-up comedian, torturer, victim or evangelist. The sites for her work range from T-shirts and golf balls to dazzling electronic signboards at baseball stadiums.Her work uses language to investigate the nature of ideologies as conscious and unconscious formations about identity and experience. Her complex and poetic texts can be shocking, humorous and intriguing in content. At the same time she draws on Minimalism's use of industrial materials and deploys scale, movement and light to create art of great formal power and beauty.In the Survey, art critic and academic David Joselit surveys Holzer's changing oeuvre, from the first appearance of the streetwise Truisms in the late 1970 to her large-scale installations in museums worldwide. Joan Simon, curator of Holzer's first solo US museum exhibition, discusses with the artist her use of language and its relationship to visual form. In the Focus, Slovenian cultural theorist and philosopher Renata Salecl takes an in-depth look at Holzer's Lustmord series, which was precipitated by the events in the former Yugoslavia and boldly addresses the atrocities committed in war. For the Artist's Choice, the artist's fragmented, unexpected language is mirrored in Samuel Beckett's Ill Seen Ill Said, which the artist has chosen alongside extracts from Crowds and Power by Elias Canetti. A text by the artist on her literary influences accompanies a selection of her signature texts in the Artist's Writings section.

    Seamlessly weaving the suspenseful with the macabre on every page, each story takes pleasure in taking you beyond the limits of what the human mind can endure.If you're the type of horror fan who enjoys stories that make your hair stand on end, drop this book right now. This tome of terrific terrors will take you farther than you've ever been down the rabbit hole of your worst nightmares.

    From relationships, religion, and the rise of ISIS, to porn, fatherhood and the oppression of office life. Nothing is taboo: Is it less serious when a man has an affair? Why don’t new parents want boys?Who Stole My Spear? is an inspiring rallying call for men and ‘good masculinity’ which cannot be ignored – that will leave you rethinking much about life’s big questions. And for women who wonder what’s on a man’s mind, this is the book that offers the entertainingly explosive answer.

    Some of the stories are inspired by true events. Find out which ones inside this scary collection. "The Girl I Married" Jonathan noticed that after marrying Jeanette, she starts acting strange. As if she is not the same girl he dated. Why is she so different and what secrets is she hiding? "I`m Sorry Daddy" After an accident at work, Mr. Williams starts developing unusual symptoms. He is turning into a monster and there is nothing to stop this. "The House Next Door part 2" Jessica decides to find out what happened to her friend Sarah. What new discoveries will she make and will the same fate befall her?

    A raucous eruption of language and a showcase for the best essayists of our time, The Outlaw Bible of American Essays chronicles American history and measures the boundlessness of dissident thought.

    Making remarkable connections across brain function, myth, and anthropology, Dr. Shlain shows why pre-literate cultures were principally informed by holistic, right-brain modes that venerated the Goddess, images, and feminine values. Writing drove cultures toward linear left-brain thinking and this shift upset the balance between men and women, initiating the decline of the feminine and ushering in patriarchal rule. Examining the cultures of the Israelites, Greeks, Christians, and Muslims, Shlain reinterprets ancient myths and parables in light of his theory. Provocative and inspiring, this book is a paradigm-shattering work that will transform your view of history and the mind.

    It includes short gems from many of his teachings made popular in such books as The Art of Happiness and Ethics for the New Millennium, as well as on subjects such as religion, politics, peacework, and human rights.

    Now, in a collection of profound wisdom and beauty, she explores the transcendent power of art through the eyes of ordinary people. Life Studies begins with historic tales that, rather than focusing directly on the great Impressionist and Post-Impressionist masters themselves, render those on the periphery—their lovers, servants, and children—as their personal experiences play out against those of Manet, Monet, van Gogh, and others. Vreeland then gives us contemporary stories in which her characters—a teacher, a construction worker, and an orphan for example—encounter art in meaningful, often surprising ways. A fascinating exploration of the lasting strength of art in everyday life, Life Studies is a dazzling addition to Vreeland’s outstanding body of work.

    Featuring beautiful illustrations from award-winning artist Kathleen Edwards, a variety of ways to celebrate the Wheel of the Year, and powerful wisdom from practicing witches, this indispensable, on-the-go tool will make your days more magical.

    S. Lewis" is formatted for your eReader with a functional and detailed table of contents:Novels:The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Prince Caspian The Voyage of the Dawn Treader The Silver Chair The Horse and His Boy The Magician's Nephew The Last BattleSpace Trilogy: Out of the Silent Planet Perelandra That Hideous StrengthThe Screwtape LettersThe Pilgrim's RegressThe Great DivorceTill We Have FacesShort Stories:Screwtape Proposes a ToastMinistering AngelsReligious Studies:The Allegory of LoveThe Problem of PainA Preface to Paradise LostThe Abolition of ManMiraclesMere ChristianityReflections on the PsalmsThe Four LovesAn Experiment in CriticismA Grief ObservedLetters to Malcolm: Chiefly on PrayerPoetry: Spirits in Bondage: A Cycle of LyricsAutobiography:Surprised by Joy: The Shape of My Early LifeSpeeches:TranspositionThe Weight of GloryMembershipLearning in War-TimeThe Inner RingDe Descriptione TemporumThe Literary Impact of the Authorised VersionHamlet: The Prince or The Poem?Kipling's WorldSir Walter ScottLilies that FesterPsycho-analysis and Literary CriticismThe Inner RingIs Theology Poetry?TranspositionOn Obstinacy in BeliefThe Weight of GloryClive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, literary critic, essayist, lay theologian, broadcaster, lecturer, and Christian apologist. He is best known for his fictional work, especially The Chronicles of Narnia, The Screwtape Letters and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.