Human beings are made in the image of God, the ultimate source of creativity, yet many of us don't recognize the inherent creativity we have. I have written a book for creators called "The Crowd, the Critic, and the Muse" that addresses the soulishness of human creativity. It is a book that reminds us who we are, and aims to inspire us to be who we are made to be. The book was inspired by a conversation that started with a blog I wrote last year called "Zombies, Wine and Christian Music." I wrote that blog thinking very few people would pay any attention to it, but within a couple days of posting, it had nearly fifty-thousand hits! This surprised me, but it also showed this is a conversation people are wanting to have. A lot of the most popular creative expressions of our culture (religious or not) have become anemic and soulless. We live in a noisy, technologically-crazed, consumeristic, fame-worshiping culture that has provided a less-than-healthy ground in which to plant our creative endeavors. In the book I suggest we must address this problem by looking deeper than the art itself; into our cultural conditioning as well as our most basic beliefs, doubts, passions, instincts, and gears. Our creativity comes directly from our humanness, and if we want our creative work to be richer and more robust, we must not simply try harder; we must become different. This is a book for creators written from the perspective of an artist. Through story and reflection, I hope to inspire some fresh thought and awareness of the roots of our creative endeavors. How we order creation is directly entwined with what it means to be human. So what shall we make of the world?

     She was a gifted midwestern beauty, the daughter of Ohio State University's marching band director: to dance on Broadway. Soon after high school graduation, Catherine left Columbus for New York City, determined to be a star. Three years later, she was dead -- murdered in cold blood in her East Side apartment. The shocking revelations that emerged from the police investigation made tabloid headlines: few knew that the struggling artist paid her bills by dancing in a topless club. But there was another hidden facet to Catherine's life -- a shattering love triangle with two men, one of whom would ultimately be convicted of her brutal stabbing death. It's a chilling account of obsession, violence, and the surprising, minute evidence on which the entire case hinged. For a talented young woman reaching for the top, and the heartbroken family she left behind, it is truly the death of a dream.

    The simple truths of the gospel became so obscured by worldliness and pagan idolatry—kicking off the Dark Ages of Catholicism—that Christianity required a complete reboot. This theory is popular… but it’s also fiction. This idea of a “Great Apostasy” is one of the cornerstones of American Protestantism, along with Mormonism, the Jehovah’s Witnesses, and even Islam. Countless millions today profess a faith built on the assumption that the early Church quickly became broken beyond repair, requiring some new prophet or reformer to restore the “pure” teaching of Jesus and the apostles. In The Apostasy that Wasn’t, Rod Bennett follows up his bestseller Four Witnesses with an account of the historical events that led him out of his own belief in apostasy theory and into the Catholic Church. With the touch of a master storyteller, he narrates the drama of the early Church’s fight to preserve Christian orthodoxy intact even as powerful forces try to smash it to pieces. Amid imperial intrigue, military menace, and bitter theological debate, a hero arises in the form of a homely little monk named Athanasius, who stands against the world to prove that there could never be a Great Apostasy—because Jesus promised his Church would never be broken.

    It is also a passionate testimony to the Lord's eagerness to cleanse and heal those who turn to Him. And it is a fervent appeal to God's people to own up to the sin, brokenness and shame in our midst and to extend to each other the same persistent, healing grace that Jesus extends to us.

    This journey to Calvary dramatically introduces the reader to a deep and personal knowledge of faith.96-page paperback - 5-1/8 x 7-3/8

    These are their words. This is their revolution.

    S. Eliot, this “literary” prayer book is for every Christian who has ever felt led to pray while reading a novel or a poem. These great writers know the things of God but speak in metaphor. They tell the truth, as Emily Dickinson put it, but they “tell it slant.” In not stating out loud what they know, they have left much to our imaginations—which is a way of saying they have trusted the Holy Spirit. Let those who have ears, hear.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.

    Know the Faith is an attempt to present Orthodox Christianity in a way Western Christians can understand, grounding each point in Scripture and patristic theology, with comparisons to what Catholics and Protestants believe.Whether you are an Orthodox Christian seeking to explain your faith to others or an inquirer into this ancient faith, Know the Faith will help you understand and communicate the Orthodox faith as never before.

    Each of the 104 ghazals, 7 miscellaneous nazms, and 68 selected letters are presented in the original Urdu text, with a parallel translation in simple, lucid English, and a transliteration in Roman script for readers who are not familiar with Urdu in Persian script. A critical introduction to Ghalib's work, chronology of important events in his life, and bibliography are also provided.

    Yet few understand what the crisis really is, why it happened, or how the Church must respond to it. As no other commentator or critic has done, George Weigel situates the current crisis of sexual abuse and episcopal malfeasance in the context of recent Catholic history. With honesty and critical rigor, he reveals the Church's failure to embrace the true spiritual promise of Vatican II, a failure that has resulted in the gradual but steady surrender to liberal culture that he dubs "Catholic Lite." Drawing upon his unparalleled knowledge of how the Church works, both in America and in Rome, Weigel exposes the patterns of dissent and self-deception that became entrenched in seminaries, among priests, and ultimately among the bishops who failed their flock by thinking like managers instead of apostles. But, Weigel reminds us, in the Biblical world a "crisis" is a time of great opportunity, an invitation to deeper faith. Every great crisis of the Church's past, from the Dark Ages to the Reformation, has resulted in a period of reform that returned the Church-and its priesthood-to its roots. Weigel sets forth an agenda for genuine reform that challenges seminarians, priests, bishops, and the laity to lead more integrally Catholic lives. As he argues so persuasively, the answer to the present crisis will not be found in "Catholic Lite" but in classic Catholicism: a Catholicism that has reclaimed the wisdom of the past in order to face the corruptions of the present and create a strong future.

    In this, the first-ever book to be written about him, Daniel Farson, friend and confidant to Bacon for over forty years, gives a highly personal, first-hand account of the man as he knew him. From his sexual adventures to his rise from obscurity to international fame, Farson gives us unique insight into Bacon's genius.

    The subject of the class is The Book of Mormon. Professor Nibley has an unequaled knowledge of ancient scripture and their translations.

    His story has been told in hundreds of different ways for thousands of years. What more can be said about this man?Timothy Keller will help you and your group to unlock new insights into the life of Jesus Christ as he explores how Jesus came as a king, but a king who had to bear the greatest burden anyone ever has.  Jesus the King Study Guide helps you discover the life of Christ as told in the Gospel of Mark.Keller shows how the story of Jesus is at once cosmic, historical, and personal, calling each of us to look anew at our relationship with God. It is an unforgettable study of Jesus Christ, and one that will leave an indelible imprint on your group's journey through the Gospel of Mark.

    Throughout Two and Two, doubles abound: Noah's animals; Duhamel's parents as Jack and Jill in a near-fatal accident; an incestuous double sestina; a male/female pantoum; a dream and its interpretation; and translations of advertisements from English to Spanish. In two Möbius strip poems (shaped like the Twin Towers), Duhamel invites her readers to get out their scissors and tape and transform her poems into 3-D objects.At the book's center is "Love Which Took Its Symmetry for Granted," a gathering of journal entries, personal e-mails, and news reports into a collage of witness about September 11. A section of "Mille et un sentiments," modeled on the lists of Hervé Le Tellier, Georges Perec, and George Brainard, breaks down emotions to their most basic levels, their 1,001 tiny recognitions. The book ends with "Carbó Frescos," written in the form of an art guidebook from the 24th century.Innovative and unpretentious, Duhamel uses twice the language usually available for poetry. She culls from the literary and nonliterary, from the Bible and product warning labels, from Woody Allen films and Hong Kong action movies--to say difficult things with astonishing accuracy. Two and Two is second to none.