An analysis of Victorian women writers, this pathbreaking book of feminist literary criticism is now reissued with a substantial new introduction by Sandra Gilbert and Susan Gubar that reveals the origins of their revolutionary realization in the 1970s that "the personal was the political, the sexual was the textual."Contents:The Queen's looking glass: female creativity, male images of women, and the metaphor of literary paternity --Infection in the sentence: the women writer and the anxiety of authorship --The parables of the cave --Shut up in prose: gender and genre in Austen's Juvenilia --Jane Austen's cover story (and its secret agents) --Milton's bogey: patriarchal poetry and women readers --Horror's twin: Mary Shelley's monstrous Eve --Looking oppositely: Emily Brontë's bible of hell --A secret, inward wound: The professor's pupil --A dialogue of self and soul: plain Jane's progress --The genesis of hunger, according to Shirley --The buried life of Lucy Snowe --Made keen by loss: George Eliot's veiled vision --George Eliot as the angel of destruction --The aesthetics of renunciation --A woman, white: Emily Dickinson's yarn of pearl.

    Lovecraft's Cthulhu Mythos relate to what will happen after the Old Ones return and take over the earth. In "The Dunwich Horror," the semi-human half-breed Wilbur Whateley speaks in his diary of travelling to nonhuman cities at the Earth's magnetic poles "when the Earth is cleared off," and hints at his own promised "transfiguration." Very few Mythos stories have ever touched on this. What happens when the Stars Are Right, the sunken city of R'lyeh rises from beneath the waves, and Cthulhu is unleashed upon the world for the last time? What happens when the other Old Ones, long since banished from our universe, break through and descent from the stars? What would the reign of Cthulhu be like, on a totally transformed planet where mankind is no longer the master?It won't be simply the end of everything. It will be a time of new horrors and of utter strangeness. It will be a time when humans with a "taint" of unearthly blood in their ancestry may come into their own. It will be a time foreseen only by authors with the kind of finely honed imaginative visions as those included in Cthulhu's Reign

    Included are works by many famous authors, such as H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Manly Wade Wellman, E. Hoffmann Price, Tennessee Williams, and many more—with an emphasis on great but less-well-known stories that readers may not have encountered before. "To Become a Sorcerer," by Darrell Schweitzer (included here) was a finalist for the World Fantasy Award.Included are:BOY BLUE, by Steve Rasnic TemTAP DANCING, by John Gregory BetancourtTO BECOME A SORCERER, by Darrell SchweitzerTHE GOLGOTHA DANCERS, by Manly Wade WellmanTHE DEATH OF ILALOTHA, by Clark Ashton SmithTHE SALEM HORROR, by Henry KuttnerTHE DISINTERMENT, by H.P. Lovecraft and D.W. RimelTHE SEA-WITCH, by Nictzin DyalhisVINE TERROR, by Howard WandreiTHE PALE MAN, by Julius LongWEREWOLF OF THE SAHARA, by G.G. PendarvesTRAIN FOR FLUSHING, by Malcolm JamesonTHE DIARY OF PHILIP WESTERLY, by Paul ComptonMASK OF DEATH, by Paul ErnstTHE GIRL FROM SAMARCAND, by E. Hoffmann PriceTHE MONKEY SPOONS, by Mary Elizabeth CounselmanTHE VENGEANCE OF NITOCRIS, by Tennessee WilliamsTHE NINTH SKELETON, by Clark Ashton SmithBIMINI, by Bassett MorganTHE CURSE OF YIG, by H.P. Lovecraft and Zealia BishopTHE HAUNTER OF THE RING, by Robert E. HowardTHE MEDICI BOOTS, by Pearl Norton SwetTHE LOST DOOR, by Dorothy QuickDOOM OF THE HOUSE OF DURYEA, by Earl Peirce, Jr.IN THE DARK, by Ronal KayserAnd don't forget to check out the other volumes in this series, covering science fiction, fantasy, horror, mystery, westerns, single author collections -- and much, much more! Search this ebookstore for "Wildside Megapack" to see the complete list.

    Lovecraft has inspired writers of supernatural fiction, artists, musicians, filmmakers, and gamers. His themes of cosmic indifference, the utter insignificance of humankind, minds invaded by the alien, and the horrors of history—written with a pervasive atmosphere of unexplainable dread—remain not only viable motifs, but are more relevant than ever as we explore the mysteries of a universe in which our planet is infinitesimal and climatic change is overwhelming it. In the early twenty-first century the best supernatural writers no longer imitate Lovecraft, but they are profoundly influenced by the genre and the mythos he created. New Cthulhu: The Recent Weird presents some of the best of this new Lovecraftian fiction—bizarre, subtle, atmospheric, metaphysical, psychological, filled with strange creatures and stranger characters—eldritch, unsettling, evocative, and darkly appealing.

    In a recent profile, The New York Times Magazine paid tribute to her amazing ability to combine the classical and the modern, the mundane and the surreal, in a body of work that is sure to endure.In Men in the Off Hours, Carson offers further proof of her tantalizing gifts. Reinventing figures as diverse as Oedipus, Emily Dickinson, and Audubon, Carson sets up startling juxtapositions: Lazarus among video paraphernalia, Virginia Woolf and Thucydides discussing war, Edward Hopper paintings illuminated by St. Augustine. And in a final prose poem, she meditates movingly on the recent death of her mother. With its quiet, acute spirituality and its fearless wit and sensuality, Men in the Off Hours shows us a fiercely individual poet at her best.

    P. Lovecraft’s shocking, terrifying, and eerily prescient Cthulhu Mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you’ll find:DETAILS by China Miéville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details.VISITATION by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted—and what he may eternally despise. MEET ME ON THE OTHER SIDE by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams—and into their nightmares.A FATAL EXCEPTION HAS OCCURRED AT . . . by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil.AND SEVENTEEN MORE HARROWING TALESFrom the Trade Paperback edition.vii • Introduction: The Call of Lovecraft • essay by Benjamin Adams and John Pelan1 • Details • short story by China Miéville21 • Visitation • short story by James Robert Smith33 • The Invisible Empire • novelette by James Van Pelt57 • A Victorian Pot Dresser • novelette by L. H. Maynard and M. P. N. Sims85 • The Cabin in the Woods • novelette by Richard Laymon109 • The Stuff of the Stars, Leaking • short story by Tim Lebbon125 • Sour Places • short story by Mark Chadbourn141 • Meet Me on the Other Side • short story by Yvonne Navarro161 • That's the Story of My Life • short story by Benjamin Adams and John Pelan181 • Long Meg and Her Daughters • novella by Paul Finch243 • A Fatal Exception Has Occurred At ... • short story by Alan Dean Foster261 • Dark of the Moon • short story by James S. Dorr275 • Red Clay • short story by Michael Reaves [as by J. Michael Reaves]291 • Principles and Parameters • novelette by Meredith L. Patterson325 • Are You Loathsome Tonight? • (1998) • short story by Poppy Z. Brite331 • The Serenade of Starlight • short story by W. H. Pugmire (variant of Serenade of Starlight) [as by W. H. Pugmire, Esq.]345 • Outside • short story by Steve Rasnic Tem355 • Nor the Demons Down Under the Sea • [Dandridge Cycle] • short story by Caitlín R. Kiernan371 • A Spectacle of a Man • short story by Weston Ochse389 • The Firebrand Symphony • (2001) • novelette by Brian Hodge437 • Teeth • novelette by Matt Cardin463 • Notes on the Contributors (Children of Cthulhu: Chilling New Tales Inspired by H.P. Lovecraft) • essay by Benjamin Adams and John Pelan

    H. Lawrence. He wanted, in fact, to write his "Lawrence book." The problem was, he had no idea what his "Lawrence book" would be, though he was determined to write a "sober academic study." Luckily for the reader, he failed miserably.Out of Sheer Rage is a harrowing, comic, and grand act of literary deferral. At times a furious repudiation of the act of writing itself, this is not so much a book about Lawrence as a book about writing a book about Lawrence. As Lawrence wrote about his own study of Thomas Hardy, "It will be about anything but Thomas Hardy, I am afraid-queer stuff-but not bad."

    The Mind of the Maker will be relished by those already in love with Dorothy L. Sayers and those who have not yet met her. A mystery writer, a witty and perceptive theologian, culture critic, and playwright, Dorothy Sayers sheds new, unexpected light on a specific set of statements made in the Christian creeds. She examines anew such ideas as the image of God, the Trinity, free will, and evil, and in these pages a wholly revitalized understanding of them emerges. The author finds the key in the parallels between the creation of God and the human creative process. She continually refers to each in a way that illuminates both.

    Best known in this country for her theological writing, Weil wrote on a great variety of subjects ranging from classical philosophy and poetry, to modern labor, to the language of political discourse. The present anthology offers a generous collection of her work, including essays never before translated into English and many that have long been out of print. It amply confirms Elizabeth Hardwick's words that Simone Weil was "one of the most brilliant and original minds of twentieth-century France" and "a woman of transcendent intellectual gifts and the widest learning." A longtime Weil scholar, Sian Miles has selected essays representative of the wide sweep of Weil's work and provides a superb introduction that places Weil's work in context of her life and times.

    1408 starred John Cusack and Samuel L. Jackson and was a huge box office success in 2007. The short story "Children of the Corn" was adapted into the popular Children of the Corn. The Mangler was inspired by King's loathing for laundry machines from his own experience working in a laundromat. Hearts in Atlantis (based on "Low Men in Yellow Coats," the first part of the novel Hearts in Atlantis) starred Anthony Hopkins. This collection features new commentary and introductions to all of these stories in a treasure-trove of movie trivia.

    Religio Medici is a fascinating, witty and intimate exploration of his views on faith and tolerance, while substantial selections from Pseudodoxia Epidemica display Browne's breadth of knowledge and omnivorous curiosity in his account of common errors in a startling array of subjects including sciences, history, literature and philosophy. Hydriotaphia or 'Urn Buriall' is an intriguing meditation on death and the desire for immortality, The Garden of Cyrus considers the mysterious order to be found in nature, and A Letter to a Friend and the aphoristic Christian Morals provide profound spiritual guidance to readers.

    Under Nina Baym's direction, the editors have considered afresh each selection and all the apparatus to make the anthology an even better teaching tool.

    Steel your nerves, reach into your weapons locker, and tie tight your running shoes as humanity takes up arms against the monsters and gods of H. P. Lovecraft’s Cthulhu Mythos. Grab your pistols, your knives, your gearpunk grenades. Confront deep ones, mi-go, and flying polyps. Fight in the past, present and future, from the birth of the shotgun to the end of the world. Escape by car, carriage, and hot air balloon. Above all, remember to count your bullets...you may need the last one for yourself.

    Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history. "[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit."—Eric Korn, Times Literary Supplement"This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death."—Wendy Doniger, The Nation"A vigorous, witty look at the undead as cultural icons."—Kirkus Review"In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. 'What vampires are in any given generation,' she writes, 'is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.'...Her book really takes off."—Maureen Duffy, New York Times Book Review

    Carcosa was subsequently borrowed by Robert W. Chambers as the setting of his fictional play, The King in Yellow, and features heavily in many of the stories in the book of the same name. These concepts were further expanded upon by H. P. Lovecraft in his Cthulhu Mythos stories.