Here are all the tools pastors and teachers need to mine the Greek text and other language resources for the enhancement of personal study and sermon content.

    Provides an introduction to the Old Testament prophetic books, considering their historical and social setting while surveying theological themes.

    All religions ask, in one way or another, where suffering comes from, why it exists, and what it means. They ask where we can find the strength to endure. They ask for deliverance from it. This is no less true today. The twentieth century saw brutal totalitarian regimes; two world wars; as well as the genocide, concentration camps, and gulags all resulting in the death of tens of millions of people. In the twenty-first century we have the threat of ruthless terrorism, outrageous injustice, abused and starving children, millions of people in flight, increasing persecution of Christians, and devastating natural catastrophes. With this in mind, it is difficult for many people to speak of an all-powerful and simultaneously just and merciful God. Why does God permit all of this? In Mercy, the important new book praised by Pope Francis, Cardinal Walter Kasper examines God's mercy while holding these devastating facts and questions in hand. He looks at empathy and compassion as a starting point for theological reflection on the topic. He continues by reflecting upon the following: What does it mean to believe in a merciful God? How are divine mercy and divine justice related? How can we speak of a sympathetic--that is, a compassionate--God? Can undeserved woe and divine mercy be brought into harmony with one another? He likewise seeks to address the ethical questions that similarly arise: How can we measure up to the standard of divine mercy in our own actions? What does the message of mercy mean for the practice of the church and how can we cause the central message of God's mercy to shine in the life of Christians and the church? What does this message mean for a new culture of mercy in our society? These considerations of mercy lead to the fundamental questions of theology. In this work, Kasper combines theological reflection with spiritual, pastoral, and social considerations on this essential topic at a crucial time. +

    Whether or not psychedelic drugs played a role (and as many musicians say they've used them as not), psychedelic rock has consistently charted brave new worlds that exist only in the space between the headphones. The history books tell us the music's high point was the Haight-Ashbury scene of 1967, but the genre didn't start in San Francisco, and its evolution didn't end with the Summer of Love. A line can be drawn from the hypnotic drones of the Velvet Underground to the disorienting swirl of My Bloody Valentine; from the artful experiments of the Beatles' Revolver to the flowing, otherworldly samples of rappers P.M. Dawn; from the dementia of the 13th Floor Elevators to the grungy lunacy of the Flaming Lips; and from the sounds and sights at Ken Kesey's '60s Acid Tests to those at present-day raves. Turn On Your Mind is an attempt to connect the dots from the very first groups who turned on, tuned in, and dropped out, to such new-millennial practitioners as Wilco, the Elephant 6 bands, Moby, the Super Furry Animals, and the so-called "stoner-rock" and "ork-pop" scenes.

    Too often our models of leadership are shaped more by culture than by Christ. John Stott rejects popular models of leadership and holds up instead the servant leadership exemplified by Paul in his ministry to the church in Corinth. Stott reassures us that God is at work even in the midst of human weakness.

    Its dazzling virtuosity and spectacular live concerts made it hugely popular with fans during the 1970s, who saw bands such as King Crimson, Emerson, Lake and Palmer, Yes, Genesis, Pink Floyd, and Jethro Tull bring a new level of depth and sophistication to rock. On the other hand, critics branded the elaborate concerts of these bands as self- indulgent and materialistic. They viewed progressive rock's classical/rock fusion attempts as elitist, a betrayal of rock's populist origins. In Rocking the Classics, the first comprehensive study of progressive rock history, Edward Macan draws together cultural theory, musicology, and music criticism, illuminating how progressive rock served as a vital expression of the counterculture of the late 1960s and 1970s. Beginning with a description of the cultural conditions which gave birth to the progressive rock style, he examines how the hippies' fondness for hallucinogens, their contempt for Establishment-approved pop music, and their fascination with the music, art, and literature of high culture contributed to this exciting new genre. Covering a decade of music, Macan traces progressive rock's development from the mid- to late-sixties, when psychedelic bands such as the Moody Blues, Procol Harum, the Nice, and Pink Floyd laid the foundation of the progressive rock style, and proceeds to the emergence of the mature progressive rock style marked by the 1969 release of King Crimson's album In the Court of the Crimson King. This golden age reached its artistic and commercial zenith between 1970 and 1975 in the music of bands such as Jethro Tull, Yes, Genesis, ELP, Gentle Giant, Van der Graaf Generator, and Curved Air. In turn, Macan explores the conventions that govern progressive rock, including the visual dimensions of album cover art and concerts, lyrics and conceptual themes, and the importance of combining music, visual motif, and verbal expression to convey a coherent artistic vision. He examines the cultural history of progressive rock, considering its roots in a bohemian English subculture and its meteoric rise in popularity among a legion of fans in North America and continental Europe. Finally, he addresses issues of critical reception, arguing that the critics' largely negative reaction to progressive rock says far more about their own ambivalence to the legacy of the counterculture than it does about the music itself. An exciting tour through an era of extravagant, mind-bending, and culturally explosive music, Rocking the Classics sheds new light on the largely misunderstood genre of progressive rock.

    This book is Celtic Frost's official history written by the front-man, Thomas Gabriel Fischer, who describes his story as full of facts and anecdotes, some unflattering, many trashy, some embarassing, many senselessly funny but all putting right the band's reported notoriety.

    The band had just released Terrapin Station and had not toured for twenty months. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.Many Deadheads claim that the quality of the live recording of the show made by Betty Cantor-Jackson (a member of the crew) elevated its importance. Once those recordings ― referred to as "Betty Boards" ― began to circulate among Deadheads, the reputation of the Cornell '77 show grew exponentially. That aura grew with time and, in the community of Deadheads and audiophiles, the show at Barton Hall acquired legendary status.Rooted in dozens of interviews ― including a conversation with Betty Cantor-Jackson about her recording ― and accompanied by a dazzling selection of never-before-seen concert photographs, Cornell ’77 is about far more than just a single Grateful Dead concert. It is a social and cultural history of one of America’s most enduring and iconic musical acts, their devoted fans, and a group of Cornell students whose passion for music drove them to bring the Dead to Barton Hall. Peter Conners has intimate knowledge of the fan culture surrounding the Dead, and his expertise brings the show to life. He leads readers through a song-by-song analysis of the performance, from “New Minglewood Blues” to “One More Saturday Night,” and conveys why, forty years later, Cornell ’77 is still considered a touchstone in the history of the band.

    The book contains the crazy, funny and sometimes horrifying anecdotes musicians have told about a lifestyle both invigorating and at times self-destructive. The metal genre has always been populated by colorful individuals who have thwarted convention and lived by their own rules. For many, vice has been virtue, and the opportunity to record albums and tour has been an invitation to push boundaries and open a Pandora ’s Box of wild experiences. Even before they joined bands, the urge for metalheads to rebel and a seemingly contradictory need to belong was ingrained in their DNA. Whether they were oddballs who didn’t fit in or angry kids from troubled backgrounds, metal gave them a sense of identity and became more than a form of music. From the author of the classic collection of Metal music-making tales Louder Than Hell comes a collection that goes behind the music with the lead singers, guitarists, bassists, drummers, stage hands, roadies, groupies, fans, and more. These are the stories of the parties, the tours, the rage, the joy, . . . the Heavy Metal life!

    It purposely makes the two biggest developments in end-user music in the last 30 years irrelevant. Zaireeka is not mobile. It is not personal. It is not solitary, cannot be easily controlled, and can't easily be consumed in small doses. So another way to think of Zaireeka is as a one-off piece of technology that comes in a highly inconvenient dead-end format, which is a rather extraordinary kind of thing for a rock band to make. The Flaming Lips' 1997 album Zaireeka is one of the most peculiar albums ever recorded, consisting of four CDs meant to be played simultaneously on four CD players. Approaching this powerful and complex art-rock masterpiece from multiple angles, Mark Richardson's prismatic study of Zaireeka mirrors the structure the work itself. Thoughts on communal listening and the "death of the album" are interspersed with the story of the Zaireeka's creation (with assistance from Wayne Coyne) and an in-depth analysis of the music, leading to a complete picture of a record that proved to be a watershed for both the band and adventurous music fans alike.

    This companion training manual to Real-Life Discipleship provides unique guidance and insight to pastors, church leaders, and their disciples as they work to create an effective discipleship program.With a thorough, results-oriented process that can be applied in other contexts and cultures, this manual explains the necessary components of disciplemaking so that every church member can play a part in reaching others for Christ.This leader's resource shows you how to cultivate new leaders for the future and equip them to make disciples.

    It not only provides an orientation to the world of the Old Testament but also builds a bridge between the original audience and modern readers, demonstrating why the ancient message is important for faith and life today.Old Testament Today goes beyond basic content to help students understand what the Scriptures mean and how to apply them personally. Similar to the acclaimed NIV Application Commentary, this text takes the reader section by section through the Old Testament using a progressive, three-step format:• Original Meaning presents the details of the content, focusing on the story line, historical background, and literary information that address the original setting and audience.• Bridging Contexts focuses on theological perspectives and on issues of the author’s purpose and the universal message of the text, building a bridge between the original audience and today’s audience.• Contemporary Significance develops an understanding of the relevance of the Old Testament writings to today’s Christian, showing how they can be applied in personal faith and practice.The image-rich full-color design gives Old Testament Today a strong visual appeal. A wide array of charts, sidebars, illustrations, photos, and supplemental materials complement the body of the text, helping students to easily comprehend the literature, theology, and history of the Old Testament.

    Believers need resources that defend the veracity of their faith. They are searching for clear, concise, and credible answers to both doubts of their own and objections from their unbelieving friends.Nathan Busenitz provides such resources to believers. Reasons We Believe confirms and strengthens the faith of believers by demonstrating the reliability of the twofold authority on which Christianity rests: the Word of God and the person of Jesus Christ. Reasons builds a biblical foundation for the authority of the Bible and then shows how extra-biblical evidence corresponds with and thereby attests to what the Bible claims.This study seeks to reinforce the faith of Christians while also providing them with a straightforward evangelistic tool for reaching non-Christians.

    The familiar gravity of familiar places. But the trajectory of our faith should be one that’s continually cycling outward, fueled by a mission and message that God first brought within reach of us . . . so that we can now join with Him in taking it within reach of others.   Authors Daniel L. Akin and Bruce Riley Ashford are calling today’s church members to lives of going—whether going around the world or to people right where they live—going out with the gospel of Jesus Christ. Between the two of them, Akin and Ashford have trained thousands of men and women in both the mandates and methods for going to every nation. Now they have created a resource for individuals and churches to use together in calling even more to go. Readers will:Learn the mission of GodUnderstand the centrality of the church to going on mission with GodBe challenged to go to the nations with the gospel of Jesus ChristBe challenged to go to their own neighborhoods with the gospel of Jesus ChristLearn to use their jobs as vehicles for the gospelBe challenged to commit to go anywhere on mission with God

    This new Preaching the Word commentary delivers careful exposition of Ecclesiastes as it unpacks the book's broad application and godly worldview.