Sofia Barducci is born into a world where a woman is only as good as the man who cares for her, but she still claims the right to make her own mistakes. Her first mistake is convincing her father to let her marry Giorgio Carelli, a wealthy saffron merchant in San Gimignano, the Tuscan city of towers. Trained in secret by her father to create the beautifully-crafted panels and altarpieces acclaimed today as masterpieces of late medieval art, Sofia's desire for freedom from her father's workshop leads her to betray her passion and sink into a life of loveless drudgery with a husband who comes to despise her when she does not produce a son. In an attack motivated by vendetta, Sofia's father is crushed by his own fresco, compelling Sofia to act or risk the death of her soul. The choice she makes takes her on a journey from misery to the heights of passion-both as a painter and as a woman. Sofia escapes to Siena where, disguised as a boy, she paints again. When her work attracts the notice of a nobleman who discovers the woman under the dirty smock, Sofia is faced with a choice that nearly destroys her. The Towers of Tuscany unites a strong heroine with meticulously researched settings and compelling characters drawn from the rich tapestry of medieval Italy during one of Europe's most turbulent centuries. The stylishly written plot is packed with enough twists and turns to keep readers up long past their bedtimes.

    Starting on the streets of New York with simple fly-posters, she has gone on to disseminate her truisms, slogans, memorials and poems through a variety of media. They are enunciated by an unstable register of personae, be it ad-man, stand-up comedian, torturer, victim or evangelist. The sites for her work range from T-shirts and golf balls to dazzling electronic signboards at baseball stadiums.Her work uses language to investigate the nature of ideologies as conscious and unconscious formations about identity and experience. Her complex and poetic texts can be shocking, humorous and intriguing in content. At the same time she draws on Minimalism's use of industrial materials and deploys scale, movement and light to create art of great formal power and beauty.In the Survey, art critic and academic David Joselit surveys Holzer's changing oeuvre, from the first appearance of the streetwise Truisms in the late 1970 to her large-scale installations in museums worldwide. Joan Simon, curator of Holzer's first solo US museum exhibition, discusses with the artist her use of language and its relationship to visual form. In the Focus, Slovenian cultural theorist and philosopher Renata Salecl takes an in-depth look at Holzer's Lustmord series, which was precipitated by the events in the former Yugoslavia and boldly addresses the atrocities committed in war. For the Artist's Choice, the artist's fragmented, unexpected language is mirrored in Samuel Beckett's Ill Seen Ill Said, which the artist has chosen alongside extracts from Crowds and Power by Elias Canetti. A text by the artist on her literary influences accompanies a selection of her signature texts in the Artist's Writings section.

    Alex Danchev, with brisk intellect, rich documentation, and eighty color illustrations, tells the story of an artist who, during his lifetime, was considered a madman, a barbarian, and a revolutionary. Beginning with the restless teenager from Aix, Danchev carries us through the trials of a painter who believed that art must be an expression of temperament but who was tormented by self-doubt; whose work sold to no one outside his immediate circle until late into his thirties; who fiercely maintained the revolutionary belief that "to paint from nature is not to copy an object; it is to represent its sensations." And Danchev shows us how the implications of this belief became the obsession of many other artists and writers, from Matisse to Samuel Beckett. The book delivers not only the fascinating life of this visionary artist and remarkable man but a complete assessment of his ongoing influence in the artistic imagination of our own time.

    Her mum is desperate to find out what's wrong with her daughter, but does she really want to know? Oakley's best friend, Cole has stuck by her. Their friendship is easy but as they start to become closer she is faced with a new set of issues to deal with.Broken Silence - Four years after Oakley, her mum, and brother fled to Australia, the trial is ready to begin. Oakley makes the decision to return to England and face the people who hurt her in person. Her love for Cole never faded, but how will he react to seeing her again? Will they be able to put everything behind them in order to get their happy ending?Players, Bumps and Cocktail Sausages - Putting his player ways behind him, Jasper Dane is now strictly a one-woman man. Jasper, desperate to start a family with his wife, Abby, is devastated when she puts their baby plans on hold. Holly has just arrived back in town for the summer, and after landing a job with Jasper, the two form an unlikely friendship. Abby’s immediate dislike of Holly and Jasper spending time together causes him to question his wife’s fidelity. Broken hearted at Abby’s sudden change of heart and suspicious of her reasons, Jasper takes action, sparking a chain of events that make his once well planned out life spiral out of control. To get what he wants, he first has to lose everything.

    Attorney’s Office in the Southern District of New York was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, renowned experts, and the major auction houses, the investigation inexplicably ended, despite an abundance of evidence collected. The case was closed and the FBI file was marked “exempt from public disclosure.”Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken Perenyi’s confession. It is the story, in detail, of how he pulled it all off.Glamorous stories of art-world scandal have always captured the public imagination. However, not since Clifford Irving’s 1969 bestselling fake has there been a story at all like this one. Caveat Emptor is unique in that it is the first and only book by and about America’s first and only great art forger. And unlike other forgers, Perenyi produced no paper trail, no fake provenance whatsoever; he let the paintings speak for themselves. And that they did, routinely mesmerizing the experts in mere seconds.In the tradition of Frank Abagnale’s Catch Me If You Can, and certain to be a bombshell for the major international auction houses and galleries, here is the story of America’s greatest art forger.

    Tiffany, comes a richly imagined story of a woman’s awakening in the south of Vichy France—to the power of art, to the beauty of provincial life, and to love in the midst of war. In 1937, young Lisette Roux and her husband, André, move from Paris to a village in Provence to care for André’s grandfather Pascal. Lisette regrets having to give up her dream of becoming a gallery apprentice and longs for the comforts and sophistication of Paris. But as she soon discovers, the hilltop town is rich with unexpected pleasures. Pascal once worked in the nearby ochre mines and later became a pigment salesman and frame maker; while selling his pigments in Paris, he befriended Pissarro and Cézanne, some of whose paintings he received in trade for his frames. Pascal begins to tutor Lisette in both art and life, allowing her to see his small collection of paintings and the Provençal landscape itself in a new light. Inspired by Pascal’s advice to “Do the important things first,” Lisette begins a list of vows to herself (#4. Learn what makes a painting great). When war breaks out, André goes off to the front, but not before hiding Pascal’s paintings to keep them from the Nazis’ reach. With German forces spreading across Europe, the sudden fall of Paris, and the rise of Vichy France, Lisette sets out to locate the paintings (#11. Find the paintings in my lifetime). Her search takes her through the stunning French countryside, where she befriends Marc and Bella Chagall, who are in hiding before their flight to America, and acquaints her with the land, her neighbors, and even herself in ways she never dreamed possible. Through joy and tragedy, occupation and liberation, small acts of kindness and great acts of courage, Lisette learns to forgive the past, to live robustly, and to love again.

    Drawing on a rich range of sources, from inventories and guild regulations topoetry and chronicles, it examines everything from panel paintings to carved altarpieces.While many little-known works are foregrounded, Susie Nash also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, by considering the social and economic context of their creation and reception.Throughout, Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that Northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period.

    Bromberg’s Everyday Heroes Worlds project.Trust. Verb. To rely upon someone or something.Six weeks ago, Crew Dawson lost the partner who he knew without a doubt would always have his back. Losing K9 Ammo was the hardest day of his police career, and finding a new K9 partner isn’t working out too well for him. He’s ready to give up his role in the K9 unit when Sunnyville Police Department teams up with a high-risk dog shelter. Instead of finding a K9 that the department is looking for, though, he chooses rescues that unlikeliest of dogs.Trust. Verb. To have confidence; hope.The last fifteen years haven’t been too kind to Shawn Ypma. A teenaged mother, she fought hard to land on her own two feet. While she had the support of her parents, she stopped believing in love and happily ever after. Why should she trust a man when they’ve all failed her time and again? Her first and only priority right now is getting her daughter Austin through school, and hope Austin doesn’t make the same mistakes she did.When Career Day comes to Sunnyville Middle School, Shawn doesn’t know how to take the smiles and kind words from the new School Resource Officer. Little does she know, he and that massive dog of his are about to teach her a lesson in trust...

    Four months since his path crossed with Delilah Bard. Four months since Rhy was wounded and the Dane twins fell, and the stone was cast with Holland’s dying body through the rift, and into Black London.In many ways, things have almost returned to normal, though Rhy is more sober, and Kell is now plagued by his guilt. Restless, and having given up smuggling, Kell is visited by dreams of ominous magical events, waking only to think of Lila, who disappeared from the docks like she always meant to do. As Red London finalizes preparations for the Element Games—an extravagant international competition of magic, meant to entertain and keep healthy the ties between neighboring countries—a certain pirate ship draws closer, carrying old friends back into port.But while Red London is caught up in the pageantry and thrills of the Games, another London is coming back to life, and those who were thought to be forever gone have returned. After all, a shadow that was gone in the night reappears in the morning, and so it seems Black London has risen again—meaning that another London must fall.

    

    The Art of Urban Sketching is both a comprehensive guide and a showcase of location drawings by artists around the world who draw the cities where they live and travel.

    Born in the heart of Europe in the midst of World War I, Dada displayed a raucous skepticism about accepted values. Its embrace of new materials, of collage and assemblage techniques, of the designation of manufactured objects as art objects as well as its interest in performance, sound poetry and manifestos fundamentally shaped the terms of modern art practice and created an abiding legacy for postwar art. Yet, while the word Dada has common currency, few know much about Dada art itself. In contrast to other key avant-garde movements, there has never been a major American exhibition that explores Dada specifically in broad view. Dada--the catalogue to the exhibition on view in 2006 at the National Gallery of Art in Washington and The Museum of Modern Art in New York presents the hybrid forms of Dada art through an examination of city centers where Dada emerged: Zurich, Berlin, Cologne, Hanover, New York and Paris. Covered here are works by some 40 artists made in the period from circa 1916, when the Cabaret Voltaire was founded in Zurich, to 1926, by which time most of the Dada groups had dispersed or significantly transformed. The city sections bring together painting, sculpture, photography, collage, photomontage, prints and graphic work.Relying on dynamic design and vivid documentary images, Dada takes us through these six cities via topical essays and extensive plate sections; an illustrated chronology of the movement; witty chronicles of events in each city center; a selected bibliography; and biographies of each artist--accompanied by Dada-era photographs.

    The intimate knowledge of Christian theology, Greek and Roman mythology, and folklore that was so vivid in the minds of viewers during the Renaissance is rarely part of the preparation the contemporary viewer brings to a painting. This insightful, anecdotal, portable book, with 1,000 gorgeous color illustrations, helps to fill in those gaps by decoding th imagery of more than 150 of the most influential and admired artworks of all time. Covering the works of the Italian, Netherlandish, German, and Spanish Old Masters, from 1450 to 1750, paintings by artists such as Giotto, Botticelli, El Greco, Bruegel, Holbein, Rubens, and Vermeer, all held in public collections, How to Read a Painting" not only helps the viewer to understand the significant details of a picture but also explains the relationship with similar imagery in other works. The guide to Old Master paintings that every art lover has always wanted, this indispensable museum companion will open the reader to a whole new experience of Western art's most praised and visited paintings.

    It was published by Chimera Publishing in 2003. The book is 157 pages of art, with a commentary by Amy Brown for every piece of artwork. The Art of Amy Brown has an introduction by the well-known author Charles deLint. There are three editions of this book a paperback, a hardcover, and a special leather-bound edition limited to 750 copies, which will be signed by Amy Brown and Charles de Lint.

    Considering the urban landscape not from the abstract perspective of an urban planner but from the viewpoint of an attentive observer, Urban Code offers 100 "lessons"--maxims, observations, and bite-size truths, followed by short essays--that teach us how to read the city. This is a user's guide to the city, a primer of urban literacy, at the pedestrian level. The reader (like the observant city stroller) can move from "People walk in the sunshine" (lesson 1) to "Street vendors are positioned according to the path of the sun" (lesson 2); consider possible connections between the fact that "Locals and tourists use the streets at different times" (lesson 41) and "Tourists stand still when they're looking at something" (lesson 68); and weigh the apparent contradiction of lesson 73, "Nightlife hotspots increase pedestrian traffic" and lesson 74, "People are afraid of the dark."A lesson may seem self-evident ("Grocery stores are important local destinations"--of course they are!) but considered in the context of other lessons, it becomes part of a natural logic. With Urban Code, we learn what to notice if we want to understand the city. We learn to detect patterns in the relationships between people and the urban environment. Each lesson is accompanied by an icon-like image; in addition to these 100 drawings, thirty photographs of street scenes illustrate the text. The photographs are stills from films shot in the Manhattan neighborhood of SoHo; the lessons are inspired by the authors' observations of SoHo, but hold true for any cityscape.