She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother. Newbery Honor–winning author Jacqueline Woodson and Coretta Scott King Award–winning illustrator James Ransome use the rope to frame a thoughtful and moving story as readers follow the little girl’s journey. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. With grace and poignancy, Woodson’s lilting storytelling and Ransome’s masterful oil paintings of country and city life tell a rich story of a family adapting to change as they hold on to the past and embrace the future.

    In 1608, English traders came to Massachusetts and captured a 12-year old Indian, Squanto, and sold him into slavery. He was raised by Christians and taught faith in God. Ten years later he was sent home to America. Upon arrival, he learned an epidemic had wiped out his entire village. But God had plans for Squanto. God delivered a Thanksgiving miracle: an English-speaking Indian living in the exact place where the Pilgrims land in a strange new world.

    Simple text captures the excitement of the era, telling how word of Independence traveled up and down the thirteen colonies, touching the lives of everyday people throughout the land. Like all of Alice Dalgliesh’s work, The Fourth of July Story remains an American classic.

    Instead he watches from his balcony. He feels something is coming?something he can?t describe. When he sees the monster wave pulling away from the beach, he knows. Tsunami! But the villagers below can?t see the danger. Will Ojiisan risk everything he has to save them? Can he? Illustrated in stunning collage by Caldecott winner Ed Young, here is the unforgettable story of how one man?s simple sacrifi ce saved hundreds of lives. An extraordinary celebration of both the power of nature and the power each of us holds within.

      Young Stella loves books so much, her books begin to take over the farmhouse. “Why, Stell, you need your own library to hold those books,” her pa tells her, so he and the neighbors build her one! She calls it “the Mermaid’s Purse,” since the midwife said Stella was born in one. Stella opens the Purse to her neighbors and travels around the countryside, sharing her books door-to-door. Not everyone gives them a chance at first, like grouchy Pig Ears Lonsberry. But farmer Dunkle sure changes his mind when information in a book saves his sick sheep. Eventually, everybody comes to love the Mermaid’s Purse—so when a tornado destroys it, scattering Stella’s precious books far and wide, the whole community rallies to help.

    And he determined that one day his camera would capture for others the wonder of the tiny crystal. Bentley's enthusiasm for photographing snowflakes was often misunderstood in his time, but his patience and determination revealed two important truths: no two snowflakes are alike; and each one is startlingly beautiful. His story is gracefully told and brought to life in lovely woodcuts, giving children insight into a soul who had not only a scientist's vision and perseverance but a clear passion for the wonders of nature. Snowflake Bentley won the 1999 Caldecott Medal.

    She often makes them up to help her little brother fall asleep. But in her small village there are only a few books and she has read them all. One morning, Ana wakes up to the clip-clop of hooves, and there before her, is the most wonderful sight: a traveling library resting on the backs of two burros—all the books a little girl could dream of, with enough stories to encourage her to create one of her own.Inspired by the heroic efforts of real-life librarian Luis Soriano, award-winning picture book creators Monica Brown and John Parra introduce readers to the mobile library that journeys over mountains and through valleys to bring literacy and culture to rural Colombia, and to the children who wait for the BiblioBurro.A portion of the proceeds from sales of this book was donated to Luis Soriano's BiblioBurro program.

    Here is the incredible story of Elizabeth, a real-life elephant seal who made her home in the Avon River in the city of Christchurch, New Zealand. When Elizabeth decides to stretch out across a two-lane road, the citizens worry she might get hurt or cause traffic accidents, so a group of volunteers tows her out to sea. But Elizabeth swims all the way back to Christchurch. The volunteers catch her again and again—each time towing her farther, even hundreds of miles away—but, still, Elizabeth finds her way back home. Includes back matter with information about elephant seals.From the Hardcover edition.

    But when Charlotte May Pierstorff wanted to cross seventy-five miles of Idaho mountains to see her grandma in 1914, it was a very big deal indeed. There was no highway except the railroad, and a train ticket would have cost her parents a full day's pay.Here is the true story of how May got to visit her grandma, thanks to her own spunk, her father's ingenuity, and the U.S. mail. "A heartwarming period piece based on a true incident, lovingly told, beautifully illustrated," raved The New York Times Book Review of Michael O. Tunnell's Mailing May, illustrated by Ted Rand, which was also honored as a 1998 ALA Notable Book.

    Is that the mast of a shipwreck? A faded pirate hat? And what's that hiding in the sand? A mandible and a clavicle, phalanges and femurs, a tibia and a fibula -- could there be a set of bones scattered across the ocean floor? And who might they belong to? A jaunty rhyme takes readers on an underwater scavenger hunt as a comical skeleton tries to put itself back together piece by piece. Make no bones about it: this rollicking read-aloud will have young ones learning anatomy without even realizing it.

    This picture book biography examines the life and career of naturalist and artist Anna Comstock (1854-1930), who defied social conventions and pursued the study of science. From the time she was a young girl, Anna Comstock was fascinated by the natural world. She loved exploring outdoors, examining wildlife and learning nature's secrets. From watching the teamwork of marching ants to following the constellations in the sky, Anna observed it all. And her interest only increased as she grew older and went to college at Cornell University. There she continued her studies, pushing back against those social conventions that implied science was a man's pursuit. Eventually Anna became known as a nature expert, pioneering a movement to encourage schools to conduct science and nature classes for children outdoors, thereby increasing students' interest in nature. In following her passion, this remarkable woman blazed a trail for female scientists today.

    The people needed a green place to be -- a park with ponds to row on and paths for wandering through trees and over bridges. When a citywide contest solicited plans for creating a park out of barren swampland, Calvert Vaux and Frederick Law Olmsted put their heads together to create the winning design, and the hard work of making their plans a reality began. By winter, the lake opened for skating. By the next summer, the waterside woodland known as the Ramble opened for all to enjoy. Meanwhile, sculptors, stone masons, and master gardeners joined in to construct thirty-four unique bridges, along with fountains, pagodas, and band shells, making New York's Central Park a green gift to everyone. Included in the end matter are bios of Vaux and Olmsted, a bibliography, and engaging factual snippets.

    This fictionalized version of a true story emphasizes the importance of artistic vision and personal resilience. Editorial Reviews In fifteenth century Florence, a contest is announced for the best design of a dome for the Cathedral of Santa Maria del Fiore. Filippo Brunelleschi, a goldsmith called Pippo the Fool for his practice of designing peculiar machines and structures, vows to win. No one has been able to figure out how to build a dome of the necessary size. Pippo studies the problem and prepares sketches. The contest judges eliminate him. But he builds a model, and the judges are impressed. However, to his anger, they insist that he work with the sneering, arrogant Lorenzo Ghilberti. Overcoming his pride, Pippo begins. It takes sixteen years to finish—without Ghilberti—but the result is the marvel we can see today. Estrada takes pains to depict Florence with historic thoughtfulness. At the same time, his characters are effectively humorous. Lorenzo is depicted with foolish bravado, while Pippo has youthful arrogance. The detailed watercolor-and-gouache scenes with crowds of citizens are informative as well as attractive; the images of the building in process and finished at last are truly impressive. Notes by both author and illustrator add factual information. Includes a list of resources for those who want to learn more. Reviewer: Ken Marantz and Sylvia Marantz

    He named the bear Winnie, after his hometown of Winnipeg, and he took the bear to war. Harry Colebourn's real-life great-granddaughter Lindsay Mattick recounts their incredible journey, from a northern Canadian town to a convoy across the ocean to an army base in England . . . and finally to the London Zoo, where Winnie made a new friend: a boy named Christopher Robin. Gentle yet haunting illustrations by acclaimed illustrator Sophie Blackall bring the wartime era to life, and are complemented by photographs and ephemera from the Colebourn family archives. Here is the remarkable true story of the bear who inspired Winnie-the-Pooh.

    Tiny likes to read. But both twins like to eat . . . POPCORN! So while Tony cooks it, Tiny reads about what popcorn is, how it's stored, how it's cooked, how different Native American people made it, how much popcorn Americans eat, popcorn stories and legends, and popcorn recipes. Tomie de Paola, who eats a lot of popcorn, shares what he knows about it with humor and imagination.