Best of all, he's packed us in his suitcase. He represents an ever-changing population of those raised elsewhere who find themselves beckoned by the history, mystique, and magic-makers of New York City. These poems inhabit their own contradictions, and exquisitely navigate the many complicated sides of what it means to be alive. About The Author: Jon Sands has been a professional teaching and performing artist since 2007. He's a recipient of the 2009 NYC-LouderARTS fellowship grant, and has represented New York City multiple times at the National Poetry Slam. He is the Director of Poetry and Arts Education Programming at the Positive Health Project, as well as a Youth Mentor with Urban Word-NYC. His work has appeared in decomP magazine, The Millions, Suss, The Literary Bohemian, Danse Macabre, The November 3rd Club, and others. He lives in New York City, where he makes better tuna salad than anyone you know.

    Oxford Street is a sea of long hair and flared jeans; prog rock prevails. But Ron Watts, the 100 Club’s “rock night” manager, has witnessed the impromptu and chaotic gigs at High Wycombe College of Art. He invites the Sex Pistols to start a residency in central London, and over the next eighteen months, everything changes.            Unlike many writers, Phil Strongman was actually at the 100 Club punk festival in September 1976 and witnessed punk’s violent and dramatic rise. After tracing its underground roots in New York and Detroit, Strongman shows how the Sex Pistols and the Clash, along with their confreres, took rock ’n’ roll closer to the edge than any band before them. But after the outrage over the Pistols’ legendary outburst on Bill Grundy’s TV show catapulted the band into the center of a press feeding frenzy, it was swiftly eclipsed by the blossoming of a new movement in time for the Queen’s Silver Jubilee. Punk had traveled from the underground to the mainstream in the space of six months.            Based on new interviews with Malcolm McLaren, Jah Wobble, Glen Matlock, Roadent, and many more, Strongman vividly re-creates the punk eruption and charts its spread across Britain and to the West Coast of the United States. Thirty years after its inception, UK punk has found its definitive account in Pretty Vacant.

    Book and CDs work beautifully together, kindling deeper appreciation for the transmuting power of poetry, a practice of discipline, skill, and magic." - BOOKLIST ..".The prose comes to life when read aloud, especially when you hear James Joyce read it himself." NPR's ALL THINGS CONSIDERED host Jacki Lyden "This tome is a reminder how the human spirit is capable of finding an outlet in oppressive times, how poetry can help explain why we do what we do as a thinking people...Certainly, in our struggle to make sense out of what we do not understand, Poetry Speaks Expanded helps on so many levels." Carol Hoenig, THE HUFFINGTON POST ..".[A] bountiful experience: there is the thrill of discovery and re-discovery as with any good anthology, with an added emphasis on the poets' personalities and growth" John Hammond, SAN ANTONIO EXPRESS-NEWS "[An] accessible, beautifully executed collection guaranteed to offer poetry fans a memorable reading and listening experience" WORDCANDY.NET ..".[A]s I savored these beautiful poems, it reminded me of French poet Charles Baudelaire who wrote, 'Any man can go without food for two days - but not without poetry.'" - Norm Goldman, BOOKPLEASURES.COM "Light[s] up a reader's eyes." - Frank Wilson, PHILADELPHIA INQUIRER Hear And Read All Of These Poets (And More)244 Poems Included In The Book107 Poems Read By The Poets Themselves On 3 Audio CDs Robert Graves, E. E. Cummings, Walt Whitman, Ezra Pound, William Butler Yeats, Gertrude Stein, Carl Sandburg, James Joyce, William Carlos Williams, Ted Hughes, Robinson Jeffers, Philip Larkin, Wallace Stevens, Louise Bogan, Melvin B. Tolson, Laura (Riding) Jackson, Ogden Nash, W. H. Auden, Louis MacNeice, Allen Ginsberg Theodore Roethke, Elizabeth Bishop, Robert Hayden, Robert Frost, Muriel Rukeyser, Gwendolyn Brooks, Randall Jarrell, Jack Kerouac, John Berryman, Dylan Thomas, Robert Lowell, Robert Browning, Robert Duncan, May Swenson, John Crowe Ransom Poetry Speaks Expanded is a fusion of the poet's words with the poet's voice, including text and recordings of nearly 50 of the greatest poets who ever lived, ranging from Walt Whitman, Robert Frost, James Joyce and T. S. Eliot to Langston Hughes, Jack Kerouac, Sylvia Plath, Ted Hughes and Gwendolyn Brooks. "This book has the potential to draw more readers to poetry than any collection in years."-PUBLISHERS WEEKLY, STARRED REVIEW "Readers and listeners are guaranteed to hear poems in a new way after spending time with this book and CD set."-LIBRARY JOURNAL, STARRED REVIEW "Superb, accessible....A unique and essential purchase"-SCHOOL LIBRARY JOURNAL Poetry--For the first time ever, James Joyce reads "Anna Livia Plurabelle" from Finnegans Wake alongside the original text from the book--T. S. Eliot reading "The Love Song of J. Alfred Prufrock"--Sylvia Plath's anger and raw emotion as she reads "Daddy" and "Lady Lazarus"--Jack Kerouac reading from "MacDougal Street Blues," accompanied by Steve Allen on piano--May Swenson rehearsing "The Watch" prior to a reading--H. D. reading a part of "Helen in Egypt" from a rare recording made shortly before her death--Ted Hughes reading "February 17" during a BBC interview--A never-before-published recording of Alfred, Lord Tennyson reading "The Charge of the Light Brigade"--W. B. Yeats explaining his reading style and why he chooses to read that way--Robert Frost reading "The Road Not Taken" and "Stopping by Woods on a Snowy Evening" Essays Written By Today's Most Influential Poets, Including: W. S. Merwin on Robert Graves, Seamus Heaney on W. B. Yeats, Paul Muldoon on James Joyce, Robert Pinsky on William Carlos Williams, Sonia Sanchez on Gwendolyn Brooks, Galway Kinnell on Walt Whitman, Rita Dove on Melvin B. Tolson, Jorie Graham on Elizabeth Bishop and Al Young on Langston Hughes "The most ambitious, innovative poetry project to be published in years."-QUALITY PAPERBACK BOOK CLUB A Book Sense Top-10 Selection

    Harper and Anthony Walton present the definitive collection of black verse in the United States--200 years of vision, struggle, power, beauty, and triumph from 52 outstanding poets.From the neoclassical stylings of slave-born Phillis Wheatley to the wistful lyricism of Paul Lawrence Dunbar . . . the rigorous wisdom of Gwendolyn Brooks...the chiseled modernism of Robert Hayden...the extraordinary prosody of Sterling A. Brown...the breathtaking, expansive narratives of Rita Dove...the plaintive rhapsodies of an imprisoned Elderidge Knight . . . The postmodern artistry of Yusef Komunyaka.  Here, too, is a landmark exploration of lesser-known artists whose efforts birthed the Harlem Renaissance and the Black Arts movements--and changed forever our national literature and the course of America itself.Meticulously researched, thoughtfully structured, The Vintage Book of African-American Poetry is a collection of inestimable value to students, educators, and all those interested in the ever-evolving tradition that is American poetry.

    And he also showed that within him beat the heart of an artist -- a major factor in his resilience and recovery.Now with Who Will Cry for the Little Boy?, his first collection of poetry, Antwone Fisher reveals the inner truths that took him from a tumultuous childhood to the man he is today. The powerful poems presented here range from impressions and expressions of Antwone's years growing up to the love that he has gained from the family he made for himself as an adult.From the title poem -- which is featured prominently in the movie Antwone Fisher -- a plaintive, haunting tribute to a childhood lost to abuse and neglect, to "Azure Indigo," the uplifting and touching poem about his daughters, many readers will find their own feelings and experiences reflected in this lyrical and passionate collection.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    African American Studies. Latino/Latina Studies. "Up jumps the boogie. That's almost all one needs to say. Murillo is headbreakingly brilliant. I didn't have a favorite poet for this year: Now I do. But with this kind of verve and intelligence and ferocity Murillo just might be a favorite for many years to come."—Junot Diaz"The feel of now lives in John Murillo's UP JUMP THE BOOGIE, but it's tempered by bows to the tradition of soulful music and oral poetry. The lived dimensions embodied in this collection say that here's an earned street knowledge and a measured intellectual inquiry that dare to live side by side, in one unique voice. The pages of UP JUMP THE BOOGIE breathe and sing; the tributes and cultural nods are heartfelt, and in these honest poems no one gets off the hook."—Yusef Komunyakaa

    One of the UK’s most exciting up-and-coming hip-hop artists, Scroobius Pip, is a master of the spoken word lyric.From his childhood musings in the school playground to his feelings on the rat race, Pip has selected from his online fan collective artistic collaborations that bring the power of his lyrics to the printed page, creating an innovative multimedia collection of modern poetry.

    Barbeau, in keeping with the popular thinking of the time, believed First Nations cultures were about to disappear completely, and that it was up to him to preserve what was left of these dying cultures while he could. Unfortunately, his methods of preserving First Nations cultures included purchasing totem poles and potlatch items from struggling communities in order to sell them to museums. While Barbeau strove to protect First Nations cultures from vanishing, he ended up playing an active role in dismantling the very same cultures he tried to save.Drawing inspiration from Barbeau’s canonical book Totem Poles, Jordan Abel explores the complicated relationship between First Nations cultures and ethnography. His poems simultaneously illuminate Barbeau’s intentions and navigate the repercussions of the anthropologist’s actions.Through the use of erasure techniques, Abel carves out new understandings of Barbeau’s writing – each layer reveals a fresh perspective, each word takes on a different connotation, each letter plays a different role, and each punctuation mark rises to the surface in an unexpected way. As Abel writes his way ever deeper into Barbeau’s words, he begins to understand that he is much more connected to Barbeau than he originally suspected.

    This definitive collection includes short verse published between 1913 and 1922 by Ezra Pound, D. H. Lawrence, H. D. (Hilda Doolittle), James Joyce, Wallace Stevens, William Carlos Williams, and many others.

    Spanning his 50-year career and incorporating a rich and varied range of material, this second anthology is as wonderfully unmissable as the first. When Spike Milligan died in 2002, he left behind one of the most diverse legacies in British entertainment history – as well as a legion of devoted fans and admirers. His themes ranged from environmental issues to the war, from nostalgia to depression, and his prolific output covers some of the most evocative events of the twentieth century, in a style both twistedly comic and harrowingly honest.The huge success of the Spike Milligan anthology, ‘The Essential Spike Milligan’, has inspired a second raid on the original brilliant source. Milligan was arguably the most one of the prolific and mould-breaking comic writers of the twentieth century and this second anthology gives another opportunity to sample his finest writing. It includes more of the best from his war memoirs and novel Puckoon, his children's stories, poetry and drawings plus a wonderful collection from his voluminous correspondence from the 1960s onwards with such varied recipients as the House of Commons, the Director-General of the BBC, Private Eye and British Telecom. A compulsive read for all Milligan fans.

    Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

    If you don’t have a particular ingredient to hand, don’t be afraid to experiment – who knows, you may come up with something new and delicious! (If you do, be sure to write and let me know!) I’ve included a selection of my favourites – simple, tasty and wholesome treats that never fail to please. Oh, and of course, I couldn't resist writing a story to accompany the recipes... Enjoy! Sara Alexi

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    Everything you need to hear, but already know.