She and her handsome husband, Garrett, are the epitome of success: an immaculate house of their dreams, a beautiful and talented 17-year-old daughter, flourishing careers, and nearly twenty years of perfectly wedded bliss. Just as they are making plans for their vow renewal celebration, a call in the middle of the night interrupts their picture-perfect lives. Now Sylvia has to deal with the reality of Garrett’s dead mistress, a love child she never knew about, and the fact that the man she’s been married to for the past twenty years may not be the man she knows at all.Unlike her sister Sylvia, when it comes to love, Janelle Hudson can take it or leave it. Her on again, off again, noncommittal, stress-free friendship with Jarvis Baldwin is fine with her. But her life becomes complicated when she is faced with choosing between a sure thing with a good man or what feels right with the wrong one.Bestselling author LaJill Hunt is back with Midlife Crisis, an emotion-packed story of love, betrayal, and family loyalty. When lies are unveiled and secrets are revealed, can love be strong enough to forgive, even when you can’t forget? An abbreviated version of this novel entitled Jaded was previously published.

    Issues explored include breastfeeding, circumcision, colic, immunization, SIDS, postnatal depression, and sleeping with a baby. Intriguing research into babies' senses and what they can perceive is also presented. The informative and engaging advice throughout will help parents avoid panic and achieve a rewarding relationship with their newborn.

    Through a series of entertaining, bite-sized chapters that combine anthropological insight with cutting-edge science, we gain fresh perspectives into our first hominin ancestors and ways to challenge perceptions about the traditional progression of evolution. With Lee as our guide, we discover that we indeed have always been a species of continuous change.

    In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.

    Oct. 4, 2017. R.O. Kwon"Lorde seems prophetic, perhaps alive right now, writing in and about the US of 2017 in which a misogynist with white supremacist followers is president. But she was born in 1934, published her first book of poetry in 1968, and died in 1992. Black, lesbian and feminist; the child of immigrant parents; poet and essayist, writer and activist, Lorde knew about harbouring multitudes. Political antagonists tried, for instance, to discredit her among black students by announcing her sexuality, and she decided: “The only way you can head people off from using who you are against you is to be honest and open first, to talk about yourself before they talk about you.” Over and over again, in the essays, speeches and poems collected in Your Silence Will Not Protect You, Lorde emphasises how important it is to speak up. To give witness: “What are the words you do not yet have? What do you need to say? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence?” '

    Beginning with: "It was Sappho who first called eros 'bittersweet.' No one who has been in love disputes her. What does the word mean?", Carson examines her subject from numerous points of view and styles, transcending the constraints of the scholarly exercise for an evocative and lyrical meditation in the tradition of William Carlos William's Spring and All and William H. Gass's On Being Blue.

    You can be whoever you want, they said. Well, "they" were wrong. Getting old sucks and I’m cranky from the unexpected changes. After fighting off the doldrums of an empty nest, I dreamed of getting a fresh start with my husband. Maybe David and I could fly off somewhere and rekindle our relationship with a second honeymoon.Flip the script to an EPIC FAIL that ended in a near-fatal car accident, and after six weeks in a coma, David flushed me and our marriage of over two decades down the toilet I’d been scrubbing for years.Now a single divorcée with chump change in my pocket, I’m forced to move into my childhood home. And to make matters worse, the place seems to be haunted. Or maybe I’m just having a nervous breakdown over the mystery of my brother’s suicide.His creepy journals have been certainly keeping me awake at night. I could swear a strange entity is floating through my midst.But hey, at least the hot handyman, helping me fix up the place, won’t stop walking around the property half dressed.Geez, between the menopausal hormones and getting the house ready to sell, my muscles are twinging in places I didn’t know existed. If my therapist was right, and life is a do-over, then why is everything such a crisis? Midlife or not, I could swear I was cursed. Guess I’m in charge of my own happy ending. -----------------Join Brooke Durand and her magical midlife crisis in the quirky town of Eerie, Indiana. Read Book 1 in this new hot-flash genre of Paranormal Women's Fiction. A Series of Midlife Curses is written by the dynamic duo of award-winning author AJ Nuest and USA Today bestselling author Arial Burnz. Perfect for fans of K.F. Breene, Deanna Chase, Melinda Chase, Victoria Danann, Jana DeLeon, Heloise Hull, Elizabeth Hunter, Darynda Jones, Shannon Mayer, Kristen Painter, Robyn Peterman, Denise Grover Swank, Brenda Trim, and paranormal women's fiction.

    This expanded edition includes a new preface by the author as well as her post-9/11 "Six Meditations in Place of a Lecture."

    Composed of autobiographical essays, cultural commentary, book reviews, and introductory pieces written for great works of literature, this is the award-winning author's first book-length nonfiction publication in twenty years. Arranged chronologically, these writings display the development of Atwood's worldview as the world around her changes. Included are the Booker Prize–winning author's reviews of books by John Updike, Italo Calvino, Toni Morrison, and others, as well as essays in which she remembers herself reading Virginia Woolf's To the Lighthouse at age nineteen, and discusses the influence of George Orwell's 1984 on the writing of The Handmaid's Tale. Atwood's New York Times Book Review piece that helped make Orhan Pamuk's Snow a bestseller can be found here, as well as a look back on a family trip to Afghanistan just before the Soviet invasion, and her "Letter to America," written after September 11, 2001. The insightful and memorable pieces in this book serve as a testament to Atwood's career, reminding readers why she is one of the most esteemed writers of our time.

    In engaging and provocative style, bell hooks introduces a popular theory of feminism rooted in common sense and the wisdom of experience. Hers is a vision of a beloved community that appeals to all those committed to equality, mutual respect, and justice. hooks applies her critical analysis to the most contentious and challenging issues facing feminists today, including reproductive rights, violence, race, class, and work. With her customary insight and unsparing honesty, hooks calls for a feminism free from barriers but rich with rigorous debate. In language both eye-opening and optimistic, hooks encourages us to demand alternatives to patriarchal, racist, and homophobic culture, and to imagine a different future.

    How do we define violence? How do we discuss and experience sex? Who gets to tell stories of sexual assault, and who gets to be heard? How impoverished is our language for describing the intersection of power, desire, and violence? What is the relationship between individual struggles and collective protest? What do we do with the abusers? In short, this moment has recalled a much older question: how do we get free?In this collection of new and previously published writings, leading activists, feminists, scholars, and writers describe the shape of the problem, chart the forms refusal has taken, and outline possible solutions. Importantly, they also describe the longer histories of organizing against sexual violence that the #MeToo moment obscures—among working women, women of color, undocumented women, imprisoned women, poor women, among those who don’t conform to traditional gender roles—and discern from these practices a freedom that is more than notional, but embodied and uncompromising.Contributors include Tarana Burke and Elizabeth Adetiba, Lauren Berlant, Tithi Bhattacharya, Stephanie Coontz and Hope Reese, Estelle Freedman, Melissa Gira Grant, Linda Gordon, Jessie Kindig, Laura Kipnis, Victoria Law, Maricruz Ladino and Gabriel Thompson, Magally A. Miranda Alcázar, Liz Mason-Deese, Danielle McGuire, Larissa Pham, Alex N. Press, Jane Ward, and Terrion L. Williamson.

    She asks hard questions and avoids easy answers. In this essay—now in English for the first time—she challenges the foundation of the modern liberal political order, making an argument that will have particular resonance in present-day America. Examining the dynamic of power and propaganda caused by party spirit, the increasing disregard for truth in favor of opinion, and the consequent corruption of education, journalism, and art, Weil proposes that politics can only begin where the party spirit comes to an end.This volume also reprints an admiring portrait of Weil by the Nobel laureate Czesław Miłosz and an essay about Weil’s friendship with Albert Camus by the translator Simon Leys.

     The Kingmaker. Seize the Crown. Born to Rule DESTINED TO DIE. BORN TO RULE. “One of the best premises I have come across in the fantasy world.” YA Books Central “If you’re a fan of YA lit with courageous young ladies and mysteries, read this book today!” The Book Nerd Girl “I am sixteen years old and I will die on the morning of my seventeenth birthday. As tradition dictates, I will be sacrificed and my life’s blood will determine which one of my two brothers will be King. My blood will kill one and crown one. My name is Everleigh and I am the Kingmaker.” Terrified of her fate but resigned to her death, Everleigh has less than a week to live. The legend of the Kingmaker goes back millions of years and Everleigh would never dare to question her deadly inheritance. Kingmakers are special; their magic chooses the rightful King of the Realm and they all die on their seventeenth birthday. Except this one. Saved from the inevitable, Everleigh learns that she is the Kingmaker who will live, the Kingmaker who will rule, the Kingmaker who will be Queen. But not everyone agrees with an age-old prophecy that says that a girl will rule the Realm and soon Everleigh is locked in a deadly battle for the throne. Can she escape her blood-thirsty enemies and live long enough to be crowned Queen? Seize the Crown “If I am not the Kingmaker, who am I? If I am not Queen, who am I?” Believing her first love is dead, devastated by her brother’s actions, and cruelly denied of the crown she believes is her own, Everleigh faces the fight of her life in the second book of The Kingmaker Trilogy. Millards’s deadly ambition sees him wear the crown that should rightfully be on her head. Everleigh is determined to avenge her loved ones and seize the crown and if a fight is what it takes to rule, she will fight or die trying, in this fantastic follow up to The Kingmaker. Seize the Crown follows Everleigh on her quest for revenge and the throne, as she battles against her brother and his murderous tyranny. Born to Rule Maddeningly, the crown still eludes Everleigh as we begin the breath-taking conclusion to The Kingmaker Trilogy. In a hugely welcome turn of events, her first love is back at her side, the crown is almost on her head and she is ready to rule. But with Millard on the run and attacks being made ‘in the name of the King’, Everleigh must put a stop to her brother before her Kingdom is in ruins and if, as Queen, she must slay her own sibling, she will gladly do it. The Kingmaker Trilogy is a magical young adult fantasy, packed with fantastical twists, heart-stopping action and fabulously feisty females. If you enjoy reading Sarah J. Maas, Victoria Aveyard and Melissa Meyer then you’ll love The Kingmaker Trilogy. Pick up your copy today!

    The meme is also one of the most important--and controversial--concepts to emerge since 'The Origin of the Species' appeared nearly 150 years ago.In 'The Meme Machine' Susan Blackmore boldly asserts: "Just as the design of our bodies can be understood only in terms of natural selection, so the design of our minds can be understood only in terms of memetic selection." Indeed, Blackmore shows that once our distant ancestors acquired the crucial ability to imitate, a second kind of natural selection began, a survival of the fittest amongst competing ideas and behaviors. Ideas and behaviors that proved most adaptive - making tools, for example, or using language--survived and flourished, replicating themselves in as many minds as possible. These memes then passed themselves on from generation to generation by helping to ensure that the genes of those who acquired them also survived and reproduced. Applying this theory to many aspects of human life, Blackmore offers brilliant explanations for why we live in cities, why we talk so much, why we can't stop thinking, why we behave altruistically, how we choose our mates, and much more.With controversial implications for our religious beliefs, our free will, our very sense of "self," 'The Meme Machine' offers a provocative theory everyone will soon be talking about.

    Free love, common-law and transient marriages, serial partners, cohabitation outside of wedlock, queer relations, and single motherhood were among the sweeping changes that altered the character of everyday life and challenged traditional Victorian beliefs about courtship, love, and marriage. Hartman narrates the story of this radical social transformation against the grain of the prevailing century-old argument about the crisis of the black family.In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship that were indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading conditions of work.Beautifully written and deeply researched, Wayward Lives recreates the experience of young urban black women who desired an existence qualitatively different than the one that had been scripted for them—domestic service, second-class citizenship, and respectable poverty—and whose intimate revolution was apprehended as crime and pathology. For the first time, young black women are credited with shaping a cultural movement that transformed the urban landscape. Through a melding of history and literary imagination, Wayward Lives recovers their radical aspirations and insurgent desires.