If one half of the characters live their secret, interior lives apart from society, then the other half are looking for their own ways out: drugs, murder, revolution, betrayal, and infidelity.

    Written in the 1940s but left unpublished until 1990, it anticipated the fictional inventiveness of the writers who were to come along - Barth, Coover, Pynchon, Sorrentino, and Gaddis. Chromos is the American immigration novel par excellence. Its opening line is: "The moment one learns English, complications set in." Or, as the novel illustrates, the moment one comes to America, the complications set in. The cast of characters in this book are immigrants from Spain who have one leg in Spanish culture and the other in the confusing, warped, unfriendly New World of New York City, attempting to meld two worlds that just won't fit together. Wildly comic, Chromos is also strangely apocalyptic, moving towards point zero and utter darkness.

    Summering at her country home in Maine, Katherine Congreve is afraid John Shipley's son will blame her for his father's approaching divorce.

    Bernie Perk, the burning pharmacist. Henry Harper, the nine-year old orphan millionaire, terrified of being adopted. The woman whose life revolves around pierced lobes. An evil hypnotist. Swindlers. Con-men. And Dick Gibson himself. Anticipating talk radio and its crazed hosts, Stanley Elkin creates a brilliant comic world held together by American manias and maniacs in all their forms, and a character who perfectly understands what Americans want and gives it to them.

    And so the announcement that Violet Dene Gordon and her husband, Charles, are on their way back from British Burma to settle in the long-dormant estate sends a ripple of excitement through the sleepy village. For Violet, Dene’s Court stands as a monument to her childhood, but lingering doubts remain about whether she and Charles will be happy there. Adding complexity to the arrangement is the arrival of Violet’s American niece, a college student named Sally who has been sent by her mother in an effort to put an ocean between the impetuous young woman and the object of her affection, an actor. Anxiety, tempers, and long-buried emotions flare as the estate’s new residents search for a sense of belonging and peace between its hallowed and serene walls.

    

    "Nothing more beautiful and moving has been written in years". -- New York Times Book Review

    Catherine, an American expatriate becomes unwittingly embroiled in an internecine war between rival factions of the government. Into this potentially explosive scene enters a woman once loved and lost, but who remains a powerful temptation-one that proves impossible to resist.In the opening pages of Shacochis's first novel, Mitchell Wilson, an American who works for the Ministry of Agriculture on the Caribbean island of St. Catherine, is heading downhill. His lost love, Joanna, has decided to drop into his life again, and he's on his way to the airport to meet her, riding in a dilapidated car whose brakes--dependent on coconut oil for braking fluid--have failed. Wilson's harrowing ride is a perfect metaphor for life on St. Catherine's, an island both beautiful and corrupt, and for the turn his own life is about to take. Joanna may have come to St. Catherine simply to escape trouble, but Wilson still bristles when a government official tells him to stay clear of her. He should have listened. There's a mystery to crack at the heart of this richly detailed novel, but in fact Shacochis offers a chilling evocation of the misunderstandings that arise between feckless Americans and struggling islanders for whom St. Catherine's is no paradise.At once an enchanting love story and a superbly sophisticated political novel about the fruits of imperialism in the twentieth century, Swimming in the Volcano is as brutally seductive a novel as the world it evokes.

    Randall, a bankruptcy lawyer, is the warlord of his world, a shark in a fishbowl, exercising power with mad, relentless, hilarious glee; Boone, an American innocent abroad, journeys to the African bush, protected by the twin charms of the passport and the almighty dollar. In seeking Michael, both men find much more than they bargain for.A satire, steeped in irony, chronicles the misadventures of Boone Westfall, who wanders through West Africa encountering witches, angry ancestors, and bad medicine in search of his missing friend Michael Killigan, whose high-powered banker father is conducting his own search.

    With wisdom and sympathy and spare eloquence, she writes of their inarticulate longings for communion and grace.Yet even the saddest situations are imbued with Thompson¹s characteristic humor and a wry glimmer of hope. With Who Do You Love, readers will discover a writer with rare insight into the resiliency of the human spirit and the complexities of love.

    After being impregnated in a fertility ritual of ancient ofigin, she leaves Mexico to work in the Rio Grande Valley of Texas as a housemaid for Mrs. Eddie Hatch, a woman with a strong will and a narrow worldview. Their complex relationship-by turns mystical and pragmnatic, serious and comic-reveals the many ways human beings can wound one another, the nautre of love and sacrifice, and the possibility of forgiveness.The River Beyond the World is a 1996 National Book Award Finalist for Fiction.

    Although he had lived little in nature Levin had always loved it, and the sense of having done the right thing in leaving New York was renewed in him." Soon after his arrival at Cascadia College, however, Levin realizes he has been taken in by a mirage. The failures pile up anew, and Levin, fired from his post, finds himself back where he started and little the wiser for it.A New Life--as Jonathan Lethem's introduction makes clear--is Malamud at his best: with his belief in luck and new beginnings Sy Levin embodies the thwarted yearning for transcendence that is at the heart of all Malamud's work.

    "Like the stories read to children, this intensely caring novel can help prevent the nightmare it describes."--USA Today.

    But in Guy's case, the legend is one of betrayal and infamy. For the scandal of his embezzlement brought down the delicately balanced structure of the Stock Exchange. The long-honored system of self-government by mutual trust among gentlemen came to an end with the default of one of its brightest stars.The story of Guy's fall is told by the three persons most intimately concerned: Guy himself, Rex Geer, his closest friend, and Angelica, his wife. We see him first through his own eyes — embittered, oddly proud of his peculiar distinction, and entirely unrepentant — the golden boy, the Wall Street manipulator, and finally the old man determined to justify himself to the grandchildren he will never see.Rex and Angelica in turn pick up the same threads of the story, but the threads change color subtly as they pass through different hands. In the end, the reader must decide for himself which is the real Guy Prime.Louis Auchincloss brings to the financial world the same authority and understanding he brought to the worlds of the law (Powers of Attorney), the private school (The Rector of Justin), and the old families of New York (Portrait in Brownstone). Virgilia Peterson, writing in the New York Times Book Review, called The Rector of Justin "not only a passionately interesting, but a spiritually important study of the American character of, and for our time." Her words hold true for The Embezzler.

    But the beauty of this novel is the gradual revelation of the bond that develops as this unlikely couple experiences courtship and marriage, the birth of a son, isolation, forgiveness, work, and death in a small Catskill community in the 1950s. The plot turns on tragic events—they might be accidents or they might be acts of will—involving a cast of rural eccentrics that includes a lonely amputee veteran, a religious hysteric (thought by some to be the devil himself) and an itinerant "Goat Lady." Questions of guilt, innocence, and even murder are eclipsed by deeds of compassion, humility, and redemption, and ultimately by Henry Soames' quiet discovery of grace.Novelist William H. Gass, a friend and colleague of the author, has written an introduction that shines new light on the work and career of the much praised but often misunderstood John Gardner.