Drama. Elisa Gabbert's L'HEURE BLEUE, OR THE JUDY POEMS, goes inside the mind of Judy, one of three characters in Wallace Shawn's The Designated Mourner, a play about the dissolution of a marriage in the midst of political revolution. In these poems, Gabbert imagines a back story and an emotional life for Judy beyond and outside the play. Written in a voice that is at once intellectual and unselfconscious, these poems create a character study of a many-layered woman reflected in solitude, while engaging with larger questions of memory, identity, desire, surveillance, and fear.

    E. Housman's A Shropshire Lad, first published in 1896. Scholars and critics have seen in these timeless poems an elegance of taste and perfection of form and feeling comparable to the greatest of the classic. Yet their simple language, strong musical cadences and direct emotional appeal have won these works a wide audience among general readers as well.This finely produced volume, reprinted from an authoritative edition of A Shropshire Lad, contains all 63 original poems along with a new Index of First Lines and a brief new section of Notes to the Text. Here are poems that deal poignantly with the changing climate of friendship, the fading of youth, the vanity of dreams — poems that are among the most read, shared, and quoted in our language.

    In sections of short narratives, she questions our everyday human foibles. Three longer sequences display her admirable reach and fierce intelligence: One, "The Kudzu Chronicles," is a rollicking piece about the transplanted weed. Another, "Bertha Morisot: Retrospective," conjures up a complex life portrait of the French impressionist painter. The third presents fifteen dream songs that virtually out-Berryman Berryman.

    Old Europe still lives in Bosselaar's rich language: Entre chien et loup, as it's known in Flanders--the time at dusk when a wolf can be mistaken for a dog.Lyrical poetry that sings of farmers, families and nunneries in Belgium and Flanders.

    Asian American Studies. "In YOU ARE NOT DEAD Wendy Xu breaks all the old rules that have never done us any favors anyway. She writes beautifully, noticing who we are, and letting us see ourselves with a little more humanity, a little more humor, a little more humility. I'm happy to have read this book."--James Tate"There's a wild and wondrous poet plundering-through our lives, collecting the oddest and most significant things, turning our thoughts toward things we couldn't have known before she turned us toward them. YOU ARE NOT DEAD is precisely how this book can get you to feel and that is an almost otherworldly power. The poet who imagines and builds these poems is irresistible."--Dara Wier"That fluctuating space between the temporary and the infinite is an erogenous zone made all the more enticing when articulated so eloquently. 'We have a lifespan and O how we live it out.' Wendy Xu's poems posit for us a future, a presence, a body resistant to the ravages of time. Mortality is a far planet. Here in Xu's work, we are passionately, and gratefully, alive."--D. A. Powell

    These new poems are powerful meditations born on the joineries of life and death, union and separation, memory and dream, where lovers speak to each other across the centuries, and daughters wander into their mothers' childhoods. As much about loss as they are about reclamation, Doshi's poems guide us through an 'underworld of longing and deliverance', making the exhilarating claim that through the act of vanishing, we may be shaped into existence again. Everything Begins Elsewhere was followed by her third collection, Girls Are Coming Out of the Woods, in 2018.

    Beginning with "Riot Act," a monologue about the Los Angeles uprising in April 1992, Ai explored racial and sexual politics through the voices of diverse characters.

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    Ondaatje is said to care more about the relationship between art and nature than any other poet since the Romantics.

    In a tour de force that could be described as Altmanesque, we are invited into the private lives of the residents of a quiet urban street in England over the course of a single day. In delicate, intricately observed closeup, we witness the hopes, fears, and unspoken despairs of a diverse community: the man with painfully scarred hands who tried in vain to save his wife from a burning house and who must now care for his young daughter alone; a group of young clubgoers just home from an all-night rave, sweetly high and mulling over vague dreams; the nervous young man at number 18 who collects weird urban junk and is haunted by the specter of unrequited love. The tranquillity of the street is shattered at day's end when a terrible accident occurs. This tragedy and an utterly surprising twist provide the momentum for the book. But it is the author's exquisite rendering of the ordinary, the everyday, that gives this novel its freshness, its sense of beauty, wonder, and hope. Rarely does a writer appear with so much music and poetry -- so much vision -- that he can make the world seem new.

    Jeanann Verlee's award-winning debut collection is a series of narratives, prayers, and conjurings which address gender, sex, race, poverty, heartbreak, and survival with such stark intimacy, you will find yourself living inside. These poems cannot possibly be about you, yet they are. They cross boundaries and reclaim hope. They are as the opening poem suggests, nothing short of communion.

    "Shroud of the Gnome" is a bravura performance in Tate's signature style: playful, wicked, deliriously sober, charming, and dazzling. Here, once again, one of America's most masterful poets celebrates the inexplicable in his own strange tongue.

    When Making Cocoa for Kingsley Amis was first published, it catapulted its author into the bestseller lists and established her as one of our funniest and most eloquent of poets.'Cope has an extraordinary canny sense - quite rare among poets - of what will engage a reader's attention.' Poetry Review'A jet-age Tennyson.' London Review of Books'Like Larkin and Harrison, Cope has proven that a popular poetry is possible without compromising quality.' Acumen Series

    In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'

    Chosen and illustrated by Chris Riddell, Poems to Save the World With –the follow-up to Poems to Live Your Life By and Poems to Fall in Love With - will ignite your inner activist and provide comfort and inspiration. These poems speak of hope, happiness, rebellion and living through a pandemic.This beautiful book features famous poems, old and new, and a few surprises. Classic verses sit alongside the modern to create the ultimate collection. Includes poems from Neil Gaiman, Nikita Gill, Maggie Smith, Brian Bilston, Raymond Antrobus, Fiona Benson, Lewis Carroll and many more.