Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

    And frankly, I kind of wish I still didn’t because then I wouldn’t have a sprained ankle to show for it. And my leg wouldn’t resemble a boa constrictor that’s swallowed a feral pig. Yeah, it’s that bad.I’ve spent years saving every penny I’ve ever earned to be able to transfer to Malibu University. And now my entire future––including my scholarship––is in jeopardy. So I either accept the help he insists on giving me, or lose everything I’ve sacrificed for. In the meantime, I’m going to ignore the fact that we’re becoming friends.And I’m definitely going to pretend he’s not turning into the object of my…umm, dirty fantasies. That’s not happening. Not even a little.Because the minute I clapped eyes on him I knew he was nothing but trouble.

    Norma Jeane Baker of Troy is a partly spoken, partly sung performance piece by poet, essayist, and scholar Anne Carson, and an exploration of the lives and myths of Marilyn Monroe and Helen of Troy—iconic beauties who lived millennia apart.A thrilling and thoughtful meditation on the destabilising and destructive power of beauty, this had its world premiere at The Shed in New York City, starring Ben Whishaw and Renée Fleming.

    Written in forms that range from haiku to prose, and in a voice that veers from incanta­tory to deadpan, these seven poetic sequences offer diverse reflections on language and poetry, time and consciousness, civilization and art—to say nothing of bureaucrats, surfboards, and blue margaritas. Taken collectively, Seven Notebooks composes a season-by-season account of a year in the life of its narrator, from spring in Chicago to summer at the Jersey Shore to winter in Miami Beach. Not a novel in verse, not a poetic journal, but a lyric chronicle, this utterly unique book reclaims territory long abandoned by American poetry, a characteristic ambition of Campbell McGrath, one of the most honored, accessible, and humanistically engaged writers of our time.

    He also talked a fair amount about mayonnaise. The interview was conducted by Mara Altman, the author of four bestselling Kindle Singles including “Baby Steps” and “Bearded Lady.” Altman has worked as a staff writer for The Village Voice, and has also written for New York Magazine and The New York Times. In 2009, HarperCollins published Altman's first book, “Thanks For Coming: A Young Woman's Quest for an Orgasm,” which was optioned as a comedy series by HBO. Cover design by Adil Dara Kim.

    The only problem is that she needs a trainer, one that can help her get the championship belt she's determined to win. Her brother's friend Zane is the obvious choice, now she just has to convince him. Zane, a disgraced MMA fighter, takes one look at the feisty Melanie and knows he is headed for trouble, but decides to go for it anyway. For her own safety, he should stay away, but Melanie’s fighting spirit reawakens his own, forcing him to make the choice to stay a prisoner of his past or fight his way back to being a champion.

    

    Jones and George are dedicated to the challenge of "Making It Real" for students. The authors present management in a way that makes its relevance obvious even to students who might lack exposure to a "real-life" management context. This is accomplished thru a diverse set of examples, and the unique, and most popular feature of the text, the "Manager as a Person" Chapter 2. This chapter discusses managers as real people with their own personalities, strengths, weaknesses, opportunities, and problems and this theme is carried thru the remaining chapters. This text also discusses the importance of management competencies--the specific set of skills, abilities, and experiences that gives one manager the ability to perform at a higher level than another in a specific context. The themes of diversity, ethics, globalization, and information technology are integrated throughout.

    But I wasn’t going to let that stop me from attending my dream school. There’re more than 30,000 students on campus. What were the chances that I’d see him again? Or so I’d thought. And then I discovered that Tristan was going to be my roommate! It’s as if the whole universe conspired for us to fall in love again.

    The scrutiny? I’m ready for.⁣⁣⁣⁣But sharing very thin walls with Zeke Collins? I wasn’t prepared for that.⁣⁣⁣⁣And the more we’re forced together, the harder it is to distinguish that pencil-thin line between hating him… and wanting him.⁣⁣

    SELECTED AND INTRODUCED BY JOYCE CAROL OATESBetween them, our great visionary poets of the American nineteenth century, Emily Dickinson and Walt Whitman, have come to represent the extreme, idiosyncratic poles of the American psyche....Dickinson never shied away from the great subjects of human suffering, loss, death, even madness, but her perspective was intensely private; like Rainer Maria Rilke and Gerard Manley Hopkins, she is the great poet of inwardness, of the indefinable region of the soul in which we are, in a sense, all alone.

     A body entombed in a London tube station. DCI Grant Foster is called in to investigate, but within days a second corpse is discovered in the bowels of a disused underground ‘ghost’ station. With the possibility of the murders being linked, Foster enlists the help of his friend, genealogist Nigel Barnes. Between them, they try to untangle the twisted secrets of the past, buried deep beneath London’s streets – where no one can hear you scream, and the murderer is closing in on his next victim . Includes an extract from The Blood Detective, the first book in the Blood Detective series.

    Falk s encyclopedic knowledge of Wolverines football traditions and history make him a vital component of the staff that transforms talented college football players into true Michigan Men. And in his nearly four decades on the job, Falk has become one of the most beloved figures in team history. In If These Walls Could Talk, Falk shares his stories, memories, and friendships established in the locker room, on the sideline, and on the road with one of college football s most storied institutions. From legendary tales of Bo Schembechler s epic gridiron chess matches with Ohio State s Woody Hayes to the memorable day Falk introduced freshman phenom Anthony Carter to two-time All-American Ron Kramer, Falk s recollections connect the past and present to underscore the importance of building the relationships that drive the Wolverines to success. Win or lose, a game only lasts 3-1/2 hours, Falk said. Friends last a lifetime. He s an extra arm to the coaching staff. He s a shoulder to lean on for the players.... All players eventually have to leave the University of Michigan. But no one ever leaves Big Jon. Tom Brady, former Michigan quarterback, from his foreword [Falk] can tell stories going all the way back to Bo. That s a good feeling for a former player. That s what Michigan is all about. When you play football for Michigan, you never really leave. It will always be part of your home. Mike Hart, former Michigan running back Nobody knows more about Michigan tradition than Jon. Paul Jokisch, former Michigan wide receiver

    This title enables students to grasp key sociological concepts and learn the useful lesson that there is much that goes on in the social world that escapes the sociologically untrained eye.