Johnson's story of AIDS, abuse, and hope received extensive media coverage. Foreword by Paul Monette; Afterword by Fred Rogers, with a new Afterword by the author.

    Their hair billows in brilliant hues, their dresses end in fishtails, and their joy fills the train car. When Julián gets home, daydreaming of the magic he's seen, all he can think about is dressing up just like the ladies in his own fabulous mermaid costume: a periwinkle curtain for his tail, the fronds of a potted fern for his headdress. But what will Abuela think about the mess he makes—and even more importantly, what will she think about how Julián sees himself? Mesmerizing and full of heart, Jessica Love's author-illustrator debut is a jubilant picture of self-love and a radiant celebration of individuality.

    His brother, Connor, has already been kicked out of the house for being gay and laying low seems to be his only chance to avoid the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands.Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself.-------------------------------------------------------------------------------------Optioned for screen by Game of Thrones’ Nikolaj Coster-Waldau’s, Ill Kippers Productions, and Pretty Little Liars’ Julian Morris

    He's on his own in New York City. Nobody to depend on; nobody depending on him. And it's been working fine.Until this girl comes along. She's 18 and blond and pretty--her world should be perfect. But she's seen things no one should ever see in their whole life--the kind of things that break a person. She doesn't seem broken, though. She seems . . . innocent. Like she doesn't know a whole lot. Only sometimes she does.The one thing she knows for sure is that the world is an ugly place. Now her life may depend on Jordy proving her wrong. So they hit the road to discover the truth--and there's no going back from what they find out.This deeply felt, redemptive novel reveals both the dark corners and hidden joys of life's journey--and the remarkable resilience of the human soul.

    After her mother convinces her to make an appearance, she makes a huge impression on everyone present, from the villagers to the king and queen, but she ends up finding true love in a most surprising place.

    From veteran picture book author George Shannon and up-and-coming artist Blanca Gomez comes a playful, interactive counting book that shows how a family can be big or small and comprised of people of a range of ages, genders and races.

    While visiting, Grey must confront a painful past riddled in homophobia, secrets, religious hypocrisy and fear."-- Queerty "Anyone who has come out in small-town America will understand how difficult it is to be who you are when the majority of customers at your family restaurant are the same ones you just saw in church....Some Go Hungry is at its best when confronting religious prejudice, and is even pulse-quickening when the narrator sits through one of his friend's sermons aimed directly at him....Only someone who has grown up in rural America could write so convincingly of the pressures there. It's also refreshing to find a book that relates the experience of being gay somewhere other than in a large city."-- Gay & Lesbian Review "A gay murder mystery that takes readers from Miami Beach, Florida to Fort Sackville, Indiana, as Grey Daniels 'struggles to live his authentic, openly gay life' amidst the fundamentalist Christians in his hometown."-- Bay Area Reporter "Captivating debut...[Protagonist] Grey's tale is a lesson for us all that only when we consider our own feelings first will we find happiness--and acceptance."--Edge Media Network"Redmond's fiction isn’t an attempt to recap historical events. The fictional news reports of character Robbie Palmer's alleged murder interspersed between chapters, and the 'homophobia' that engulfs the fictional town of Fort Sackville, is a platform from which the author can express his sincere concern regarding real-life situations that occur in our modern world."-- Boomer Magazine "I was totally engrossed in what I read...An important tale that in some ways is timeless...We read of bigotry, religion, murder, and personal redemption in small-town America as told by a new writer who is a master storyteller and whom I expect to be hearing about in the near future."--Reviews by Amos Lassen"Patrick Redmond has filled his first novel with passion--the passion to tell a story that resonates far beyond the confines of the small Indiana town where it is set. Some Go Hungry tells an important tale that in some ways is timeless, and in other ways could have been ripped from today's headlines."--Mark Childress, author of Crazy in AlabamaPart of Akashic's Kaylie Jones Books imprint.Some Go Hungry is a fictional account drawn from the author's own experiences working in his family's provincial Indiana restaurant--and wrestling with his sexual orientation--in a town that was rocked by the scandalous murder of his gay high school classmate in the 1980s.Now a young man who has embraced his sexuality, Grey Daniels returns from Miami Beach, Florida, to Fort Sackville, Indiana, to run Daniels' Family Buffet for his ailing father. Understanding that knowledge of his sexuality may reap disastrous results on his family's half-century-old restaurant legacy--a popular Sunday dinner spot for the after-church crowd--Grey struggles to live his authentic, openly gay life. He is put to the test when his former high school lover--and fellow classmate of the murdered student--returns to town as the youth pastor and choir director of the local fundamentalist Christian church.Some Go Hungry is the story of a man forced to choose between the happiness of others and his own joy, all the while realizing that compromising oneself--sacrificing your soul for the sake of others--is not living, but death.

    His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.  A selection of InsightOut Book Club Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation Finalist, TLA Gaybie Award for Best Gay Fiction Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University Semi-finalist, William Saroyan International Prize For Writing, Stanford University

    Just as important, the story doesn’t gender people or body parts, so most parents and families will find that it leaves room for them to educate their child without having to erase their own experience.

    Mack says she will soon be a grandmother, her students realize that teachers have families just like they do! Suddenly everyone in the class wants to share information about his or her own unique family.

    Their mama has gone away many times before, but something tells them that this time she won't be coming back. Then a social worker comes and takes them to meet their Aunt Gracie. Beebee barely remembers her, and Mama never even told Johnson about her. They wonder where she's been all this time--and why she would want to take care of them. Warily, though, the children begin to trust Aunt Gracie. And in the process, they come to a better understanding of what it means to be a family.

    See, Henrique didn't disclose his positive HIV status to Victor until after they had sex, and even though Henrique insisted on using every possible precaution, Victor is livid.That's when Victor meets Ian, a guy who's also getting tested for HIV. But Ian's test comes back positive, and his world is about to change forever. Though Victor is loath to think about Henrique, he offers to put the two of them in touch, hoping that perhaps Henrique can help Ian navigate his new life. In the process, the lives of Ian, Victor, and Henrique will become intertwined in a story of friendship, love, and stigma-a story about hitting what you think is rock bottom, but finding the courage and support to keep moving forward.Set in Rio de Janeiro, Brazil, this utterly engrossing debut by Brazilian author Lucas Rocha calls back to Alex Sanchez's Rainbow Boys series, bringing attention to how far we've come with HIV, while shining a harsh light on just how far we have yet to go.

    J. Austrian and the acclaimed author-illustrator of Little Elliot, Big City, Mike Curato.You are cordially invited to celebrate the wedding of a worm . . . and a worm.When a worm meets a special worm and they fall in love, you know what happens next: They get married! But their friends want to know—who will wear the dress? And who will wear the tux?The answer is: It doesn't matter. Because Worm loves Worm.

    No matter your size, shape, or pedigree--if you love each other, you are a family!Moms, dads, sisters, brothers — and even Great Aunt Sue — appear in dozens of combinations, demonstrating all kinds of nontraditional families! Silly animals are cleverly depicted in framed portraits, and offer a warm celebration of family love.

    Marston's kindergarten class are cleaning and decorating their room for the upcoming Open School Night. Molly and Tommy work on drawing pictures to put on the walls. Molly draws her family: Mommy, Mama Lu, and her puppy, Sam. But when Tommy looks at her picture, he tells her it's not of a family. "You can't have a mommy and a mama," he says. Molly doesn't know what to think; no one else in her class has two mothers. She isn't sure she wants her picture to be on the wall for Open School Night.Molly's dilemma, sensitively explored in words and art, shows readers that even if a family is different from others, it can still be happy, loving, and real.