African American Studies. TWERK unveils an identity shaped by popular media and history, code switching and cultural inclusivity. The poems, songs, and myths in this long-awaited first book are as rooted in lyric as in innovation, in Black music as in macaronic satire. TWERK evokes paradox, humor, and vulnerability, and it offers myriad avenues fueled by language, idiom, and vernacular. From a poet unafraid to take risks, this book asks only that we imagine America as it has always existed, an Americana beyond the English language."Here it is: a dope jam of dictions; a remixed, multicultural, polyphonic dance of vocabularies; a language of high stakes, hi-jinx, and hybridity. TWERK is subversive, vulnerable, and volatile. TwERK twists tongues. TwERK tweaks speech. Reading these amazing poems mostly makes me say, Wow! Open your ears to take this music in, open your mouth to say it out loud. And: Wow!"--Terrance Hayes"Tweaking parallel languages, rebooting and putting them to (hard, hard) work, TWERK's non-stop shimmy-shimmy embarks on an anime-iigjag idio-lingual-lectical booty-roll and doesn't come down until the break of dawn. La Reina de Harlem responds to Lorca's Big-Apple-opolis heteroglossia with her own inimitable animations, incantations and ululations, twisting tongues so mellifluously that you don't even realize you've been dancing on Saturn with Sun Ra for hours and still could have begged for more. Welcome LaTasha Diggs: this is her many-splendored night out!"--Maria Damon"From this time forward, TWERK, can refer to a collection of cultural coordinates of a radically transformed Americas. TWERK--is rare poetics, a vine enmeshed onyx slab of gypsum glyphs inscribed. Cut, swirly, and nervy, N. Diggs's fractal-linguistic urban chronicles deftly snip away at the lingering fears of a fugitive English's frisky explorations. In her first major work, N. Diggs doesn't so much 'find' culture as she conjures up the new emerging happy peoples herein. Five thousand updates--download now!"--Rodrigo Toscano

    Eliot to Wallace Stevens), suffered many tragedies. His mother died when he was just five years old, but in 1879 the cruelest blow of all struck when his beloved son Anatole died at the age of eight. A Tomb for Anatole presents the 202 fragments of Mallarme's projected long poem in four parts. By far the poet's most personal work, he could never bring himself to complete it. To speak publicly of his immense sorrow, Mallarme concluded, "for me, it's not possible." Unpublished in France until 1961, these works are very far from the oblique, cool "pure poetry" Mallarme is famous for, poetry that sought to capturepainstakingly"l'absente de tous bouquets" (the ideal flower absent from all bouquets). Paul Auster, who first published A Tomb for Anatole with the North Point Press in 1983 (a volume long out of print), notes in his excellent introduction that facing "the ultimate horror of every parent," these fragments "have a startling unmediated quality." As Mallarme writes, it is "a vision / endlessly purified / by my tears."

    All contributing authors and business partners are donating their share to The Book Industry Charitable Foundation, a nonprofit organization that coordinates charitable programs to strengthen the bookselling community. The roster of diverse voices includes Faith Adiele, Kwame Alexander, Jenna Blum, Andre Dubus III, Jamie Ford, Nikki Giovanni, Pam Houston, Jean Kwok, Major Jackson, Devi S. Laskar, Caroline Leavitt, Ada Limón, Dani Shapiro, David Sheff, Garth Stein, Luis Alberto Urrea, Steve Yarbrough, and Lidia Yuknavitch. ALONE TOGETHER is divided into five sections: What Now?, Grieve, Comfort, Connect, And Don't Stop. The overarching theme is how this age of isolation and uncertainty is changing us as individuals and a society.

    But some whisper murder. Some suggest the grand Eastern European tradition of coerced suicide. It may even be related to the religious cult ceremony he happened upon in Munich . . . or that job as a dancer in a strip club for older women. Or, then again, it may not.Perverzion constructs Perfetsky's final days using a mishmash of relics, from official documents to recorded interviews to scraps of paper. Perfetsky, the personification of the Ukrainian artistic superman—he used his masterful musicianship in a collaboration with Elton John during the pop star's secret sojourn in Ukraine—is bound for Venice to participate in a seminar to save the world from absurdity. On the way he becomes a Ukrainian Orpheus descending into the decadence of the West, navigating through surrealistic adventures and no less surrealistic seminar topics as he charges head up (and pants down) toward his fate.

    The evacuation of Dunkirk proves that the British can rise to a challenge, even against seemingly insurmountable odds. But now the soldiers walk the streets of Dover, even wandering through Woolworths store, and take weary turns on the town's skating rink. Life, despite the threat of invasion and the reality of bombing, must go on and people must take comfort where they find it. Toby Hendry, a fighter pilot, is awaiting orders when he meets Giselle, a young Frenchwoman who took the chance to flee occupied France with the English troops. Their love affair feels like a summer idyll, but can it withstand the forces of war? Meanwhile, reserve naval commander Paul Instow has been called up to fight in a war for which he feels too old. Distracting him from his worries is Molly, a young Dover prostitute. Their relationship is tender and happy, but is this a love born from desperation or could it be something more permanent? And then there are Harold, Spots and Boot, three boys desperate to fight the German invaders, armed only with catapults and a stolen Bren gun... In Dover Beach Thomas chronicles the lives and loves of ordinary people in besiged Britain during these tense, but curiously elated days.

    Among the poems he left behind are a particularly unsettling four that feature the mysterious Robinson: both a prototypical member of the smart set—masking his desperation with urbane savoir-faire—and an alter ego for the troubled Kees himself.In ROBINSON ALONE, Kathleen Rooney performs a bold act of literary mediumship, conjuring Kees through his borrowed character to sketch his restless journey across locales and milieus—New York, San Francisco, the highways between—and to evoke his ambitions, his frustrations, and his skewed humor. The product of a decade-long engagement with Kees and his work, this novel in poems is not only a portrait of an under-appreciated genius and his era, but also a beam flashed into haunted boiler-rooms that still fire the American spirit, rooms where energy and optimism are burnt down to ash.

    Eliot Prize 2021.The female body is a political space. C+nto enters the private lives of characters from the butch counterculture, telling the inside story of the protests these women led to reclaim their bodies as their own - for self-expression and against hatred. History, magic, rebellion, party and sermon vibrate through Joelle Taylor's cantos, which celebrate these underground communities throughout the '90s.

    – Shubhangi Swarup (Latitudes of Longing)

    Exploring how the mind orders experience—and how disorder, or different orders, affect that experience—Szporluk has produced a poetry of alien beauty, limning worlds where the inability to exert control results in a disturbing, overwhelming immediacy.

    All you do is sit down at a typewriter and bleed.” -Ernest Hemmingway I don’t lead the kind of life that should be written about. I’ve done terrible things and lived a hundred lives, running away from my problems. That defines me, I guess. An escapist. Maybe I’m just messed up. Whatever the case, this is my confession. These are my truths. I give to you my uncensored life- my heart on a platter. I have sat down at my typewriter. Watch the words form from the blood that pours forth. -R.J. Avenira

    Film. Religion & Spirituality. How does one participate (read and write) from within the membranous precinct between our multiple bodies, from within the larger rhizomic field of resonances, where much is sounding and also unsounded? By employing various divinatory generators (instructions, methods, trances), the essays in IDEAL SUGGESTIONS: ESSAYS IN DIVINATORY POETICS genuflect to practices that celebrate engagement with uncertainty while cultivating strategies through which one might collaborate with both rupture and rapture.

    These reminders cover all aspects of life: graduating, growing up, feeling lost, loving too much, struggling to find love, struggling to move on, trying to let go or going through a quarter life crisis. We all need uplifting reminders to keep us going and make us feel like we’re not alone. This book is more of a manual on how to navigate the hurdles of life and overcome them.

    Moved by the guilt of never having worked with his hands, Neruda opens with the despairing confession, “Why did I not make a broom? / Why was I given hands at all?” The themes of hands and work grow in significance as Neruda celebrates the carpenters, longshoremen, blacksmiths, and bakers—those laborers he admires most—and shares his exuberant adoration for the earth and the people upon it.Yes, I am guiltyof what I did not do,of what I did not sow, did not cut, did not measure,of never having rallied myself to populate lands,of having sustained myself in the desertsand of my voice speaking with the sand.Pablo Neruda (1904–1973) was a Chilean poet and diplomat who received the Nobel Prize in Literature in 1971. Recognized during his life as “a people’s poet,” he is considered one of the greatest artists of the twentieth century.William O’Daly is the best-selling translator of six of Pablo Neruda’s books, including The Book of Questions and The Sea and the Bells. His work as a translator has been featured on The Today Show.

    But tonight, as dusk falls, there is a sense of something special in the air. An inn packed with revellers, shepherds sprawled on the grass, animals in their stables: everything will be changed when a bright star bearing news arrives in the sky. Carol Ann Duffy’s evocative new poem will transport you to Bethlehem, capturing the sights, the sounds and the atmosphere of this ancient and magical place.

    The much-awaited second book by a truly revolutionary poet, in the lineage of Gil Scott Heron, Allen Ginsberg, Audre Lorde.