With his family, Rafael lives on the edge of the refuse heap in a forgotten corner of America's Southwest. Desperately poor, he is determined to give his family some respite from their dire poverty, even if it means trading his own life to do it.Rafael finds a man who says he will pay many thousands of dollars in exchange for his life: and so he agrees to "star" in a snuff film.

    A land of technological marvels swallowed up by the ocean. Experts argue over whether it ever existed as more than a thought experiment. Were there real events behind the story? Explorers searched for it, but never found convincing evidence. Most thought Atlantis was just than a legend…Until it came back.

    With ten months to live, he decided to accept his imminent death and went on the road. His calm, philosophical response made him even more beloved and admired. And then the strangest thing happened: he didn't die. Don't You Leave Me Here is the story of his life in music, his life with cancer, and his life now - in the future he never thought he would see.

     She's a working wife and mother, and her job is cleaning up crime scenes. Considering what she sees everyday, it must take a lot to disturb a woman like Bonnie Winter. You can't imagine. In this brilliantly unnerving novella, Graham Masterton speaks the unspeakable with terrifying precision and elegance, and finds menace in the most ordinary turns of an ordinary day. Step into Bonnie Winter's world and just try to forget it.

    E. "Doc" Smith MEGAPACK™ collects 11 works by Smith, including entries in the Lensman, Skylark, Subspace, and Lord Tedric series -- in all, more than 1,700 pages of galaxy-spanning adventure! Included are:TRIPLANETARYFIRST LENSMANTHE VORTEX BLASTERTHE GALAXY PRIMESMASTERS OF SPACETHE SKYLARK OF SPACESKYLARK THREESPACEHOUNDS OF IPCSUBSPACE SURVIVORSTEDRICLORD TEDRICIf you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 250+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    Blind since childhood and put into a state home, Ludlow first learns the piano and later takes up the horn. When at fifteen he is released to the custody of a bandleader, his unmistakable talent takes him on an odyssey from Boone's Cafe, a small dive in New Marsails, to New York where he becomes a leading, visionary jazz musician. This is the coming of age story of a man set apart - by blindness, by race, by artistry - who must learn through adversity not only who he is and whom to trust, but also from where he derives his self worth. The Dark Tower Series brings this neglected classic back into print after an absence of many years. Considered by Stanley Crouch to be one of the finest novels ever written about jazz - an exploration of the African-American experience that evokes comparisons to Ralph Ellison's Invisible Man - A Drop of Patience is an exquisite and forceful parable of moral and spiritual blindness and a staggering work of art.

    And now, the man who loves Naomi must find her...and bring her back to the world of the living, a world where a New York brownstone holds a burial ground of those accused of witchcraft, where the secrets of the living may be found within the ancient diary of a witch, and where a creature known only as the Serpent has escaped its bounds at last.

    The boy seems to have a psychic connection to something in the dark forest, something unseen... and evil. The old-timers in the region know the truth of the legendary creature that stalks the Pine Barrens. And they know the savagery it's capable of

    But Button was only dimly aware of the sounds. Her consciousness had shrunk down to focus on the body that was blocking her hole— —and the warm, thick liquid that was dripping onto her hand.” Button is an 11 year old, bubbly and intelligent girl who is haunted in her dreams by a tapping sound… Living with her mother and father in Cottsborough, Vermont, Button had been trained to hide and not ever answer to her secret name, ‘Rachel’. One day, two men arrive at Button’s family home searching for her by this secret name. Refusing to give Button up, things turn violent and the men shoot her father dead. Through a narrow crack in the floor boards, Button bears witness to the murder. Eluding the two men who tried to catch her, Button uses her wits to navigate herself from Vermont to Boston and then to New York. Button has a plan to find her uncle Dromkin. When her search seems hopeless, Button is taken in by a resident of her uncle’s apartment building, Phil, who claims he can help. But when they find Dromkin sprawled on the floor with his throat cut, Button is convinced she is somehow the cause of these family murders... Will Phil be able to keep her identity hidden long enough for her to find out the truth? Praise for Michael Kurland: "A perfect tale of childhood terror." - Tom Kasey Michael Kurland grew up in New York City, attended Columbia University, spent four years in the Army, much of it in Europe, and now lives in California with his partner, novelist Linda Robertson, a dog, a cat, and an occasional visiting family of raccoons. He has been a teacher of obscure subjects to disinterested children, the editor of a magazine even more idiosyncratic than himself, a seeker of absent persons, a magical explainer, and guest lecturer at numerous unrelated events. Kurland has written a dozen or so science fiction novels, a brace of mysteries, and several books that fit into that tenuous genre known as “mainstream.” He has been nominated for an Edgar (twice) and for the American Book Award. His books have been translated into eleven other languages. His other novel with Venture Press is Psi Hunt.

    A pathbreaking, surreal novel of the outdoors.

    The mythical warrior Beowulf. A harem of hot warrior women and monster girls. Joining forces to take down the bad guys in modern-day Los Angeles. Wait. What? Adam Fraser's coming home from an unsuccessful movie pitch when he nearly collides with Beowulf and a duo of powerful warrior women who’ve been catapulted forward in time by an evil alchemist named Mossheart. Realizing that each can help the other, they set off on an epic journey across Hollywood to track down the alchemist before he accomplishes his ultimate goal: the resurrection of the monster Grendel. What could go wrong? Lots. Tons. A crapload of things could and do go wrong, but along the way, Adam builds his harem, grows in strength and skills, gathers material for an incredible movie, and discovers how to defeat villains and become an expert um…swordsman. Warning: would it surprise you to learn that this book’s intended for those over the age of 18 who like fresh takes on old stories, sexy monster women, shapeshifters, adrenaline-fueled action, cool snarky characters, and lots of haremy (yes, that’s a real word) adult situations? Probably not, so if you like those things, and I’m guessing you do, come and get swung with The Swordsman!

    Edgar Pool is "The Horn," the hero, and the man who helps change the face of American music. He becomes the legend whose triumphant and tragic career is reconstructed through the memories of his friends and lovers.

    Writing in the Dark offers advice, guidance, and insights on how to compose horror stories and novels that are original, frightening, entertaining, and well-written.Waggoner covers a wide range of topics, among them why horror matters, building viable monsters, generating ideas and plotlines, how to stylize narratives in compelling ways, the physiology of fear, the art of suspense, avoiding clichés, marketing your horror writing, and much more. Each chapter includes tips from some of the best horror professionals working today, such as Joe Hill, Ellen Datlow, Joe R. Lansdale, Maurice Broaddus, Yvette Tan, Thomas Ligotti, Jonathan Maberry, Edward Lee, and John Shirley. There are also appendices with critical reflections, pointers on the writing process, ideas for characters and story arcs, and material for further research.Writing in the Dark derives from Waggoner’s longtime blog of the same name. Suitable for classroom use, intensive study, and bedside reading, this essential manual will appeal to new authors at the beginning of their career as well as veterans of the horror genre who want to brush up on their technique.

    I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA BOOKS NEW YORK CONTENTS PAGE CONTENTS FILM TECHNIQUE A separate table of contents for FILM ACTING appears at the beginning of that volume. INTRODUCTION BY LEWIS JACOBS iii INTRODUCTION TO THE GERMAN EDITION . . xiii I. THE FILM SCENARIO AND ITS THEORY FOREWORD 1 PART I. THE SCENARIO .... 3 The meaning of the shooting-script The construction of the scenarioThe theme The action-treatment of the theme Conclusion. PART H. THE PLASTIC MATERIAL . . 26 The simplest specific methods of shooting-Method of treatment of the material struc tural-editing Editing of the scene Editing of the sequence Editing of the Scenario-Editing as an instrument of impression rela tional editing. II. FILM DIRECTOR AND FILM MATERIAL PART I. THE PECULIARITIES OF FILM MATERIAL 51 The film and the theatre The methods of the film Film and reality Filmic space and time The material of films Analysis Editing the logic of filmic analysis The necessity to interfere with movement Organisation of the material to be shot Arranging setups The organisation of chance material Filmic form The technique of directorial work. PART H. THE DIRECTOR AND THE SCENARIO 93 The director and the scenarist The environ ment of the film-The characters in the envir iv uUC aiY MO. 7158987 PAGE onment The establishment of the rhythm of the film. PABT III. THE DIRECTOR AND THE ACTOR 105 Two kinds of production The film actor and the film type Planning the acting of the film type The ensemble Expressive movement-Expressive objects The director as creator of the ensemble. PART IV. THE ACTOR IN THE FRAME . 118 The actor and the filmic image The actor and light. PART V. THE DIRECTOR AND THE CAMERA MAN 120 The cameraman and the camera The camera and its viewpoint The shooting of movement The camera compels the spectator to see as the director wishes The shaping of the com position-The laboratory-Collectivism the basis of film-work. III. TYPES INSTEAD OF ACTORS . 137 IV. CLOSE-UPS IN TIME 146 V. ASYNCHRONISM AS A PRINCIPLE OF SOUND FILM 155 VL RHYTHMIC PROBLEMS IN MY FIRST SOUND FILM 166 VII. NOTES AND APPENDICES A. GLOSSARIAL NOTES . 175 B. SPECIAL NOTES 180 C. ICONOGRAPHY OF PUDOVKINs WORKS . 192 D. INDEX OF NAMES .... 196 The numerals in the text refer to Appendix B. INTRODUCTION THERE are few experiences more important in the education of a newcomer to motion pic tures than the discovery of V. I. Pudovkins Film Technique and Film Acting. No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in 1929 and 1933 respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age. Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods. These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards. They elucidated what iv FILM TECHNIQUE AND FILM ACTING were the fundamentals of film art and defined the singular process of expression that distinguished it from all other media. Now film theory and practice could be attacked with greater assurance and efficiency...

    Halpern enables the adult child to understand his or her parent and foster a positive, healthy adult relationship.