He ruled his village with a firm but kindly hand--instructing his tenants on their crops, their children and their love affairs. And when he died and the new Squire came, the village stirred uneasily. For the new Squire had strange ideas-and even stranger friends-friends like Mr. Mundford who never seemed to grow any older and whose name was linked with the terrible Hell Fire Club. And Mr. Mundford was interested in too many things that should not have concerned him... like the ruins of the old Roman temple... and what happened in the village on All-Hallow's Night...and in the silent, amber-eyed young woman called Damask Greenaway.

    In the apartment of Oliver's old professor at Cambridge, there is a painting on the wall, a mysterious depiction of masked revelers at the Venice carnival. On this cold winter's night, the old professor has decided to reveal the painting's eerie secret. The dark art of the Venetian scene, instead of imitating life, has the power to entrap it. To stare into the painting is to play dangerously with the unseen demons it hides, and become the victim of its macabre beauty.By the renowned storyteller Susan Hill--whose first ghost story, The Woman in Black, has run for eighteen years as a play in London's West End--here is a new take on a form that is fully classical and, in Hill's able hands, newly vital. The Man in the Picture is a haunting tale of loss, love, and the very basest fear of our beings.

     Maddie is restless in London. She has friends, a job and a sort-of boyfriend, but something in her life is missing. Then she visits the ancient village of Walditch, deep in the Dorset countryside. Something stirs in her, and on a whim she buys a centuries-old cottage and moves there three months later. Her friends think she's crazy, but for Maddie it feels like coming home. Late at night in the cottage, Maddie hears strange noises and sees mist gathering indoors and out. When she starts investigating the cottage's history, she becomes drawn into the tragic story of a family who lived here 400 years ago. Meanwhile, Maddie starts to fall in love with a local carpenter – but he has a relationship already... Can Maddie solve the riddle of the past? What is her connection with the family that lived there so many years ago? And can she and her true love ever be together? Previously published as The Forgotten Promise.

    They are drawn to the suspiciously inexpensive Cliff End, feared amongst locals as a place of disturbance and ill omen. Gradually, the Fitzgeralds learn of the mysterious deaths of Mary Meredith and another strange young woman. Together, they must unravel the mystery of Cliff End's uncanny past - and keep the troubled young Stella, who was raised in the house as a baby, from returning to the nursery where something waits to tuck her in at night... The second in Tramp's Recovered Voices series, this strange, bone-chilling story was first published in 1942, and was adapted for the screen as one of Hollywood's most successful ghost stories, The Uninvited, in 1944.

       Calista Langley operates an exclusive “introduction” agency in Victorian London, catering to respectable ladies and gentlemen who find themselves alone in the world. But now, a dangerously obsessed individual has begun sending her trinkets and gifts suitable only for those in deepest mourning—a black mirror, a funeral wreath, a ring set with black jet stone. Each is engraved with her initials.   Desperate for help and fearing that the police will be of no assistance, Calista turns to Trent Hastings, a reclusive author of popular crime novels. Believing that Calista may be taking advantage of his lonely sister, who has become one of her clients, Trent doesn’t trust her. Scarred by his past, he’s learned to keep his emotions at bay, even as an instant attraction threatens his resolve.   But as Trent and Calista comb through files of rejected clients in hopes of identifying her tormentor, it becomes clear that the danger may be coming from Calista’s own secret past—and that only her death will satisfy the stalker...

    Then a beautiful young woman is found raped and savagely murdered on the altar steps of an ancient church near Westminster Abbey. A dueling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for his life, Sebastian calls upon his skill as an agent during the war to catch the killer and prove his own innocence. In the process, he accumulates a band of unlikely allies, including the enigmatic beauty Kat Boleyn, who broke Sebastian's heart years ago. In Sebastian's world of intrigue and espionage, nothing is as it seems, yet the truth may hold the key to the future of the British monarchy, as well as to Sebastian's own salvation....

    Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.The Woman in WhiteOne of the greatest mystery thrillers ever written, Wilkie Collins' The Woman in White was a phenomenal bestseller in the 1860s, achieving even greater success than works by Dickens, Collins' friend and mentor. Full of surprise, intrigue, and suspense, this vastly entertaining novel continues to enthrall readers today.The story begins with an eerie midnight encounter between artist Walter Hartright and a ghostly woman dressed all in white who seems desperate to share a dark secret. The next day Hartright, engaged as a drawing master to the beautiful Laura Fairlie and her half sister, tells his pupils about the strange events of the previous evening. Determined to learn all they can about the mysterious woman in white, the three soon find themselves drawn into a chilling vortex of crime, poison, kidnapping, and international intrigue.Masterfully constructed, The Woman in White is dominated by two of the finest creations in all Victorian fiction: Marion Halcombe, dark, mannish, yet irresistibly fascinating, and Count Fosco, the sinister and flamboyant "Napoleon of Crime."

    When financial problems force her family to sell their London home, a strange solicitor arrives with an astounding offer: the use of a distant manor house abandoned for eighteen years. The Fosters journey to imposing Pembrooke Park and are startled to find it entombed as it was abruptly left: tea cups encrusted with dry tea, moth-eaten clothes in wardrobes, a doll's house left mid-play . . . The handsome local curate welcomes them, but though he and his family seem to know something about the manor's past, the only information they offer Abigail is a warning: Beware trespassers who may be drawn by rumors that Pembrooke contains a secret room filled with treasure. Hoping to improve her family's financial situation, Abigail surreptitiously searches for the hidden room, but the arrival of anonymous letters addressed to her, with clues about the room and the past, bring discoveries even more startling. As secrets come to light, will Abigail find the treasure and love she seeks...or very real danger?

    Paralysed, mute and confined to a wheelchair, former palaeontologist Sir Hugo Coal recounts the events that led to his 'cerebral accident', as well as his suspicions of his butler Fledge, who he suspects is plotting to replace him as Lord of Crook Manor.

    Lucy can't believe it, but in a time where the accused are presumed guilty until proven innocent, lawyers aren't permitted to defend their clients, and—if the plague doesn't kill the suspect first—public executions draw a large crowd of spectators, Lucy knows she may never find out what really happened. Unless, that is, she can uncover the truth herself.Determined to do just that, Lucy finds herself venturing out of her expected station and into raucous printers' shops, secretive gypsy camps, the foul streets of London, and even the bowels of Newgate prison on a trail that might lead her straight into the arms of the killer.In her debut novel Murder at Rosamund's Gate, Susanna Calkins seamlessly blends historical detail, romance, and mystery in a moving and highly entertaining tale.

    He finds himself swept off of his feet and married to her, bringing her with him to live in his family home. She is his erotic dream come true; she does everything she can to bind him to her and join him in his comfortable life.Soon, however, odd things begin to happen. Things in the house are strangely damp with what looks like seawater, bodies appear under the water that aren't really there. It all winds up to a horrifying conclusion.

    As a young girl, Bronwyn could pass through a time slip in her great-aunt’s house, where she visited William Thorne, a boy her own age, born two centuries earlier. After a family tragedy, the house was shuttered and Bronwyn was convinced that William existed only in her imagination. Now, twenty years later Bronwyn inherits Thorne Manor. And when she returns, William is waiting. William Thorne is no longer the boy she remembers. He’s a difficult and tempestuous man, his own life marred by tragedy and a scandal that had him retreating to self-imposed exile in his beloved moors. He’s also none too pleased with Bronwyn for abandoning him all those years ago. As their friendship rekindles and sparks into something more, Bronwyn must also deal with ghosts in the present version of the house. Soon she realizes they are linked to William and the secret scandal that drove him back to Thorne Manor. To build a future, Bronwyn must confront the past.

    In a churchyard, villagers gather on the night when the ghosts of those who will die in the coming year are thought to be seen. Here, where the estuary leads out to the sea, superstitions still hold sway.Standing alone is the taxidermist's daughter. At 17, Constantia Gifford lives with her father in a decaying house: it is all that is left of Gifford's once world-famous museum of taxidermy. The stuffed animals that used to grace every parlour are out of fashion, leaving Gifford a disgraced and bitter man.The bell begins to toll and all eyes are fixed on the church. No one sees the gloved hand pick up a flint. As the last notes fade into the dark, a woman lies dead.While the village braces itself against rising waters and the highest tide of the season, Connie struggles to discover who is responsible, but finds herself under suspicion. Is Constantia who she seems - is she the victim of circumstances or are more sinister forces at work? And what is the secret that lies at the heart of Gifford House, hidden among the bell jars of her father's workshop?Told over one summer, The Taxidermist's Daughter is the haunting new novel from the bestselling author of Labyrinth, Sepulchre, Citadel and The Winter Ghosts.

    His two tutees are as different as can be--younger sister Marianne, full of flightiness and nervous imagination, and Juliana, sensible and controlled. Helped by their governess, Charlotte Agnew, Samuel begins to uncover slowly why Marianne is so emotionally fragile, and in doing so uncovers a web of intrigue. But his discoveries lead to revenge and betrayal--and lives all around are turned upside down. Linda Newbery has written a novel in diary style, combining different voices and a different century with her usual brilliance and ease. These are characters full of the same passions as our own today, while living in an unfamiliar and fascinating time.From the Hardcover edition.

    She finds herself falling for the attractive estate manager, who carries secrets of his own. As the tension grows more unbearable, Ellen will have to risk everything she holds dear to discover the secrets that lurk in the shadows of the Chateau D'Arc.