Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    Then, as the play begins, the perspective shifts and reader becomes the real audience to this unique performance.

    Disney’s Beauty and the Beast is retold in the classic Little Golden Book format.

    Her stepmother was so hateful that she counted every drop of water the orphan drank! But with the help of Nature's blessings, the orphan was showered with gifts: brilliance from the Sun, beauty from the Moon, gracefulness from the Dawn—and even a tiny pair of blue shoes from the Sea. When the prince comes to visit their village, he only has eyes for the mysterious beauty. Children will love this fanciful folk retelling of the Cinderella story, accompanied by luminous watercolor illustrations by Giselle Potter.

    But only Rapunzel, from atop a penthouse in which she is imprisoned by her evil Aunt Esme, has hair so long that it sweeps the sidewalk in front of the building. The elevators don't work, so Aunt Esme uses Rapunzel's hair to come and go. And poor Rapunzel spends day after lonely day surrounded by orange-and-brown-patterned walls and shag carpeting, listening to her beloved LPs. Then, at last, a handsome stranger climbs up Rapunzel's hair...why, he's the glam-rock prince of her dreams! David Roberts's funky 1970s illustrations give this Rapunzel an exciting new twist. Bellbottoms, disco balls, and long sideburns make this the funkiest fairy tale ever!

    The king decides his daughters must be kept safe at all costs, and for the girls, those costs include their lessons, their possessions, and most importantly, their freedom. But the sisters, especially the eldest, Princess Frida, will not bend to this fate. She still has one possession her father cannot take: the power of her imagination. And so, with little but wits and ingenuity to rely on, Frida and her sisters begin their fight to be allowed to live on their own terms.The Restless Girls is a sparkling whirl of a fairy tale--one that doesn't need a prince to save the day, and instead is full of brave, resourceful, clever young women.

    One day, Little Bear wanders out of the woods and finds himself lost in the Big City. Will he find the city too noisy? Too quiet? Or just right? And what are the chances of him bumping in to someone who remembers exactly how he likes his porridge?

    But Raven has a spark of rebelliousness in her heart and she knows one thing for sure-evil is so not her style. Read all about her getting ready to return to Ever After High in this excerpt from the upcoming book The Storybook of Legends.

    Zvorykin left Russia after the Revolution and settled finally in Paris, where he found employment in the publishing house of H. Piazza. At some point in the 1920s, years after the Russia he knew had disappeared, he made the original of this book as a present for his employer, Louis Fricotelle. He translated four Russian fairy tales into French, writing them out in beautiful calligraphy and illustrating them on heavy vellum pages, which he then bound in red Moroccan leather embossed with Russian motifs. It was a gift of gratitude for a new life, celebrating all he valued and missed in the old.Fifty years later Andreas Brown of the Gotham Book MArt brought this luxurious manuscript to the attention of Jacqueline Onassis (who also edited In the Russian Style) and The Viking Press, where it was decided to issue the book in a format that would make it accessible to the public. All the splendid illustrations - vivid in color, detail, and not least of all, whimsy - are reproduced from the original art. The stories - The Firebird, Maria Morevna, The Snow Maiden, and Vassilissa the Fair - spiced with quintessentially Russian images and supernatural beings, are based on existing English translations that have been modified to preserve the flavor of Zvorykin's versions.

    The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.

    Fee, Fi, Fo, Fum’un, I smell the blood of an Englishwoman. Be she alive or be she dead, I'll grind her bones to make my bread. Readers will cheer on the resourceful, gutsy Kate as she outsmarts the famously greedy giant.

    22 color photos.

    Beautifully illustrated story about the beauty and the beast, enchanted not only by an evil spell, but by love.

    Meet Prince Trunky, The Warty Sisters, The Furry Godmouse and Cinderelephant in this rip-roaring hilarious take on a well-loved fairy tale.

    Her new wicked stepmother and stepsister make Pear Blossom the victim of their cruelty. They give her the nickname Pigling, or little pig, and do everything they can to torture her. But soon, magical creatures come to Pear Blossom's aid and one day, the girl meets a handsome magistrate. Will Pear Blossom's luck change for the better? Or is she destined to suffer at her stepfamily's hands forever?