But his penetrating work of political philosophy - now fully revised and with a new introduction for this edition - opened up questions about the nature of statecraft and society that influenced governments across the world.

    It follows the life of Don Wanderhop from his childhood in an immigrant Calvinist family living in Chicago in the 1950s through the loss of a brother, his faith, his wife, and finally his daughter-a tragedy drawn directly from De Vries's own life. Despite its foundation in misfortune, The Blood of the Lamb offers glimpses of the comic sensibility for which De Vries was famous. Engaging directly with the reader in a manner that buttresses the personal intimacy of the story, De Vries writes with a powerful blend of grief, love, wit, and fury.

    Also left behind is Abishag’s betrothed, Joseph, who has already waited many months to claim his bride. Now, he must wait until Israel’s king no longer needs her. Torn from the comfort of her small village, Abishag is thrust into a world of unfamiliar customs, royal expectations, and palace intrigue. She is greeted suspiciously by the king’s concubines, warmly by Queen Bathsheba, and reluctantly by King David himself. Adonijah, the king’s son, is bitter over his father’s choice of Solomon as Israel’s next king. He determines to ruin Abishag to prevent her from being given as a prize to Solomon at their father’s death. Suffering personal losses, as well as scorn from much of the royal court, Abishag begins to question God’s goodness in placing her in the king’s service. Can she find someone there who understands that one who comforts the king is in great need of comfort herself? Will Abishag’s time with the king end in despair or joy?

    S. Eliot's verse dramatization of the murder of Thomas Becket at Canterbury, winner of the Nobel Prize for LiteratureThe Archbishop Thomas Becket speaks fatal words before he is martyred in T. S. Eliot's best-known drama, based on the murder of the Archbishop of Canterbury in 1170. Praised for its poetically masterful handling of issues of faith, politics, and the common good, T. S. Eliot's play bolstered his reputation as the most significant poet of his time.

    John Locke's subtle and influential defense of religious toleration as argued in his seminal Letter Concerning Toleration (1685) appears in this edition as introduced by one of our most distinguished political theorists and historians of political thought.

    Rosenberg is stunned to discover that Goethe, his idol, was a great admirer of the Jewish seventeenth-century philosopher Baruch Spinoza. Long after graduation, Rosenberg remains haunted by this “Spinoza problem”: how could the German genius Goethe have been inspired by a member of a race Rosenberg considers so inferior to his own, a race he was determined to destroy?Spinoza himself was no stranger to punishment during his lifetime. Because of his unorthodox religious views, he was excommunicated from the Amsterdam Jewish community in 1656, at the age of twenty-four, and banished from the only world he had ever known. Though his life was short and he lived without means in great isolation, he nonetheless produced works that changed the course of history. Over the years, Rosenberg rose through the ranks to become an outspoken Nazi ideologue, a faithful servant of Hitler, and the main author of racial policy for the Third Reich. Still, his Spinoza obsession lingered. By imagining the unexpected intersection of Spinoza’s life with Rosenberg’s, internationally bestselling novelist Irvin D. Yalom explores the mindsets of two men separated by 300 years. Using his skills as a psychiatrist, he explores the inner lives of Spinoza, the saintly secular philosopher, and of Rosenberg, the godless mass murderer.

    It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents—the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans—whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.

    one of the most distinguished interpreters to Americans of the non-liberal streams of European thought,-- American Political Science Review

    From Machiavelli's The Prince to Alfred Kinsey’s Sexual Behavior in the Human Male, from Karl Marx's Communist Manifesto to Margaret Mead’s Coming of Age in Samoa, these "influential" books have led to war, genocide, totalitarian oppression, the breakdown of the family, and disastrous social experiments. And yet the toxic ideas peddled in these books are more popular and pervasive than ever. In fact, they might influence your own thinking without your realizing it. Fortunately, Professor Benjamin Wiker is ready with an antidote, exposing the beguiling errors in each of these evil books. Witty, learned, and provocative, 10 Books That Screwed Up the World provides a quick education in the worst ideas in human history and explains how we can avoid them in the future.

    As she begins to translate the writings she realizes three very important facts. This is a book of prophecy foretelling the end times; it is the personal diary of Jesus Christ; and she has been chosen to save mankind from the next cataclysmic event. But when she discovers a small piece of fabric tucked inside the scroll, she and her husband David, a geneticist, are propelled into a life of science, secrecy and government conspiracy.

    Anna Meridian—an archaeologist and woman of faith—uncovers the find of a lifetime: ancient documents dating to the time of the apostles, confessions that the early Christians are perpetrating a falsehood. She decides she must keep the documents' existence a secret, but word eventually leaks out. Many turn from their faith as another earth shattering discovery sheds more light on the validity of the manuscripts. The archaeologist searches for meaning in it all—why did these manuscripts come to light and what is her part in God's plan?

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    “Let the king know. Your servant kept his father’s sheep. There came a lion and a bear and took a lamb out of the flock. And when the lion arose against me, I caught the lion by his beard, and smote him, and slew him. I also slew the bear, my lord. This uncircumcised Philistine will be as one of them, seeing he has defied the armies of the living God. The LORD God that delivered me out of the paw of the lion and out of the paw of the bear, He will deliver me out of the hand of this Philistine.”The king’s eyes closed. “I fear to send you, my son. I fear what the giant will do to you. You have yet to witness his great strength.” He hesitated. “But I do believe the LORD is with you. I pray that He is. Our honor, our nation, our lives rest upon you, my servant. Go, and Jehovah be with you.”David left the tent, but only Jonathan followed him. The king’s son walked over to a pole that bore a flag of challenge. It had lain unused on the ground for these past forty days, but now Jonathan hoisted it high and slammed the butt hard into the earth to steady it. The red flag waved defiantly in the small breeze of the late afternoon.A roar of approval rose from the ranks of Hebrew soldiers, and from the valley below, Goliath beheld the challenge flag and beat upon his breastplate in pleased battle lust. He shouted, “Come then! Send me a man that we may fight!”David took a deep breath, eyeing the monstrous giant. Then he bounded down the slope to meet his fate and fulfill the duty of his anointing.

    Emerson's Inferno delights on many levels: as an ingenious translation of classic verse; an effortlessly readable introduction to a complex poem; a delicious crib for anxious Dante students; and as a warm tribute from the master of one art form to the grand master of another. Hunt's cartoon is followed by Kevin Jackson's essay on Dante. Wildly clever and witty, but essentially reverent, it is a wonderful treat for anyone who already loves Dante.

    This led him to recast, by cutting and pasting from the gospels, a new narrative of the life and teachings of Jesus, where, according to Jefferson, there will be found remaining the most sublime and benevolent code of morals which has ever been offered to man.