Bloom's astonishing and astute new work of interconnected stories illuminates the mysteries of passion, family, and friendship.Propelled by Bloom's dazzling prose, unmistakable voice, and generous wit, Where the God of Love Hangs Out takes us to the margins and the centers of real people's lives, exploring the changes that love and loss create. A young woman is haunted by her roommate's murder; a man and his daughter-in-law confess their sins in the unlikeliest of places. In one quartet of interlocking stories, two middle-aged friends, married to others, find themselves surprisingly drawn to each other, risking all while never underestimating the cost. In another linked set of stories, we follow mother and son for thirty years as their small and uncertain family becomes an irresistible tribe. Insightful, sensuous, and heartbreaking, these stories of passion and disappointment, life and death, capture deep human truths. As The New Yorker has said, "Amy Bloom gets more meaning into individual sentences than most authors manage in whole books."William and Clare. Your borders, your rivers, your tiny villages --I love to see you coming, I hate to see you go --The old impossible --Compassion and mercy --Between here and here --Permafrost --Lionel and Julia. Sleepwalking --Night vision --Light into dark --Fort Useless and Fort Ridiculous --By-and-by --Where the god of love hangs out

    This new collection of eleven mind-bending and spellbinding tales includes some of Krzhizhanovsky's most dazzling conceits: a provincial journalist who moves to Moscow finds his existence consumed by the autobiography of his room's previous occupant; the fingers of a celebrated pianist's right hand run away to spend a night alone on the city streets; a man's lifelong quest to bite his own elbow inspires both a hugely popular circus act and a new refutation of Kant. Ordinary reality cracks open before our eyes in the pages of Autobiography of a Corpse, and the extraordinary spills out.An NYRB Classics Original

    Best friends Anna and Corry share one last morning on Earth. A solitary woman inherits a penny arcade haunted by a beautiful stranger. A prep-school student requires more than luck when playing dice with a faerie. Ladies who lunch—dividing one last bite of dessert—delve into new dimensions of quantum politeness. At summer camp, a young girl discovers the heartbreak of forbidden love.Whether on a habitat on Mars or in a boardinghouse in London, discover Ellen Klages’ wicked, wondrous adventures full of cheeky wit, empathy, and courage.

    Nothing is simple and everything is perilous when humans are involved: corruption, greed, and even love (of a sort).A permanent corporate branding gives a young woman enhanced physical abilities and a nearly-constant highRecruits lifted out of poverty find a far worse fate collecting biohazardous plants on an inhospitable worldThe only adult survivor of the apocalypse decides he will be the savior of teenagers; the teenagers are not amused.From Johannesburg to outer space, these previously uncollected tales are a compelling, dark, and slippery ride.

    An alien sex club. A Krinar who won’t take no for an answer. Amy Myers is tired of writing fluff. She wants to work on serious assignments—and what better way to prove herself than to uncover something new about the mysterious Krinar, the aliens who took over the Earth just two years earlier? But when she meets Vair, the dark and sexy owner of a Manhattan x-club, she may get more than she bargained for... The X-Club is a novelette/short story of approximately 10,000 words (56 print pages), set in the world of the Krinar Chronicles about three years before Mia & Korum’s trilogy. It’s an erotic story, not a romance. It can be read as a standalone or after the Krinar Chronicles trilogy.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    . . with all her heart. As program director for the Camelot Community Center, Amber Clark knows how to keep her cool. That is, until a sudden tornado warning forces her to take shelter in a darkened basement with a hunk of man whose sex appeal green lights her every fantasy. With a voice that would melt chocolate, he asks her if she is okay. Now she's hot all over and wondering: How does a girl make a move? Building contractor Tony Mazzara was just looking to escape nature's fury. Instead, he finds himself all tangled up with lovely Amber. Sweet and sexy, she's ready to unleash her wild side. Their mutual desire reaches a fever pitch and creates a storm of its own--unexpected, powerful, and unforgettable. But is it bigger than Tony can handle? Can he let go of painful memories and let the force of this remarkable woman show him a future he never dreamed existed? Includes a special message from the editor, as well as excerpts from these Loveswept titles: Along Came Trouble, Flirting with Disaster, and Room at the Inn.

    Dick was a master of science fiction, but he was also a writer whose work transcended genre to examine the nature of reality and what it means to be human. A writer of great complexity and subtle humor, his work belongs on the shelf of great twentieth-century literature, next to Kafka and Vonnegut. Collected here are twenty-one of Dick's most dazzling and resonant stories, which span his entire career and show a world-class writer working at the peak of his powers.In "The Days of Perky Pat," people spend their time playing with dolls who manage to live an idyllic life no longer available to the Earth's real inhabitants. "Adjustment Team" looks at the fate of a man who by mistake has stepped out of his own time. In "Autofac," one community must battle benign machines to take back control of their lives. And in "I Hope I Shall Arrive Soon," we follow the story of one man whose very reality may be nothing more than a nightmare. The collection also includes such classic stories as "The Minority Report," the basis for the Steven Spielberg movie, and "We Can Remember It for You Wholesale," the basis for the film Total Recall. Selected Stories of Philip K. Dick is a magnificent distillation of one of American literature's most searching imaginations.» Introduction by Jonathan Lethem1. Beyond Lies the Wub (wikipedia)2. Roog (wikipedia)3. Paycheck (wikipedia, imdb)4. Second Variety (wikipedia, imdb)5. Imposter (wikipedia)6. The King of the Elves (wikipedia, imdb)7. Adjustment Team (wikipedia, imdb)8. Foster, You're Dead! (wikipedia)9. Upon the Dull Earth (wikipedia)10. Autofac (wikipedia)11. The Minority Report (wikipedia, imdb)12. The Days of Perky Pat (wikipedia)13. Precious Artifact14. A Game of Unchance15. We Can Remember It for You Wholesale (wikipedia, imdb)16. Faith of Our Fathers (wikipedia)17. The Electric Ant (wikipedia)18. A Little Something for Us Tempunauts (wikipedia)19. The Exit Door Leads In (wikipedia)20. Rautavaara's Case (wikipedia)21. I Hope I Shall Arrive Soon (wikipedia)

    The lump soon morphs into a shape familiar to everyone but her, triggering her curiosity and her father's greatest fears. He frantically tries to intervene, but having a large phantom phallus in a curious maiden's bed is never a good combination.

    Her name became an adjective: Beattiesque. Subtle, wry, and unnerving, she is a master observer of the unraveling of the American family, and also of the myriad small occurrences and affinities that unite us. Her characters, over nearly four decades, have moved from lives of fickle desire to the burdens and inhibitions of adulthood and on to failed aspirations, sloppy divorces, and sometimes enlightenment, even grace. Each Beattie story, says Margaret Atwood, is "like a fresh bulletin from the front: we snatch it up, eager to know what’s happening out there on the edge of that shifting and dubious no-man’s-land known as interpersonal relations." With an unparalleled gift for dialogue and laser wit, she delivers flash reports on the cultural landscape of her time. Ann Beattie: The New Yorker Stories is the perfect initiation for readers new to this iconic American writer and a glorious return for those who have known and loved her work for decades.

    I met him during the summer I worked at the cotton candy stand when the circus came through town.He was made of big dreams, sunshine, and raw sense of being that I’d never known existed before him. His eyes were black as mud, his lips were the same color as the cotton candy I sold, and his smile could put a solar eclipse to shame.He was everything I wasn’t. He was the first man I ever loved, and he left without me ever telling him that the way he looked at me broke my heart.I’m older now, and even if that circus never comes through town again, I’ll still call him Stardust.Photo Description: A man stares into the camera, a glint of magic in his dark eyes as he inhales his cigar making it sparkle like golden starlight.This story was written as a part of the M/M Romance Group's "Love’s Landscapes" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    WrongIf lusting after him is wrong, she doesn’t want to be right…Harper Landry sometimes feels like she’s turned into a professional dater. Which might not be such a bad job if it didn’t involve having to spend so much time with a succession of truly undesirable men who were obviously still single for good reason. So she’s elated when she ends up on a blind date with the charming and handsome Danny Greevy, a man who seems too good to be true. But Harper’s starting to think that too good to be true might be downright perfect for her. Particularly when the man who launched her man-drought shows up unexpectedly to throw a wrench in her life yet again.Noah Gunderson is back in town after traveling the world for the past several years. Forced to return home after promising his mother on her deathbed to save the beloved inn that she’d nearly run into the ground, he’s planning to get far away from Verity Beach just as soon as he’s got the inn back in the black. And he’s determined not to let the distraction of Harper Landry, the one that got away, keep him here a moment longer.Falling for Mr. MaybeIf it swells, ride it…Georgie Childress moved to Verity Beach to lick her wounds after her controlling fiancé pulled a runner mere weeks before the wedding. Jobless and desperate to flee his turf, she sought solace in the quietude of the ocean, happily escaping into her own thoughts while surrounded by diving dolphins and cacophonous seagulls. Only when she accidentally runs over some random—and super sexy—surfer dude’s surfboard does she start to wonder if she needs to bring her head out of the clouds and start paying attention to life again.Spencer Willoughby long ago fled his rigid upbringing, shunning the familial expectations of an Ivy League education and Wall Street career in favor of the sun, sand and surf along North Carolina’s Outer Banks. Give him a surfboard and he’s a happy man. That is until some nutty lady with a penchant for fender-benders backs into his beloved hand-crafted wooden surfboard, snapping it in half. It’s enough to make a man crazy—crazier still because the kooky blond is making his blood run hot.Just when he finally gets the woman out of his head, Spencer is unwittingly paired off with her at a wedding as a favor to a friend, forcing him to make nice with his board-murdering nemesis who he might just want to ride off into the sunset.Falling for Mr. No Way in HellTaking the plunge…Lacy Caldwell’s mermaid gig at a cheesy roadside beach bar provided much-needed income while she pursues her graduate degree. That is until the beloved owner dies and her greedy nephew announces he’s cashing out by closing the bar and selling the property to a developer who’s going to replace the kitschy charm of the Mermaid’s Purse with ocean-view condos.Cameron Sanders can’t believe his good luck. Struggling financially, he’s thrilled to find out some random, ancient aunt he hardly knew died and left him an inheritance that’ll help take the money monkey off his back. He’s ready to go to the mat in battle when some annoying mermaid from the bar tries to throw a wrench in his plans. But things get complicated when he realizes that she’s a woman he’s started to have feelings for.

    Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *