Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    Murrow's radio program, This I Believe, gave voice to the feelings and treasured beliefs of Americans around the country. Fifty years later, the popular update of the series, which now continues on Bob Edwards Weekend on public radio, explores the beliefs that people hold dear today. This book brings together essays on love from ordinary people far and wide whose sentiments and stories will surprise, inspire, and move you.Includes extraordinary essays written by ordinary Americans on love in its many manifestations-from romantic love and love of family to love of place and love of animals Paints a compelling portrait of the diverse range of beliefs and experiences related to what is perhaps the most powerful and complex of human emotions-love Based on the popular This I Believe radio series and thisibelieve.org Web site By turns funny and profound, yet always engaging, This I Believe: On Love is a perfect gift to give or to keep.

    Exhausted by her political struggles, she is undergoing healing in the Southwest Community Infirmary. Confronting her there is Minnie Ransom, spinster and fabled vehicle of the spirit world.

    I came that they may have and enjoy life, and have it in abundance. –John 10:10, AMP Good Friday started off as anything but that for Melinda Black. After losing her job and self-dignity, a series of events cascade her onto an emotionally charged roller coaster ride that drastically changed her life forever. Will Melinda be able to handle the pressure when she stands to lose what's most important in her life? Once Upon a Sunday is an inspirational short story.

    His new work, Hip Logic, is full of poetic tributes to the likes of Paul Robeson, Big Bird, Balthus, and Mr. T, as well as poems based on the anagram principle of words within a word. Throughout, Hayes's verse dances in a kind of homemade music box, with notes that range from tender to erudite, associative to narrative, humorous to political. Hip Logic does much to capture the nuances of contemporary male African American identity and confirms Hayes's reputation as one of the most compelling new voices in American poetry.

    He may have been the greatest player the game has ever seen, but today no one remembers his name. He was the first--and only--player to have his existence completely removed from the record books. Even his team is long forgotten, barely a footnote in the game's history.Every effort was made to erase any evidence that William Blakely played professional baseball, and with good reason. Blockade Billy had a secret darker than any pill or injection that might cause a scandal in sports today. His secret was much, much worse... and only Stephen King, the most gifted storyteller of our age, can reveal the truth to the world, once and for all.

    Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.

    During his tragically short life he strove to reconcile his religious and artistic vocations, and this edition demonstrates the range of his interests. It includes all his poetry, from best-known works such as The Wreck of the Deutschland and The Windhover to translations, foreign language poems, plays, and verse fragments, and the recently discovered poem Consule Jones. In addition there are excerpts from Hopkins's journals, letters, and spiritual writings. The poems are printed in chronological order to show Hopkins's changing preoccupations, and all the texts have been established from original manuscripts.

    

    What is actual when our experiences are mediated by language, technology, medication, and the arts? Is poetry an essential art form, or merely a screen for the reader's projections? Instead of following the dictates of his fellowship, Adam’s "research" becomes a meditation on the possibility of the genuine in the arts and beyond: are his relationships with the people he meets in Spain as fraudulent as he fears his poems are? A witness to the 2004 Madrid train bombings and their aftermath, does he participate in historic events or merely watch them pass him by?In prose that veers between the comic and tragic, the self-contemptuous and the inspired, Leaving the Atocha Station is a portrait of the artist as a young man in an age of Google searches, pharmaceuticals, and spectacle.

    Even after she steps forward to reveal herself as the force behind three solo shows, there are those who doubt she is responsible for the last exhibition, initially credited to the acclaimed artist Rune. No one doubts the two artists were involved with each other. According to Burden's journals, she and Rune found themselves locked in a charged and dangerous psychological game that ended with the man's bizarre death. From one of the most ambitious and internationally celebrated writers of her generation, Hustvedt's The Blazing World is a polyphonic tour de force. It is also an intricately conceived, diabolical puzzle that addresses the shaping influences of prejudice, money, fame, and desire on what we see in one another. Emotionally intense, intellectually rigorous, ironic, and playful, this is a book you won't be able to put down.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    In this time of heightened animosity and aggression, have humanistic values and democratic principles become irrelevant? Are they merely utopian fantasies? Or are they now more urgent and necessary than ever before?Ever since the ascendancy of critical theory and multicultural studies in the 1960s and 1970s, traditional humanistic education has been under assault. Often condemned as the intolerant voice of the masculine establishment and regularly associated with Eurocentrism and even imperialism, the once-sacred literary canon is now more likely to be ridiculed than revered. While this seismic shift--brought on by advances in technological communication, intellectual specialization, and cultural sensitivity--has eroded the former primacy of the humanities, Edward Said argues that a more democratic form of humanism--one that aims to incorporate, emancipate, and enlighten--is still possible. A lifelong humanist, Said believed that self-knowledge is the highest form of human achievement and the true goal of humanistic education. But he also believed that self-knowledge is unattainable without an equal degree of self-criticism, or the awareness that comes from studying and experiencing other peoples, traditions, and ideas.Proposing a return to philology and a more expansive literary canon as strategies for revitalizing the humanities, Said contends that words are not merely passive figures but vital agents in historical and political change. Intellectuals must reclaim an active role in public life, but at the same time, insularity and parochialism, as well as the academic trend toward needless jargon and obscurantism, must be combated. The "humanities crisis," according to Said, is based on the misperception that there is an inexorable conflict between established traditions and our increasingly complex and diversified world. Yet this position fails to recognize that the canonized thinkers of today were the revolutionaries of yesterday and that the nature of human progress is to question, upset, and reform. By considering the emerging social responsibilities of writers and intellectuals in an ever more interdependent world and exploring the enduring influence of Eric Auerbach's critical masterpiece, Mimesis, Said not only makes a persuasive case for humanistic education but provides his own captivating and deeply personal perspective on our shared intellectual heritage.

    Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.

    Barthes's essay argues against traditional literary criticism's practice of incorporating the intentions and biographical context of an author in an interpretation of a text, and instead argues that writing and creator are unrelated.